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Sun After Dark: Flights into the Foreign (Hardcover)

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3.3 out of 5 stars  See all reviews (10 customer reviews)

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Editorial Reviews

From Publishers Weekly

"A trip has really been successful if I come back sounding strange even to myself," writes Iyer (The Global Soul, Falling off the Map; etc.) near the beginning of his latest travel book, a superb collection of essays, book reviews and unclassifiable miscellany. Iyer is an inveterate traveler who seems to have been everywhere, seen everything and talked to everyone. In this book alone, he enjoys a surreal romance in Bali, greets the New Year among the windswept statues of Easter Island and makes an ill-advised visit to Oman (the birthplace of Osama bin Laden) just six weeks before September 11. Other journeys are more spiritual than physical. In one essay, Iyer explores the interior dreamscapes caused by jet lag; in penetrating reviews of books by W.G. Sebald and Kazuo Ishiguro, he finds metaphors of postmodern dislocation and homelessness. Iyer seems particularly fascinated by the concept of exileâ€"not surprising, perhaps, for a man born of Indian parents who now lives in suburban Japan. Two of the book's best pieces focus on high-profile exiles: the singer Leonard Cohen, who has withdrawn to a Buddhist monastery outside Los Angeles; and the Dalai Lama, who juggles the demands of his refugee subjects with the stresses of worldwide fame. Like the best travel writers, Iyer is adept at peeking underneath the surface of things, of finding the deeper meanings in every strange word, glance and sigh he encounters. This book reproduces the unsettling but rewarding experience of travel, and will remind readers of "the expanded sense of possibility that strangeness sometimes brings."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist

Calling Iyer a travel writer is reductive, like saying George Plimpton was a sportswriter. Iyer (The Global Soul, 2000) reports from the borderlands of global culture, whether they exist in dusty villages, bustling downtowns, or in our heads. His concept for this collection of essays is "journeys that left me shaking in some way"; at first, it seems a way to rationalize a mulligan stew of a book (he opens with a profile of Leonard Cohen and goes on to interpret German travel writer W. G. Sebald), but as the reader's journey progresses, the work does take a pleasing shape. The best parts are the most signature, deeply thoughtful explorations of Oman, Bolivia, Tibet, Japan, and Cambodia--and an especially good essay on jet lag. Many things Iyer sees are symptoms of a global population that travels like never before, although, ironically, most of us still see next to nothing of the world. Lacking Iyer's opportunities to "slip through the curtain of the ordinary," we're truly fortunate to have his dispatches from the other side. Keir Graff
Copyright © American Library Association. All rights reserved
See all Editorial Reviews

Product Details

  • Hardcover: 240 pages
  • Publisher: Knopf (April 6, 2004)
  • Language: English
  • ISBN-10: 0375415068
  • ISBN-13: 978-0375415067
  • Product Dimensions: 8.8 x 5.8 x 0.9 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon.com Sales Rank: #447,221 in Books (See Bestsellers in Books)

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More About the Author

Pico Iyer
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20 of 20 people found the following review helpful:
5.0 out of 5 stars A master of the essay, April 24, 2004
By Sukumar Ramanathan (Menlo Park, CA USA) - See all my reviews
Pico Iyer's work generally alternates between fiction and collections of essays, and my personal preference is for the latter. You will find these little jewels scattered in magazines ranging from "National Geographic" to the Buddhist magazine "Tricycle". In his best pieces, he can approach the condensed perfection of Orwell.

There is not a bad essay in this collection, but two of them particularly stand out. At the beginning of the book is an account of a week spent at a meditation retreat with the singer/poet Leonard Cohen. If you're used to the vapid hagiographies in music magazines, this piece is a drink of cool water. It quotes from Cohen's songs, acknowledges the brilliance of his work, gives an unblinking account of his contradictory personality and details his day-to-day life, all in twenty pages. The effect is that of a camera zooming in from a mile above the Mount Baldy Zen Center all the way down to a wart on Cohen's face, and then slowly pulling back again. You'll have to read the piece yourself, preferably while playing "Waiting for the Miracle" in the background.

The other extraordinary piece is "Nightwalking", which describes the surreal experience of jet lag, something the author endures for at least eight weeks of every year. I read it while on an extended air-trip (San Francisco-Hong Kong-Bangalore-Singapore-Seoul-SF in a week) and cannot recall anything on paper describing as accurately an experience I was undergoing at that moment. The walking blankly along thoroughfares at two in the morning, the absurd spasms of emotion, the faces out of Hopper paintings - he has etched a precise portrait here.

His gift for metaphor unmatched. Here is a sentence about the British influence: "The..Empire..stands accused of importing straight lines and right angles to a land of curves, of making the forces of Eternity obey a railway timetable."

How can one resist such lapidary prose?

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15 of 15 people found the following review helpful:
3.0 out of 5 stars A Blend of 5-Star and 1-Star Selections, November 19, 2005
This review is from: Sun After Dark: Flights Into the Foreign (Paperback)
To say that my reactions to this book were "mixed" would be an understatement. The volume left me, at some points, half-decided to abort reading it altogether, but at others, deeply appreciative that I'd read it.

Pay more attention to the subtitle, "Flights into the Foreign" than to anything you might have read about Iyer being a travel writer in the spirit of the incomparable Jan Morris. That expectation will lead to a frustrated sense of false advertising. Iyer possesses some of Morris's gift for conveying a sense of place, and what it is like to be a stranger in a strange land, but only on occasion does Iyer choose to exercise it.

No, this book is about "flights into the foreign" in a more introspective sense, as in visiting unfamiliar states of mind. Sometimes, this occurs because Iyer has gone to an exotic land. At other times, because Iyer has interviewed someone with a unique perspective. At others, because he has read what he regards as interesting fiction. And at others, simply because Iyer finds himself somewhat out of sorts, for whatever reason.

The book gets off to a rocky start. Not only did I dislike the first two chapters (on Leonard Cohen and the Dalai Lama), I was offended by them. The chapter on Cohen is downright exasperating. It purports to be about someone who is trying to leave the mundane world behind and to find simpler, higher meaning. But in reality it's about Iyer's fascination with celebrity. The name-dropping is endless: Norman Mailer, Bob Dylan, Van Morrison, Joni Mitchell, Michelle Phillips. I really don't care that Leonard Cohen wasn't able to commit himself to a relationship with Rebecca de Mornay. The chapter is really all about the chic of being celebrated, but affecting not to care. It's a pose that is at least as old as Louis XIV's court, and doesn't impress any more in its modern guise.

The chapter on the Dalai Lama still engages some name-dropping, but tones it down a bit. Still, it's remarkably devoid of a sense of place. Iyer visits the Indian town in which the Dalai Lama lives, but manages to convey very little sense of the place.

On the other hand, there are magnificent selections in this book. "A Haunted House of Treasures," set in Cambodia, is almost worth the purchase price by itself. Granted, Cambodia is a can't-miss subject, as anyone who has been there can testify. But Cohen really conveys what is haunting about the place, the thing that gets into your soul and makes you determined to get back there. He captures the voices of the children, the contradictions in the cultural landscape, the crowing roosters amid the luxury hotel construction. After reading it, my first rreflex was to share it with my wife, so that she could understand the mark that my 1.5 days there left upon me.

But there are other outstanding pieces as well. "Nightwalking," Iyer's rumination on jetlag, is brilliant, and I've never read another travel piece quite like it. It seems a natural subject for travel literature, but in my reading only Iyer has really captured the out-of-body, out-of-normal-behavior sensation of the jetlagged traveler.

Two other outstanding pieces are "The Khareef" and the immediately following piece on La Paz, Bolivia.

This book is a mixed bag. Don't buy it if you are expecting a beautiful collection of travel pieces. Only buy it if you're willing to indulge Iyer's various fascinations, even when they turn superficial and tedious. If you dislike one piece, hang on: there may be a truly beautiful one around the corner.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Brilliant, October 22, 2004
By J. MacKenzie (Alexandria, VA United States) - See all my reviews
(REAL NAME)   
I loved every page of this book.

I think people looking for a run-of-the-mill "travel memoir" will of course be disappointed. However, that isn't the kind of book this purports to be. It's typical Iyer... a little travel, a little philsophy, a little retrospection, a little self-indulgence. It will take you to various places you may never get to visit, remind you of places you have visited, and take you on a wonderful journey through your own thoughts and beliefs.

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Most Recent Customer Reviews

1.0 out of 5 stars I Don't Get It
I am a fan of travel writing but Iyer (in this book) is often opaque and sometimes in a muddle. "...the feeling of desolation, the air of stillness and unsettledness. Read more
Published 4 months ago by Hubert Smith

3.0 out of 5 stars An uneven collection
The titular star In Sun After Dark comes from Albert Camus, who wrote that he was born "halfway between poverty and the sun. Read more
Published on September 15, 2006 by ShriDurga

2.0 out of 5 stars Failed To Impress
I've read Video Night In Kathmandu and enjoyed it thoroughly. Pico Iyer is the poet of travel literature. Read more
Published on August 26, 2006 by Chan Joon Yee

4.0 out of 5 stars Iyer really captures the experience of the traveler
If you want a straightforward travelogue or love "package tour" travel, you probably haven't read Iyer's previous books and should skip this one. Read more
Published on May 2, 2006 by Richard A. Jenkins

2.0 out of 5 stars I don't get it.
Pico Iyer apparently has something of a cult following, and well, I guess his writing is an acquired taste. Read more
Published on July 7, 2004 by Jonathan L. Stewart

4.0 out of 5 stars Classic Pico!
I am Pico Iyer's biggest fan. After his rather spacy and disappointing last novel, I loved this "classic Pico"! Read more
Published on May 28, 2004 by suus

4.0 out of 5 stars Iyer Back on the Map
His best work since "Falling Off the Map." I love the piece on language in India and on Leonard Cohen. Read more
Published on April 22, 2004 by Thomas W Cooney

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