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Stanley Kubrick's
The Shining is less an adaptation of Stephen King's bestselling horror novel than a complete reimagining of it from the inside out. In King's book, the Overlook Hotel is a haunted place that takes possession of its off-season caretaker and provokes him to murderous rage against his wife and young son. Kubrick's movie is an existential Road Runner cartoon (his steadicam scurrying through the hotel's labyrinthine hallways), in which the cavernously empty spaces inside the Overlook mirror the emptiness in the soul of the blocked writer, who's settled in for a long winter's hibernation. As many have pointed out, King's protagonist goes mad, but Kubrick's Jack Torrance (Jack Nicholson) is Looney Tunes from the moment we meet him--all arching eyebrows and mischievous grin. (Both Nicholson and Shelley Duvall reach new levels of hysteria in their performances, driven to extremes by the director's fanatical demands for take after take after take.)
The Shining is terrifying--but not in the way fans of the novel might expect. When it was redone as a TV miniseries (reportedly because of King's dissatisfaction with the Kubrick film), the famous topiary-animal attack (which was deemed impossible to film in 1980) was there--but the deeper horror was lost. Kubrick's
The Shining gets under your skin and chills your bones; it stays with you, inhabits you, haunts you. And there's no place to hide...
--Jim Emerson
Product Description
Opening with spectacular aerial shots of a beautiful, mountainous landscape, Stanley Kubrick's horror classic THE SHINING sucks the viewer into his frightening tale with quiet, relaxing visuals--but the ominous soundtrack warns that all is not right at the gorgeous Overlook Hotel. Based on Stephen King's best-selling novel, the film stars Jack Nicholson at his eyebrow-raising best in his portrayal of Jack Torrance, a Vermont schoolteacher working at the Overlook as a winter caretaker. The glorious early-20th century resort only operates in warm weather because the snowy roads deny access in the colder months, so Jack brings his wife, Wendy (Shelley Duvall), with him, as well as his young son, Danny (Danny Lloyd), who possesses some unique psychic powers. As the Torrances settle in for the long, lonely months ahead, strange, unexplainable things start occurring in the hotel--and in every scene Jack seems to be growing a little more evil and dangerous.... Cinematographer John Alcott (who also worked on BARRY LYNDON and A CLOCKWORK ORANGE) allows his Steadicam to float eerily through the deserted halls and corridors of the hotel, creating a creepy air of tension as Jack plummets into madness. Kubrick's obsessive eye for detail is prevalent throughout; the famous scene where Danny rides his toy buggy through the hotel is remarkable for Alcott's gliding camerawork and the desolate sound of the wheels alternately scraping across the hardwood and carpeted floors. Nicholson and Duvall are outstanding throughout, with both actors running the full gamut of human emotions as the film races towards a thrilling conclusion. Supplemented by an oddball cast of dead twin girls, suicidal ax-murdering ghosts, Scatman Crothers as the hotel cook, and many other weird and wonderful figures, Kubrick's film is a pulse-racing treat that is among the best in his inimitable body of work.
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