From The New Yorker
This controversial and confused new film, written and directed by Agnès Merlet, is ostensibly about the seventeenth-century painter Artemisia Gentileschi, but it is really the silliest form of late-twentieth-century iconography. The movie, which stars the fetching Valentina Cervi, makes a sexy love story out of Artemisia's relationship with her teacher, Agostino Tassi (played by Miki Manojlovic): it's art lessons as foreplay. "Let yourself go," Tassi tells his young pupil, as though he is quoting from Masters and Johnson, and Artemisia not only expertly guides him in bed but insists that he gave her pleasure when he raped her. Although the real Artemisia did flout the conventions of her time by insisting on painting from live models, it's hard to believe that she proceeded with the air of defiant entitlement she's given here. Once you accept the film on its own fraudulent terms, however, it's quite engaging-not least because of the erotic subtext. In French. -Daphne Merkin
Copyright © 2006
The New Yorker
Product Description
A widely acclaimed critical favorite honored with a Golden Globe nomination as Best Foreign Language Film, ARTEMISIA is the highly provocative true story of a young woman whose bold pursuit of artistic freedom and physical desire threatened the elite powers of her time! Artemisia Gentileschi, the beautiful and talented daughter of one of Italy's greatest painters, is forbiden to fully pursue her own passion for painting. When she convinces a renowned and unconventional artist to tutor her, however, he not only liberates her in the world of art, but initiates her into the treacherous world of sex and love! Following the controversy of a theatrical release that saw the original NC-17 rating overturned on appeal, Miramax Films is proud to present this important and powerful motion picture complete and unedited!