Miracle (Widescreen Edition) (2004)

"Miracle" captures this spirit down to the smallest nuance; in a day and age when you are as likely to read about athletes in the police blotter as the sports page, it is refreshing to watch people play for the pure joy of sport and love of the game. The ability to capture this love of the game was made possible by the fact that every single one of the actors portraying a hockey player was first and foremost an actual hockey player. That's not to say they can't act, but they sought out the opportunity because they have scored Eruzione's game winning goal a thousand times on a rink or pond or even on asphalt and they wanted an opportunity to tap into a little bit of that magic. They didn't audition for "Miracle", they tried out for it, and once they had the job, they went to training camp to prepare for filming. This attention to detail comes through in spades; I know hockey, but you don't have to be an expert to realize these guys are in great shape and have been on the receiving end of a check more than once.

In contrast to these raw and unseasoned actors stands Kurt Russell, a Hollywood veteran (and admittedly a very big hockey fan). His portrayal of Herb Brooks is dead on; from the voice and mannerisms down to the single minded determination to beat the best team in the world. Moreover, his punishing conditioning regimen and mind-bending schemes are accurately portrayed without bogging down in details that would likely bore even dedicated fans. The supporting cast is likewise strong, and wisely limited in large part to just Brooks' wife and assistants. This focus mirrors the way Brooks lived the game and minimizes distractions.

So the film has real hockey players and fine actors in all the key roles but the most daunting task for the director still remained: how to portray a game where the outcome is know when the NHL hasn't found an entirely effective view for live games. The answer was to use as many ice level shots as possible, which serves a twofold purpose. The first is that it is much easier to follow the puck when it is the focus of the shot, and at the same time, when a hit or injury is the key part of the scene, the puck isn't a distraction. The other reason this approach is successful is because this player's eye view of the ice injects a sense of urgency that makes victory seem in doubt even when it is a known factor. A corollary to this approach is in the narrative of the game with the Soviets; the director wisely chose not to reinvent the wheel and used Al Michael's definitive call, which includes key commentary from Ken Dryden which can be informative for the non-hockey fan.

In the end, what this all adds up to is the perfect encapsulation of the joy I referenced above. The cold hard fact is that we are unlikely to ever see such joy in sport again, as professionals have come to dominate Olympic team sports and high schoolers join the pro ranks as soon as they graduate and middle schoolers go to strength and conditioning camps under relentless pressure from their parents. What "Miracle" portrays is a joy born of a love of competition, a love of sport and a love of teammates that has become all too rare. That's not to say that this movie only portrays sunshine and roses, but the ultimate goal transcended any one individual. Some of the best scenes in the movie have nothing to do with hockey, but rather the camaraderie that comes from sharing simple things with good friends.

Superb in its portrayal of perhaps the greatest sporting event of all time in every aspect - from acting to wardrobe to the game on the ice, "Miracle" is an absolute joy to watch. It wisely frames the geo-political import of the game and then sets it aside, focusing instead on the beauty of sport and the satisfaction of hard earned accomplishments.

Jake Mohlman.