"This album is so 70s that to listen to it would risk opening a time portal back to the days of afros, bellbottoms and - shudder - arena rock! Frightening, eh? Okay, this WAS the biggest selling album of all time at one point, and it DID get tons of exposure on FM radio all over the world. But it was totally PLAYED OUT by 1979! To be caught dead with this disc in your collection then - even moreso NOW - would be an invitation to the worst kind of (deserved) ridicule. The fact that this anachronism has made it onto the compact disc format is astonishing."

Hmm. What's funny is that everything this person said about this CD is the very reason I bought it. I've been tempted to buy it for years, but everytime I picked it up, I hesitated and put it back. Guess I wasn't ready to step through that "portal - back to the days of afros, bellbottoms and arena rock!." But then I saw the 25th anniversary edition on sale and decided to grab it. Guess enough time had passed for me.

The point is, this is a set of live music that does indeed teleport you to a specific time and place. How many recordings can do that so successfully? Whether or not you're a fan of 70s music is really beside the point. Listening to Frampton Comes Alive, you can close your eyes and almost relive those concerts of yore - the sights, the sounds, the people.... Where it was general admission seating and huge mushroom clouds of pot smoke always formed at the top of the venues. Sometimes the music itself was irrelevant. It was about the experience. This was before Ticketmaster wrangled control of the concert business and ruined it forever. Frampton Comes Alive is a stern rebuke to that, and the boy bands that now fill those over-priced, designated-seating arenas. Yes, FCA is a reminder of arena rock, but a reminder nonetheless.

As for the reviewer's comment, "to be caught dead with this disc in your collection then - even moreso NOW - would be an invitation to the worst kind of (deserved) ridicule." Geez, I'm not 13 anymore and feel quite secure in my decision to purchase this. So bring on the taunts, pal. My musical tastes are wide and varied and somehow this CD fits right in.

A great addition to any collection and especially for those who don't mind doing a little time traveling.

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The original plan was for it to be a single album. Five songs. Somehow, in retrospect, it just doesn't seem right. There were so many great tracks on this album, there's no possible way it could be edited down like that. Frampton invited A&M co-founder Jerry Moss to come down to Electric Lady Studios to preview the album. The first words out of Moss' mouth were "where's the rest?"

With Moss' blessing for a double album, Frampton went back out on the road to record more dates. Once the tour was over, Frampton went back to Electric Lady Studios to mix the album with Chris Kimsey. After everything was ready to go, he played the new version for several of his trusted friends and confidants. One of these friends was Rolling Stone music critic, Cameron Crowe. "Cameron was beaming from ear to ear," recalled Frampton. "He felt every track was better than the one that had come before it."

Now that the finished album was in the hands of the record company, it was time for a vacation. When he returned ten days later, things were already beginning to take off. Concerts were selling out, sales records were being shattered, and the album had the top spot on the Billboard chart for ten weeks straight--eventually surpassing Carole King's 'Tapestry' as the best selling album of all time.

For this new deluxe edition, the producers/engineers went back and remixed and remastered everything, and for the first time (without the time constraints of an album side), put the songs back in the proper order. As a special bonus, four songs--all previously unavailable and picked by Frampton himself--were added back into the set. From a musical standpoint, the album holds up quite well, even after all this time (not counting the tepid cover of "Jumping Jack Flash").

Having said all that, you're probably wondering... how's it sound? Outstanding. A&M really outdid themselves on this one. They did a great job in the remixing and remastering process. It's a bit strange at first hearing the songs in a different order, but the album sounds better than ever before. In addition to the new packaging, there's a new essay by John McDermott, plus a ton of new photos and lyrics to all the songs. All reissues should look and sound this good.

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