11 of 13 people found the following review helpful
A Party Well Worth Attending,
This review is from: The Wild Party (Original Off-Broadway Cast) (Audio CD)
Already a fan of Andrew Lippa's exquisite "john & jen," I knew that he was a gifted composer. But I don't think anything could have prepared me for the blazing score that is "The Wild Party." If more composers and lyricists had half of Lippa's gift for melody and lyrics, his energy, and his enthusiasm, musical theatre would have the same vibrancy it did in the so-called Golden Age of Broadway. Lippa is definitely a force to be reckoned with, and as long as he continues to work in musical theatre, we who are fans of that art form will have much to enjoy and savor. I would even go so far as to say that Lippa may be the true heir apparent to Sondheim: this is a score that not only entertains and delights, it is also provocative and intelligent.
Lippa's music is endlessly brilliant. These are songs that get my adrenaline pumping, and make me want to get on my feet and dance. I play it in my car and find myself pounding away on the steering wheel and dashboard, accompanying the rhythms that drive and invigorate the music. These are melodies that are instantly memorable, burning themselves into the brain as soon as they are heard. Michael Gibson's orchestrations are delightfully funky and idiosyncratic -- I mean, electric guitar in a roaring 20s musical? -- and are the perfect complement to Lippa's music.
His lyrics are entertaining and playful, and rest easily on the music -- repeated listenings aren't necessary to understand and follow the lyrics. The standout song lyrically is, for me, 'An Old-Fashioned Love Story,' it is at once hysterically funny and wistfully sad.
The pacing of the songs is impeccable, no doubt due to Lippa's book, with great balance between full-throttle beltable songs and quietly reflective songs, and as a result the listener is not worn out by too many high energy songs in a row. Lippa also wisely keeps the focus on the four central characters, only occasionally drawing attention to the supporting characters. At the same time, these supporting characters aren't two-dimensional -- they are given their due in the ensemble numbers, but only rarely are any of them given their own numbers. I am reminded of Sondheim's focus on George and Dot in "Sunday in the Park with George."
Along with "The Secret Garden," this is the best ensemble work I have heard. The four leads -- Taye Diggs, Brian d'Arcy James, Idina Menzel, and Julia Murney -- are all gifted with gloriously expressive voices, at once belters and character singers. Their quartet in 'Poor Child,' is perfectly balanced, their voices weaving in and out of one another's, creating an astounding vocal tapestry. The other performers who are given solo work, especially the showstopping Alix Korey as Madeline, are equally as brilliant as the leads. And when the entire company is singing -- most notably in 'A Wild, Wild Party' -- the result is nothing short of electrifying.
In "The Wild Party," Andrew Lippa has not only created an ectrifying and memorable score, he catapaults to the forefront of the up-and-coming generation of composers. Adam Guettel, Michael John LaChiusa, and Jason Robert Brown, as good as you guys are, watch out: Andrew Lippa has finally arrived, and as long as he continues in musical theatre, you three have incredible competition.