"Richard Wollheim"

Key Phrases: Richard Wollheim, Malcolm Budd, Michael Baxandall, Michael Podro, Svetlana Alpers, Caspar David Friedrich, expressive perception, experienced resemblance, internal spectator, suitable spectator, depictive content, positive repertoire (see more)

Key Phrases: Richard Wollheim, Malcolm Budd, Michael Baxandall, Michael Podro, Svetlana Alpers, Caspar David Friedrich, Barnett Newman, Paul Crowther, Languages of Art, Nelson Goodman, Philosophy of Value, Philosophical Investigations, Rembrandt's Bathsheba, Renée van de Vall, Stanley Cavell, The Disembarcation, Alfredo Jaar, Chardin's Return, Greg Currie, Hendrickje Stoffels, John Shearman, Saint Francis, Understanding Pictures, Venus Rising, The Conception of Value, expressive perception, experienced resemblance, internal spectator, suitable spectator, depictive content, positive repertoire, pictorial seeing, centrally imagining, cognitive stock, external spectator, resembling term, implied spectator, recognitional skill, pictorial understanding, artistic empathy, projective properties, white zip, complex projection, tational content, projective property, psychological repertoire, perceptual hypothesis, pictorial meaning, expressive properties, pictorial properties (see less)

Key Phrases: Richard Wollheim, New York, Understanding Pictures, Harvard University Press, The Transfiguration of the Commonplace, Art Criticism, intrinsic top, distinct artworks, construed subject matter, inverted building, same field orientation, matter invariance (see more)

Key Phrases: Richard Wollheim, New York, Understanding Pictures, Harvard University Press, The Transfiguration of the Commonplace, Art Criticism, Oxford University Press, Cambridge University Press, Jerrold Levinson, Arthur Danto, Cornell University Press, Joseph Margolis, Princeton University Press, Clarendon Press, Dominic Lopes, Stephen Davies, Andrew Harrison, Ernst Gombrich, Kendall Walton, Pierre Menard, Don Quixote, Fictional Points of View, Jacques Ebert, Michael Podro, Nelson Goodman, intrinsic top, distinct artworks, construed subject matter, inverted building, same field orientation, matter invariance, aspectual representation, relevant fictional world, orientational analysis, visual construal, artifact claim, orientational issues, physical painting, token segregation, orientational concepts, eliminative approach, identifying interpretation, upright picture, corresponding artwork, double content, design token, orientational factors, upright building, inverted car, relevant artwork (see less)

Key Phrases: New York, Michael Baxandall, Nelson Goodman, Richard Wollheim, Novelty Proper, Maurice Merleau-Ponty, demonstrative precision, depicting surface, minimal syntax, projective properties, art historical interpretation, tactile mode (see more)

Key Phrases: New York, Michael Baxandall, Nelson Goodman, Richard Wollheim, Novelty Proper, Maurice Merleau-Ponty, Languages of Art, Richard Shiff, Andrew Harrison, Meyer Schapiro, David Summers, Morning Star, New Haven, Patterns of Intention, Svetlana Alpers, Twin Earth, Carl Hausman, End of Impressionism, Harold Rosenberg, Max Black, New Literary History, Abstract Expressionism, Critical Inquiry, Evening Star, Theodore Reff, demonstrative precision, depicting surface, minimal syntax, projective properties, art historical interpretation, tactile mode, created outcomes, complex projection, conceptual image, radical creativity, framing figure, semiotic device, suburban scene, figurative discourse, metaphorical discourse, sensible presence, psychological predicates, comparison words, verbal metaphor (see less)

Key Phrases: New York, Cambridge University Press, Cornell University Press, Philosophical Review, Oxford University Press, Twin Earth, aesthetic characterisations, pictorial characterisations, general descriptive criteria, literary aesthetic features, artifactual art, erotetic narrative (see more)

Key Phrases: New York, Cambridge University Press, Cornell University Press, Philosophical Review, Oxford University Press, Twin Earth, Nelson Goodman, Kendall Walton, Hammerklavier Sonata, Mona Lisa, Jerrold Levinson, Languages of Art, Pierrot Lunaire, Sherlock Holmes, Richard Wollheim, Roger Scruton, The Potato Eaters, Anna Karenina, Historicist Thesis, Jane Austen, Miss Murdoch, Proceedings of the Aristotelian Society, Joseph Margolis, King Lear, Malcolm Budd, aesthetic characterisations, pictorial characterisations, general descriptive criteria, literary aesthetic features, artifactual art, erotetic narrative, general style category, experience the work offers, experienced resemblance, nonformal properties, literary aesthetic judgement, perceived isomorphism, same sound structure, cognitive triviality, suitable spectator, categorial intentions, primary aesthetic value, actual intentionalism, brute text, shareable properties, hypothetical intentionalism, visual field representation, pure sound structures, resembling term, illocutionary action (see less)