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34 of 36 people found the following review helpful:
5.0 out of 5 stars
WHEN THE MUSIC STILL MATTERED, April 29, 2004
Given their legendary status today it is difficult to believe that Creedence Clearwater Revival was widely regarded as a rather "light weight" band in its time. Some of rock's more celebrated tastemakers even turned up their noses and pronounced Creedence Clearwater Revival a bubblegum act. "After all, what are their little pop songs compared with Jimi Hendrix? The Beatles? Jefferson Airplane?" As time has gone by, Creedence Clearwater Revival has stood with the best of them. Unfortunately, like most of the great 1960's rock bands, Creedence Clearwater Revival would not survive long into the next decade. The Beatles were no more by the spring of 1970. Hendrix would die in the Fall of the same year. Jim Morrison died in the early Summer of 1971. And Creedence Clearwater Revival disintegrated by 1972. In spite of the fact that for years all of the band members lurked in obscurity (John Fogerty deliberately so), with the release of their very first greatest hits compilation, Creedence Gold, their stature has only grown and their song catalogue has traveled well over the years. Unlike most, Creedence Clearwater Revival has been served very well by the various "best of" packages that have been issued over the years. So why bother with the original albums? Individual cases can be made for the others; but Cosmo Factory is one of the greatest rock albums made. With its kind of cheesy cover it is easy to misjudge Cosmos Factory as a piece of junk. But appearances are deceiving. Inside are eleven cuts which have burned their way into the modern American songbook. "Run Through The Jungle" and "Up Around The Bend" were put out over the radio as a pair and were the first songs the public heard off the album. The radio DJ at the time explained that the record company was trying to find out which song the public liked so that they could issue a single. As it turned out both were popular which aided the sales of the album itself. This started a cascade "hits" from Cosmos Factory-five from one album in all. The remaining six cuts began to have lives of their own on the fledgling FM album rock stations all over the country. "Travelin' Band" was wildly popular. "Lookin' Out My Back Door" was so universally appealing that country music quickly adopted the song as one of its own. "Who'll Stop The Rain" became almost transcendental as 1970 saw one of the most terrible and traumatic periods of the Vietnam War. "I Heard It Through the Grapevine" struck us as particularly cool running at over eleven minutes-revamped as it was into the swamp rock idiom. Even kids who weren't drawn to Motown loved the song. "Ramble Tamble" was basically built around a single riff; but what a hell of a riff it is. We tend to regard "Before You Accuse Me". "Ooby Dooby" and "My Baby Left Me" as mere covers and album fillers. Long time listening, however, shows this assessment underestimates their appeal and warmth. Their use anticipated by a few years the revival of 1950's era rock in the 1970's. Finally, "Long As I Can See The Light" has grown to be a sentimental favorite although it has never been a "hit" on the popular charts or the FM play list. Cosmos Factory caught sense of the time. It looked back to the uneasy recent past, picking up what it could, and moved forward to a bright but uncharted and uncertain future. Looking back, no one could have told you what was to happen. The Vietnam War ended with nothing anyone on any side of the controversy could be proud of. Race relations went on to become more angry and bitter. The much-touted "Age Of Aquarius" was found to be an empty promise. Musically, the "Next Beatles" never came. Indeed, the music of the 1970's was a subject of deep disappointment at the time. (Although assessments for the music of that era have grown more positive.) It turns out that some of the surest footing into the "future to be" is found on this album. God bless ya, boys.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
"Factory" Churns Out Hits!, June 22, 2000
1970 was a banner year for the Creedence gang. WILLY AND THE POOR BOYS had been the best album yet;it seemed impossible that they could produce anything greater.Once again however,Fogerty and Co made all the critics choke on their pens.COSMO'S FACTORY took CCR's title of America's greatest singles band to a new high;every track on the album was a potential hit single.Even doing covers by Roy Orbison(OOBY DOOBY),Marvin Gaye(I HEARD IT THROUGH THE GRAPEVINE),Bo Diddly(BEFORE YOU ACCUSE ME)and Elvis Presley(MY BABY LEFT ME); Creedence took these covers by the scruff of the neck and stamped their musical brand on them.for the first time,sax(played expertly by John Fogerty)appears on a Creedence album(all the band members could play more than one instrument);on the tracks TRAVELIN'BAND and LONG AS I CAN SEE THE LIGHT.John Fogerty's perspective lyrics based on observations of the late '60s-early '70s were spot on(witness RAMBLE TAMBLE,WHO'LL STOP THE RAIN ,RUN THROUGH THE JUNGLE and TRAVELIN'BAND).The dessert of this musical feast is the downright spooky long version of I HEARD IT THROUGH THE GRAPEVINE(evil bass line,Stu!).The band played tight on COSMO'S FACTORY;tighter than most of their musical peers.The end result was the best CCR album . . .check that . . .best album of 1970,by anybody!The only way to go now was down(ever so slightly).Buy COSMO'S FACTORY . . .it's Creedence's masterpiece.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
Perhaps one of the finest albums of all time..., November 21, 2003
If there weren't so many great CCR albums, it would be easy to call this one their best. Certainly 'Bayou Country', 'Green River', and even 'Willie and the Poor Boys' can be considered their most outstanding record, given minor variations in taste. I suppose my personal favorite is 'Bayou Country', due to a 14 year-old's nostalgic connection to 'Born On the Bayou', and (as a Detroiter) a love for their great cover of (native Detroiter) Mitch Ryder's hit, 'Good Golly Miss Molly'.Yet it's hard to argue against 'Cosmo's Factory', as it features so many top hits. 'Who'll Stop the Rain' didn't stop scaling the national charts until it hit number one, and 'Travelin' Band' and 'Lookin' Out My Back Door' both peaked at number two. Even the 'b-sides', appearing on this album, 'Run Through the Jungle' and 'Up Around the Bend' received significant airtime. And none of those are even close to being the best song on the album! That distinction would lie with one of the greatest covers of all time, Creedence's version of 'I Heard It Through the Grapevine', all 665 seconds of it (good thing there wasn't one more second in there!). While this California band most often projects a southern-rock veneer, 'I Heard It Through the Grapevine' exudes a rhythm that makes you swear you're in the midst of an Indian war dance. The sound is nothing less than pure genius. John Fogerty's vocals are gripping, and his lengthy guitar solo's are intoxicating. Creedence is a great cover band, so much so that most of their covers easily transcend the original versions. 'Cosmo's Factory' includes three other fine covers, 'Ooby Dooby', 'Before You Accuse Me', and 'My Baby Left Me'. But Marvin Gaye may as well have signed over his 'Grapevine' rights to John Fogerty and CCR... it's that good. Add to these highlights the appropriate closer, 'Long As I Can See the Light' ("Put a candle in the window..."), and the opener, a seven minute rambling rocker called 'Ramble Tamble', and you have one of the finest albums of the early 1970's.
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