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14 of 16 people found the following review helpful:
2.0 out of 5 stars
Hideous Protagonist!, August 5, 2000
Read by my bookclub months ago, I finally picked this one off the shelf and gave it my best shot. The protagonist, Chloe Fowler, is the wife of a doctor who has chosen to spend the summer in Iran, working in Shiraz at the Azami Hospital. In London on the trip out to Iran, her husband, Jeffery, is suddenly called back to the States to tend to a dear friend who has had a terrible accident. Jeffrey encourages Chloe to go ahead and he'll meet up with her later (he never does). Chloe's world in Iran is a chock-a-block of doctors and their wives (some American, some Iranian, some European) who live and work in the Azami Compound. It is the summer of growing discontent in Iran and the book ends with them all fleeing as the hostages are being taken at the US Embassy in Tehran (although they are oblivious to that fact as they line up in the airport to buy caviar). Although this book was very well written, I had a terrible time identifying with Chloe. She is self-centered, unliberated, a pretty, empty-headed thing who has very little sense of what is happening around her and seems way too preoccupied with her various affairs to care. Although the stage for this novel is Iran, it could have taken place in any developing country. Johnson attempts to make us see that Chloe has some redeeming qualities in her amateurish quest to better understand the Persian poets or some of the archeological sites they all visit en (tourist) masse. But the result does not move me. Chloe is still a bonehead, and has more than she deserves in life. I finished this book wishing that it had been written about one or another of the more interesting, less shallow peripheral characters in Chloe's little Iranian world.
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18 of 22 people found the following review helpful:
4.0 out of 5 stars
Self-Absorbed American in Arabian Nights Tale, April 12, 2000
After reading some of the negative reviews here, I was a bit trepidatious when I started this novel, but after reading and enjoying Le Divorce (despite its many negative reviews on Amazon), I decided to give it a go. Suprisingly, it was not horrible at all. I found it a very fun and enjoyably light read, with typical Diane Johnson characters, self-centered, blind to their surroundings, and not altogether pleasant. Actually, I found this plot much more cohesive than Le Divorce (for which Ms. Johnson was nominated for the National Book Award), with fewer loose ends. But I would still have preferred that she stay away from the political intrigue-type shenanigans (which she never really explained satisfactorally) and stick to her characters, whom she writes about with great wit and charm. I did not find the book at all boring, as some earlier reviewers have described, and am completely puzzled as to the reference of a "string of 4-letter words." I certainly didn't notice any. I wonder if we read the same book?
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
An excellent book, September 28, 2002
The content of 'Persian Nights' was very vivid and realistic, so I was immediately transported into the story. I could easily identify and empathise with a lot of the feelings and emotions there, particularly concerning those of the main protagonist Chloe, and I could also clearly imagine the sort of atmosphere evoked. The characters were portrayed in a very human, 3-dimensional way with both their qualities and faults exposed. I enjoyed the transparency of their inner thoughts and emotions. The story went at a nice pace, there was a good sense of humour, tension, disturbance and suspense, especially towards the end, local colour and detail added exoticism and charm, the plot was compelling with little unexpected and original twists at times. Overall the book is very rich, there is a lot in it, worthy of a re-read or even chosen for a book study group. I came across the book by accident, my first impression looking at the cover and blurb was that it might be about a uncultured, ignorant American woman who blunders through Iran constantly hostile and complaining at the culture shock, and so I chose to read it for entertaining, humorous and light holiday reading. However it was refreshing to find that the protagonist was not only cultured, liberated, professional and sophisticated, but that she bravely attempted to integrate into Iranian culture in her own way and had good intentions to make the most of her short stay there through studying the language and improving her knowledge of local artefacts (she worked part-time in the University library and took out some heavy reading!). Thus I admired the character and learned a lot from her too. I wish I were as strong and brave, and sometimes as good, as she was. Although not explicit, you can deduce fairly quickly that the political backdrop is Iran in the 70's, the time leading up to the Iranian revolution . If you want to read a detailed account of the political or cultural situation of Iran at the time, (as some readers seem to have wanted to do - I wonder why they don't just look up the encyclopaedia?), then you might be expecting too much from this book, which in its 300-odd pages packs a lot more in besides. If you keep an open mind and want to be enriched emotionally and intellectually, then you will experience the joy of top quality writing. There is no mystery why the author's books have been selected for various prizes. It certainly makes me want to read all of the other Diane Johnson books and pretty soon. I'm already a fan! I must admit I was rather shocked at the negative comments and low-star ratings for 'Persian Nights'. Are all these readers reading the same book? The book deserves at least four stars on average. Thank you Diane Johnson for an excellent book!
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