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Perhaps only Pedro Almodóvar could come up with a story about a mental patient who stalks and kidnaps an ex-porn star--and turn it into a tender love story. But that's exactly what happens in
Tie Me Up! Tie Me Down!, a lively installment from the Spanish director's wacky middle period (after the scruffy early films, and before his mature melodramas). Two of Almodóvar's sexiest stars, Antonio Banderas and Victoria Abril, play the leads: a cracked young man with dreams of bourgeois domesticity, and an actress who used to specialize in porno and heroin. Despite that fact that he binds her limbs with cord when he leaves the house, he always returns with a cheerful "I'm home!" For all Almodóvar's outrageousness, there's a touch of classical Hollywood in his construction. And while this movie is not for the politically correct, it does play by its own warped rules.
--Robert Horton
From The New Yorker
This Pedro Almodóvar's movie gets off to a fast start, like a windup toy, but it runs out of momentum early, and Almodóvar can't figure out how to start it up again. The story, about a released mental patient (Antonio Banderas) who follows a sexy actress (Victoria Abril) and then takes her prisoner, seems to tie the director's wild imagination down, and his efforts to keep his (and the audience's) blood circulating betray some desperation. Neither the kidnapper's romantic obsession nor his captive's eventual love for him is especially convincing. And we don't fully enjoy the perverse humor of the situation, either: we've seen the victim subdued by a hard slap, and that image is too strong to forget. The limpness of "Tie Me Up!" suggests that Almodóvar is either a confused director or a tired one-probably a bit of both. It's as if he had made the movie solely to satisfy the public's demand for a new Almodóvar film. Also with Francisco Rabal, Loles Leon, and Lola Cardona. Screenplay by Almodóvar. In Spanish. -Terrence Rafferty
Copyright © 2006
The New Yorker