Most Helpful Customer Reviews
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22 of 22 people found the following review helpful:
2.0 out of 5 stars
a Good anime, January 26, 2008
the anime itself is excellent. Big O will always be one of my favorites but my one complaint with this is the packaging when i bought it i assumed with the name The Big O: Anime Legends Complete Collection that it would well be...the complete collection all the episodes just not the first season. If it had been named The Big O: Anime Legends Complete Collection vol 1 then i could have assumed there would be a second vol but with out that i just assumed that it would be the entire series and ended up buying vol 2 a week later after sadly realizing i was wrong
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
It's showtime!, December 7, 2008
Imagine a crumbling domed Gotham City where everyone has amnesia, and Batman fights evildoers using a giant black mecha.
That's a fairly basic description of "The Big O," a strange and action-packed anime with an art deco style, a noir atmosphere and lots of giant robots and strange conspiracies. This is no simplistic action show -- there's a deep central mystery that each episode revolves around, and some deeper meditations on the nature of memory.
Negotiator Roger Smith is hired to get the kidnapped daughter of a client back... only to discover that "Dorothy" is an android, who asks him to protect her. When he starts investigating, Roger learns of her "sister" -- vast mecha "Dorothy 1" -- who can only be stopped by his own mecha, the Megadeus called "Big O." But when Dorothy vanishes during the attack, Roger must find her before a gang of thieves do.
With the help of Dorothy and his faithful butler Norman (and occasionally hardened cop Dastun), Roger uses Big O to deal with a series of increasingly bizarre mysteries. Among his problems: a giant electric eel, a skeletal mecha controlled by the psycho ex-reporter "Schwarzwald," a billionaire's missing son, a piano-playing android, a "sea titan" in a flooded city, a mysterious cat with horrifying origins, a Heaven's Day attack, and a mysterious woman haunting Dastun's dreams.
Things take a darker turn in the last few episodes, especially since Paradigm City's strange past becomes the most important part. Roger is hired to give a severance check to Schwarzwald, but becomes enmeshed in his plans for Paradigm City -- and witnesses the unveiling of another Megadeus, Big Duo.
And when a series of murders are committed by a red-cloaked figure -- who leaves Big O's motto "Cast In The Name of God, Ye Not Guilty" at each crime -- Roger starts to suspect that Dorothy may be involved. And even more confusing, Roger is suffering flashbacks of whatever happened forty years ago... which may be even more ghastly than anyone suspects.
"The Big O" is one of those series that drips with lots of influences -- it hasa lovely classic noir feeling, more than a hint of "Batman," and some tinges of Isaac Asimov (R. Dorothy?). And even the animation has a style reminiscent of art deco, with lots of long clean lines and dark shapes -- even the vast Megadeuses and other mecha have them.
But the real beauty of "The Big O" is in the storytelling: the individual plots are reminiscent of a noir detective's adventures, but with a weird sci-fi twist -- a mad journalist in a haunted subway, a mad geneticist, and giant robots that fly and swim. It's also graced with some explosive slam-bang action, intriguing hi-tech gadgets, and lots of wry humour (Dorothy sets off an elevator's weight alarm) and dialogue ("Did you say 'mama'? As in your mother?").
And running under each episode is the haunting question of what happened to Paradigm forty years ago. The plots drop hints about floating memories and something terrible that turned Paradigm City into a series of half-ruined boroughs. This is especially true in the final episode, which briefly shows the horrifying past.
Dashing playboy Roger Smith is a pretty likable hero -- charismatic, charming, a bit lacking in chivalry at times, but ultimately quite heroic and kind. Dorothy's emotionless attitude makes a nice counterpoint, but she shows some signs of becoming more human ("Even I feel like playing the blues sometimes"). And for the true noir feel, there's a mysterious femme fatale named Angel who keeps getting Roger into trouble, and the likably efficient butler/cook/technician Norman.
While it appears to be just another mecha anime on the surface, "The Big O" is actually a clever sci-fi/noir series with underlying conspiracies and haunting mysteries.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Dorothy, Dorothy!, August 30, 2009
Really, there's only one reason to watch this anime- an android girl who has become something of a cult idol figure among fanboys....R. Dorothy Wainwright. She is a fantasic character, extremely cool with a very dry sense of humour. Unfortunately, they didn't use her as much as they could have. The series really revolves around Roger Smith, a Negotiator who solves the problems in Paradigm City. Of course, when you have a dirty big mecha to call on when things get rough, "negotiation" with the bad guys becomes a lot easier!
I was a huge fan of the movie Dark City, and there's a definite similarity in the film-noir atmosphere and the obession with memory. Batman is also an obvious influence. In fact, it's possible to list a number of Batman/film noir cliches in the characterisation: the ultra-cool lead, the stoic butler, the femme fatale (Angel), the Joker-like psychotic baddie (Beck), and the shadowy criminal mastermind behind everything. And of course there's Dorothy. There's not exactly much subtlety or even depth to the characters, really, but they fill their roles well. The often funny interactions between Roger and Dorothy alone are worth watching.
However, the plot itself is a big let-down. The first series consists of mostly stand-alone episodes that hint at something deeper, but the series ends just as some of these important plot points are revealed. I was expecting the second series to continue from where the first left off, but it too wanders down side plots and stand-alone episodes, and again seems to end too abruptly. Apparently a further series was planned but never eventuated, leaving 'The Big O' with a rushed, unfinished feel. The plus side is the second series features more of Dorothy, and in a more active role.
Many individual episodes are interesting enough, but it's hard not to wish they formed a more coherent, finished, whole. As it is, the series has enormous potential that it never quite fulfills. However, the cool characters and their interaction do make up for this somewhat, and it is worth seeing if you like Batman, Dark City, or sci-fi/retro anime in general.
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