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~ (Author) "On Monday, October 4, 1937, Philadelphia witnessed one of the most spectacular funerals in its history..." (more)
Key Phrases: long old road, buffet flats, bad liquor, Bessie Smith, New York, Van Vechten (more...)
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Editorial Reviews

Review

"Seeking justice for Bessie has been a life's work for Albertson, and this reissue is greatly to be welcomed... an exemplary biography" John Mole, Times Literary Supplement; "The first estimable full-length biography not only of Bessie Smith but of any black musician." Whitney Balliett, New Yorker (on the first edition); "A remarkably clear-eyed examination of Smith's personality (and sexuality) and, more important, of the gritty and greedy music business." Benjamin Schwarz, Atlantic Monthly"

"The first estimable full-length biography not only of Bessie Smith but of any black musician.”—Whitney Balliett, New Yorker (on the first edition)


“A remarkably clear-eyed examination of Smith’s personality (and sexuality) and, more important, of the gritty and greedy music business.”—Benjamin Schwarz, Atlantic Monthly


“The most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature.”—Leonard Feather, Los Angeles Times (on the first edition)

Product Description

This book—a revised and expanded edition of the definitive biography of Bessie Smith, known as the “Empress of the Blues”—debunks many of the myths that circulated after her untimely death in 1937. For this new edition, Chris Albertson provides more details of Bessie’s early years, new interview material, and a chapter devoted to events and responses that followed the original publication.
“The first estimable full-length biography not only of Bessie Smith but of any black musician.”—Whitney Balliett, New Yorker (on the first edition)
“A remarkably clear-eyed examination of Smith’s personality (and sexuality) and, more important, of the gritty and greedy music business.”—Benjamin Schwarz, Atlantic Monthly
“A vivid portrait of this quintessential American diva."—Will Friedwald, New York Sun
“The most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature.”—Leonard Feather, Los Angeles Times (on the first edition)
“An exemplary biography . . . [with] a gripping, often moving, narrative.”—John Mole, Times Literary Supplement
See all Editorial Reviews

Product Details

  • Paperback: 336 pages
  • Publisher: Yale University Press; Rev Exp edition (June 10, 2005)
  • Language: English
  • ISBN-10: 0300107560
  • ISBN-13: 978-0300107562
  • Product Dimensions: 8.9 x 5.7 x 0.9 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #82,909 in Books (See Bestsellers in Books)

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    #5 in  Books > Biographies & Memoirs > Arts & Literature > Composers & Musicians > Rhythm & Blues

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More About the Author

Chris Albertson
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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Inside This Book (learn more)
First Sentence:
On Monday, October 4, 1937, Philadelphia witnessed one of the most spectacular funerals in its history. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
long old road, buffet flats, bad liquor, recording debut, jazz writers, theater tour
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Bessie Smith, New York, Van Vechten, Frank Walker, Jack Gee, Clarence Williams, John Hammond, Alberta Hunter, Richard Morgan, Ethel Waters, Harlem Frolics, Miss Smith, Chicago Defender, Gertrude Saunders, Louis Blues, African Americans, Fletcher Henderson, Joe Smith, New Orleans, Charlie Green, Lafayette Theater, Black Mountain, Louis Armstrong, Ida Cox, Down Hearted Blues
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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Early Jazz by Gunther Schuller
 

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Average Customer Review
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Empress Bessie Was My Kinda Red-Hot Moonshine-Drinkin' Blues Mama!!, September 3, 2008
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This review is from: Bessie: Revised and expanded edition (Hardcover)
I discovered Bessie Smith's music in the late 80's/early 90's
when Sony/Legacy released a 4-box "Complete Recordings" series
spanning her whole recording career from 1923, when she
signed to Columbia Records' "Race Records" division and became
a huge star with the low-down rawkus blues songs that were popular
with both blacks and whites of the time, all through the 1920's,
to the depression era, where her popularity faded and the real-life
blues of people on breadlines eclipsed the romantic & hard times
blues in her most popular recordings.

"Folks don't wanna hear the blues no 'mo, times is hard!"
Bessie was heard to exclaim to her closest freinds.
Born in or around April 1894, in Chattanooga, TN into
abject poverty, suffocating Jim Crow racism, child abuse,
desolation all around her, the young tall stringy black gal
named Bessie Smith learned to scrap for survival at very early age.
Her and her brother Clarence took to the streets at a young age
as "buck dancers" and minstral-type skit performers,
which over time, Bessie developed perfect comedic timing,
slick dance moves, presence, and a voice that could stop people
in their tracks and put them in a trance!
People who heard Bessie in person said that her singing was
clear, powerful and went straight to your soul!
It was like a religious experience some said, except in her day
the blues was seen as crude and profane by narrow-minded church
types who saw her as a tortured soul singing the devil's music
who would surely burn in hell for all eternity!

The author of this book had at his disposal the invaluable,
totally believable and colorful recantings of Bessie's niece
through marriage, Ruby Walker, who traveled & performed with Bessie
and who cuts through alot of the folklore surrounding Bessie's
legend, as black artists of that time were not followed around
by biographers who chronicled their every move.
Bessie was a hell of a woman who lived high & low,
sang with all her might, fought like a demon, could be the
kindest person on earth and at the same time,
the meanest nastiest crudest sow ever to draw breath!
Black, White, Rich, Poor, Man or Woman...it didn't matter!
She was not the one to cross because BIG BESSIE would beat
you down with her fists, cut you with a straight razor,
stab you with a butcher knife or blow you away with
her 44. pistol if you pissed her off, disrepected her,
or got in the way of her living her life to the fullest!
She was strong as a man, could swill down her favorite
corn liquor, eat huge plates of down home soul food,
party & screw till the early dawn light, out curse a
longshoreman, and even ran 3 blocks with a butcher knife
sticking in her gut, chasing a disgruntled man who
she'd beat up for harrassing her & her chorines
at a back woods party! (A Tough Broad Indeed!!)

She once knocked a white man's teeth out who called her
a black ni*#!* and tried to cheat her out of her money!
She really dug her young attractive strapping male and
female chorines and carried on torrid affairs with them
which were all rife with passion & drama!
She even took on the North Carolina Ku Klux Klan in 1928!
The things this strong no-nonsense black woman got away with
at a time when blacks (male or female) were still being lynched
in the south is unbelievable! But that was Bessie!!
She was a shrewd business woman who was once the highest paid
woman entertainer in the country at a time that was unheard of
for a black performer. Her tent & theatre shows were huge both
in the south and in the big northern cities as well...
people lined up for blocks to hear and see her
weave her mystifying blues spell!

But with all of her power, natural talent, the light & dark of
her nature, she was still a woman, a vulnerable little po'
black gal from down home who was scarred by her times,
and she had horrible choice in men!---Enter Frank Gee,
who was her achilles heel, waterloo, love of her life
and cheif exploiter all-in-one!
Her man and her family could get away with using her to
no end, and she forgave them things that she would've killed
an outsider for! There were periods too, off the road,
where Bessie could be downright domestic and dote on her
husband, adopted son, family & freinds.
She could be like the sunshine or a hellacious monsoon!!
This story has so many layers and textures..great humor,
horror, debauchery, devil-may-care attitude, fights, lovers
of both sexes, great tragedy, etc.
All the stuff of a great epic tale by Homer!
But like I said, Bessie was a hell of a woman, a pioneer on so
many levels, a force of nature and a singer of enormous gifts
whose influence continues to reach over near nine decades
and still effects people who hear her or read her story!
She truly lived what she sang about!
Aretha Franklin, Dinah Washington, Big Maybelle,
Big Mama Thornton, Ruth Brown, Janis Joplin, Mahalia Jackson,
Tina Turner, even PINK...just a few of the mythic women artists
whose careers span many musical genres and who each became legends
in their own right by putting all of their heart, soul and passion
into their performances...just like MAMA BESSIE did!!
She was even a huge influence on GAY DISCO ICON, SYLVESTER!!
In fact, she and Ruby used to love to go to the drag pageants
and undercover hole-in-wall gay joints back in the 1920's!!
This book is a must read and would make an excellent movie!
Don't sleep on this one here!!
Her untimely death and funeral has always been wrapped in
as much folklore as her colorful life was, but this book
addresses and explodes the myth from the facts.

REST IN PEACE BESSIE SMITH
(April 15th 1894 - September 26th 1937)
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Empress of the Blues, December 10, 2004
By J Webb (Memphis) - See all my reviews
This review is from: Bessie: Revised and expanded edition (Hardcover)
Albertson has had the rare fortune to have interviewed Bessie Smith's niece Ruby Walker Smith who toured with Bessie for over a decade. No other book on Bessie is needed. You can't find all these great interviews w/ relatives and friends in another book. And the great thing is this one is written well. Not a dry biography but one with enough candor and insight to make Bessie seem alive.
"See that long lonesome road, Lawd you know it's gonna end, and I'm a good woman and I can get plenty of men."
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Great Book on a True Queen, January 11, 2004
This review is from: Bessie: Revised and expanded edition (Hardcover)
Bessie smith was Hip-Hop before it had a name.She was a One Woman Business&went through so Much.not only One of the Greatest Artists Ever but also a Woman who battled&did Her thing Her own way. Her music still knocks me out&she had a edge about Herself.this Book is very detailed&does her Justice&covers so much. a Must read&have.
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Most Recent Customer Reviews

4.0 out of 5 stars A Different Perspective on the "Empress of the Blues"
"Bessie" by Chris Albertson presents the life and times of America's greatest blues singer within the context of the entertainment business as it existed during her lifetime. Read more
Published 8 months ago by Gregory M. Wasson

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