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14 of 16 people found the following review helpful:
5.0 out of 5 stars
Framed, May 25, 2004
This album has the inexplicable experience of being labeled a flop by VU-philes. The main reason I can imagine is that it diverted from the typical progressive-alternative-punk genre that had been laid down in the previous three albums.But I can't see blaming it all on Doug Yule. Yes, my loyalties lie with John Cale, but no one lambasts "The Velvet Underground" (3rd album, 1st with Yule) as being a flop. Back on track, this is a good album, and it is filled with some catchy songs that are somewhat upbeat. The most notable Reed creations are "Sweet Jane" and "Rock 'N' Roll", which are presented on the album....Sweet Jane in it's full (and only satisfactory) form. Those who have watched "High Fidelity" or listened to its soundtrack will recognize "Who Loves The Sun" and "Oh, Sweet Nuthin!", and both are good songs. "Who Loves The Sun" is a giddly little tune, but is surprisingly catchy. The latter is a good "sad" song (it was used as such in the film), and has a good solo on Sterling's part towards the end. Some say the middle songs on the album are "filler", and at a first listen, they may seem so. But after listening more and more, you will, in a way that only Lou Reed's songs can, be drawn into them. "New Age" has grown on me, as well as "Lonesome Cowboy Bill". But the most impressive "filler" track has to be "I've Found A Reason". Patterned after the old '50's rythym and blues songs, it is deceptively harmonic, soothing, yet rocking at the same time, and features great writing, both harmonically and lyrically, on Reed's part. So, it doesn't deserve it's "crap" rating many give it. But, which version to buy? To me, there's not a question. For a little more money (6 bucks at most), "Fully Loaded" gives you a ton of extra songs that are surprisingly substantiative to the album itself. To be fair, some of the tracks are demos, that either a. sound weird, or b. don't sound TOO much different, but there are some songs that never made it on the record at all. Many ended up becoming solo Reed tracks later on, but hearing them in their original song formats are great. Notables: "Ocean" is presented in a few varying forms on this album, which, in my opinion, is a suspenseful song, and keeps its charm well in these outtakes. But the other highlight is "I'm Sticking With You", led on vocals by drummer Maureen Tucker (YES, she does appear, but ONLY on "Fully Loaded). This version, unlike the one released on one of the "lost MGM albums" ("Another View" or "VU"), has an excellent acoustic guitar backing that gives it almost a folk feel, which suits the song better than the other (and more known) lounge-style accompianment. All in all: 1. "Loaded" was and is a viable album 2. Buy "Fully Loaded", if considering buying "Loaded" to begin with. The "Fully Loaded" variant is filled out with the extra tracks, and also allows you to compile some demo tracks without having to buy the boxed set. Reccomended.
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