Yesterday, Today, Tomorrow the Greatest Hits of Kenny Loggins

"Whenever I Call You 'Friend'", from his Nightwatch album, features Stevie Nicks on harmony vocals and was a US Top Ten hit. It starts slow, but from the refrain, the tempo bursts into a classic disco beat. There's also a nice sax solo in the middle. This song was co-written with Melissa Manchester.

The jaunty mid-tempo piano number "Heart To Heart" has a 70's R&B feel to it. This features Michael McDonald on the Rhodes piano, and on backing vocals, Richard Page and Steve George, who would later fly on their broken wings to form Mr. Mister.

Loggins made his heyday in the 1980's by being "Mr. Soundtrack," most of them which hit the Top Ten. That started with "I'm Alright" from Caddyshack, whose fun stomping tone set the pace for the movie and finally yielded a tune obviously bogus gophers could shake to. Then there's the thumping drums and surf guitar of "Footloose" which topped the US charts, and the sizzling and roaring rock guitar and a sound and lyrics that mirrored the aura of zipping in the sky at who-knows-how-many-miles-an-hour of Top Gun's "Danger Zone." Those latter two were two songs I associated with Kenny Loggins.

The next soundtrack song I remember well is his ballad "Meet Me Halfway" from the Over The Top soundtrack, also on his Avalon album. Like "Danger Zone," the music was written by Giorgio Moroder. Unfortunately, "Nobody's Fool" from Caddyshack II and also on Avalon, is not included here.

The most heartmelting tune here is "Return To Pooh Corner", the sequel to his song "House At Pooh Corner" which the Nitty Gritty Dirt Band covered. A nostalgic return to a childhood long gone, symbolized by the house on Pooh Corner, with "so much to be done/count all the bees in the hive/chase all the clouds from the sky" Amy Grant provides guest vocals and Mr. Mister's keyboardist Steve George is the backing vocalist.

The highly energetic "Don't Fight It," a duet with Steve Perry, like "Heart To Heart" is taken from 1982's High Adventure, and ushers in Loggins' rock era before "Danger Zone." It's a combination 70's rocker with a Journey sound in the choruses. That's Neil Gerardo, Pat Benatar's producer and husband on lead rhythm guitar.

The ballad "Forever" was another song I remember during my 80's days, from the Vox Humana album, and it has a characteristic guitar snarl that takes it to power ballad territory in the chorus, courtesy of Toto's Steve Lukather.

The introspection and deeper feelings Loggins began on "Return To Pooh Corner" continued on two songs from Leap Of Faith. One of them was the environmental movement anthem "Conviction Of The Heart" which he performed on Earth Day 95 at the Mall in D.C. The other is "The Real Thing" for his daughter's christening.

"For The First Time" saw Loggins returning to soundtrack music, providing a ballad laden with string arrangements for One Fine Day starring George Clooney and Michelle Pfeiffer.

The title track from his solo debut, "Celebrate Me Home" is a laid-back piano ballad that eventually became a Christmas song of sorts.

A worthy collection that takes all shades of Loggins, hit soundtrack songs, ballads, more personal and introspective songs, and that wished for return to Pooh Corner.

What impresses you most, then, about "Yesterday, Today, Tomorrow" is Loggins' versatility. He wrote elegant jazz-flavored pop like "Whenever I Call You Friend" (with Melissa Manchester) and the gorgeous holiday ballad "Celebrate Me Home" (his first solo hits, produced by smooth jazzman Bob James). He wrote sweeping pop-gospel ballads like "This Is It," (with Michael McDonald), "Heart To Heart," and the ecological anthem, "Conviction Of The Heart." He could write intimate children's songs like the update of "House On Pooh Corner," or New Age-flavored love songs like "The Rest Of Your Life."

But then, again like Collins, Loggins was every bit the mercernary with his successful 80s movie songs, many produced with disco's Georgio Moroder. "I'm Alright," 1984's #1 "Footloose," 1986's "Danger Zone" and "Meet Me Half Way" epitomise an 80s rock style with slamming, near-rockabilly drums (from Tris Imboden, who later joined another 70s-into-80s hitmaker, Chicago), synthesized bass and steely guitars far from Loggins & Messina's laid-back sound. (Loggins, eloquent in his liner notes for each song, offers none for these.) Loggins' duet with Journey's Steve Perry, "Don't Fight It," ironically sounds loosest and most fun among the rockers here yet charted lowest.

A Loggins renaissance seems well-timed. Not only has he reached to longtime fans with children's and holiday albums and a book about his marriage (not to mention his support of solar power), but has had his movie songs revived on stage and in the new 80s music formats. (Again, Collins took a similar path to the AC audience with the "Tarzan" soundtrack). Thus, "Yesterday, Today, and Tomorrow," despite omitting some hits ("Nobody's Fool," "I'm Free," "What A Fool Believes," "Vox Humana" )remains the first and best stop for casual fans of Loggins 25-year solo career and/or 80s pop generally. Recommended.