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The Ballad of Dorothy Wordsworth (Hardcover)

~ (Author) "She is sitting on a stone when we first meet her, by the shore of Windermere..." (more)
Key Phrases: scarlet beans, sibling incest, Dove Cottage, Grasmere Journals, Gallow Hill (more...)
4.0 out of 5 stars  See all reviews (1 customer review)

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Editorial Reviews

From Publishers Weekly

This sensitive and elegantly written life of Dorothy Wordsworth (1771–1855), sister of the poet William Wordsworth, centers on four small notebooks, her so-called Grasmere Journals. These journals reveal how William functioned as Dorothy's male muse and how she, more traditionally, was his. What is most untraditional, and certainly peculiar, is the not-quite-stated true relationship between brother and sister. Commentators and biographers describe Dorothy Wordsworth as having virtually no inner life, existing solely for and through her brother. Yet, Wilson relates, the opium-eater De Quincey found her a most sensuous creature; she was a big part of William's friendship with Coleridge as well. First teasing out Dorothy's truly rich interior life through careful examination of the journals and other writings, Wilson (Literary Seductions) then uncovers the nature of Dorothy's emotional connections to William, his work, his wife and even the French mistress he had as a younger man. Most controversial in the Grasmere Journals are several blotted lines regarding William's wedding ring—which Dorothy wore to sleep the night before the wedding. These lines, as well as Dorothy's visionary tendencies, her migraines and trances, almost of an epileptic nature, and a long depressive decline are scrupulously analyzed. 31 illus. (Feb. 24)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

From Booklist

*Starred Review* Wilson investigated such intimate writerly alliances as the marriage of Mary Shelley and Percy Bysshe Shelley in Literary Seductions (2000) and now returns to the realm of the Romantic poets in this highly charged and forthright biography of Dorothy Wordsworth, sister and muse to William. Speculation runs high regarding the true nature of the intense bond between these unconventional siblings known for their epic country walks during which William composed the poetry Dorothy put to paper. Reunited after a harsh childhood separation in the wake of their mother’s early death, they lived and traveled together even after William married Mary Hutchinson (Dorothy even accompanied them on their honeymoon). Wilson emphasizes Dorothy’s heightened response to nature in her writing, especially the oft-studied Grasmere Journals, analyzing both her rhapsodic passages and “crisp forensic objectivity,” and surmises that Dorothy suffered from migraines and anorexia. Wilson then squarely addresses the incest question, arguing that Dorothy and William’s closeness was spiritual, not carnal, and that the two writers needed each other to feel whole. A “perpetual third party,” Dorothy Wordsworth finally steps out of the shadows in this assured and involving reclamation of an intriguing, literary figure. --Donna Seaman --This text refers to an alternate Hardcover edition.
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Product Details

  • Hardcover: 304 pages
  • Publisher: Faber & Faber (January 2008)
  • Language: English
  • ISBN-10: 0571230474
  • ISBN-13: 978-0571230471
  • Product Dimensions: 8.5 x 5.5 x 1.3 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #4,360,032 in Books (See Bestsellers in Books)

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More About the Author

Frances Wilson
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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First Sentence:
She is sitting on a stone when we first meet her, by the shore of Windermere. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
scarlet beans, sibling incest
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Dove Cottage, Grasmere Journals, Gallow Hill, Sara Hutchinson, Jane Pollard, Lyrical Ballads, Mary Hutchinson, Dorothy Wordsworth, Rydal Mount, Sarah Coleridge, Alfoxden Journal, The Prelude, Tintern Abbey, Greta Hall, Catherine Clarkson, Miss Wordsworth, Oliver Sacks, John Wordsworth, Lake District, The Leech Gatherer, Nether Stowey, Windy Brow, Wuthering Heights, Elizabeth Threlkeld, John's Grove
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12 of 12 people found the following review helpful:
4.0 out of 5 stars Strange fits of passion, indeed --, March 23, 2009
This review is from: The Ballad of Dorothy Wordsworth: A Life (Hardcover)
This biography was by turns acute, impressionistic, and provocative. I am still musing on it days later. I thoroughly enjoyed Wilson's teasing out of Dorothy Wordsworth's interior life, which takes a lot of concentrated study, I would guess, judging by the fragments of Wordsworth's journals that are reproduced here. She seems to be a writer whose prime interest was in containment and re-direction. I wish I had read a more conventional biography of her first, however, as The Ballad does not make a claim to be a cradle to grave re-telling; rather it is concerned with the psychological reality of a high point in Wordsworth's life, the three years she spent with her brother in the Lake District. Coming to her life a relative innocent, thus, it was hard for me to put some of the incidents in context.

As much richness as Wilson is able to bring out of her material, however, I did wish that at some places she had pushed for more. A few times in the book we're given tantalizing glimpses of how William Wordsworth might have been a controlling presence -- he tried to prevent his daughter from marrying, for instance, and seemed to have used up all the emotional intensity of two women, his sister and his wife, as his due. How would that characteristic have played out in the intimate confines of Dove Cottage before his marriage? Conversely, how did Dorothy manipulate those around her? She seems to have had a magnetic effect not only on her brother but on the other writers of that group, Coleridge and de Quincy, for instance. How was that accomplished? And how was this played out with relatively powerless people? Wilson mentions that Dorothy wanted to control the behavior of William's oldest daughter because the little girl's energetic personality was recognized as too wild and in need of subjection. But might Dorothy also have wanted little Dora out of the way (she was sent to boarding school at the more than tender age of 4) because she recognized a rival to herself?
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