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13 of 15 people found the following review helpful:
4.0 out of 5 stars
Iron Maiden in the 21st century, September 29, 2006
Iron Maiden originally formed in 1975 and despite a brief departure of long tenured front man Bruce Dickinson in 1993, has continued to stay appealing to a strong fan base. Its good to see Dickinson back in the lineup, as it wasn't the same without him. Iron Maiden is known for screaming guitars and vast, epic themes ranging from Arthurian lore to WWII era battlefronts. On this, their 14th studio album, the formula has not changed much, but if anything the record seems slightly more mature in structure when it comes to the arrangements of the slower parts as well as the crescendos.
"A matter of Life and Death" features several great songs, and overall is an extremely solid album.
Track five is one to remember: "Longest Day" has a great guitar intro that sets the song up for some powerful tempo. The song is about a soldier's experience in Normandy on D-Day in WWII. A powerful, driving song that never tires and also features some great percussion. Tracks "These colours don't run" and "Out of the shadows" are also notable and seem to sound a bit more reminiscent of the band's sound from earlier albums like "No prayer for the dying".
Track eight is "For the greater good of god" and again has a very memorable opening guitar piece before breaking into a melodic and almost soothing (in a dark, heavy metal way) sound to it as the vocals come through loud and clear. The song vamps up and takes off and we're off in a flurry of drums as Dickinson keeps up with the message. The song is about religion in general and the deaths that have come from the disagreements, wars and such throughout time. Leave it to Maiden to cover every action filled event in a timeline!
Clocking in at over nine minutes long, the last track "The Legacy" is very deep and moody. Unlike a lot of the older Dickinson songs from the 80's, "Legacy" starts out slow but does not get overbearing with energy. Some extremely soft, beautiful guitar work is heard here and helps evoke the deep themes that the bands song delves into. Don't worry, it gets heavier, and the signature chops are not to be left out on this one. Dickinson's vocals don't seem as much in the forefront as usual, and it really makes the band seem to have a bit more balance in the overall execution and structure of the songs. The overall sound seems to be a bit more symphonic instead of metallic, and that isn't necessarily a bad thing. "A Matter of Life and Death" was a refreshing reunion for this maiden fan from back in the day.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
The magic is back!, September 23, 2006
The greatness of this album is not really the songs, although all of them are no doubt high-quality rockers. It's rather the fact that this is serious metal again with no filler, an album you can listen to from beginning to end and fully enjoy it. Although I do believe that Bruce's voice has deteriorated with age, plus there's been a departure from his operatic singing style, on the positive side it's still great to hear a screaming Bruce Dickinson with his voice full of passion, accompanied by heavy riffing, great solos, and a return to using harmonies in songs. There are signs to me that this album is a work of brilliance because of the fact that this album feels almost like a full-blown concept album, simply because often the same melody recurrs in differnt songs under differnt disguises, which is evidence of the fact that the band knew exactly what they were doing this time and were all on the same page. The heavy, dark riffs and an uncompromised devotion to emotion give the whole thing that special magic, the feeling that you had when you first listened to Seventh Son of a Seventh Son. Although Bruce's singing is not as operatic as on the classic albums, Kevin Shirley was finally smart enough to put much more echo on the vocals than was the case in the last two releases, so the whole doesn't sound dry and flat and gives it that certain "je ne sais quoi." It's a joy to listen to this output and it doesn't really bother me this time that some of the songs got quite lengthy. Somehow it just all makes sense. Just like the rest of the band, Adrian Smith, too, and maybe the most, seems to have found himself again on this record by going back to the modern Jackson guitars he used on Somewhere in Time and Seventh Son of a Seventh Son and getting heavily involved in the songwriting process again. This is certainly another shining moment of his talent and shows what he means to the band and what the Murray/Gers duo was missing in all those wasted years. If the guys can keep the momentum going, I am 100% positive that the next record will be an absolute and undisputed masterpiece. Not to say that this one isn't. Just listen to it. Then open the booklet and look at the pictures of the band members and how calm and confident they look this time, how they, just like good wine, have ripened, come full circle and found themselves again at a stage in their carreer when everybody believed it was all over and time for them to resign with dignity.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Forceful !!!, September 23, 2006
I bought this record because my 6 years old son likes the picture of Eddie. I already have the classical albums from Iron Maiden's first album to Seventh Son Of A Seventh Son. I didn't expect much because of the 3 or 4 albums before this one, but I am very glad of this acquisition; this a classic Maiden's album, strong, sharp and vigourous !!!. Take the risk, go for it BUY IT is really good !!!
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