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Customer Review

48 of 51 people found the following review helpful
5.0 out of 5 stars The End of an Era..., November 2, 2005
This review is from: ...And Justice For All (Audio CD)
Epic. This is the line of demarcation... The toe in the dirt scrawling out the line bewteen fans of the old-school thrash Metallica and their more pop-conscious fans of the new. It's also my favorite Metallica CD, I find it to be their most consistently BADASS. Epic riffs, sprawling density; the songs are allowed to take up as much time and aural texture as is needed ("...And Justice For All" and "To Live Is To Die," both clock in at just under 10 minutes).

This one: Exceptionally well-paced, a tad thinly recorded, brutal sonic delivery. Killer legendary tracks. Thematically unified, this would be Metallica's most socially-driven release as most, if not all, of the tracks seem to deal (in some way) with ostracism, petty-tribal-hates, the plight of those passed-over, those forgotten, those stepped on or kicked out of the way... James's vitriol is unleashed in full! No sleepers, no skippers.

Something I don't see noted in here much: the drums! Lars really pounds the living soul out of himself on this one. There's more variety and interesting bass-drum fill work on this one than previous (and following) releases. It almost sounds like a different drummer at times. Early Metallica skin-work always comes off as a tad marginal... That's probably because I don't know anything about drums beyond digging double-bass-kicks. This one brings them aplenty.

...From the melodic building electric drone of the first track "Blackened," (which infectiously sets the tone for the what is to come), to the take-no-prisoners thrash mayhem of "Dyers Eve," a blistering and acerbic closer.

Some high points: The parts in "Eye Of The Beholder" When James starts howling "Independence, Liberty! FREEEEEDOM!" he comes off like a metal Braveheart, Plus it has one of all-time fave screechy "wong-wong--wong-WONG-WAAAAAHHH!!!!! blast-off" solos.

The chorus of "...And Justice..." is just killer. "Justice is rrraped, justice is DONE!" Recalling, "Master of Puppets" with its "pulling your strings, justice is done," line... Loss of Power/Control being an oft-recurrent major theme in the Metallica corpus.

I'm not gonna gush on and on about how slick the transistions are in "One," from the softer melodic poignance to all out thrash-insanity, seeing as how everybody knows the tune in question. But it does never seem to get old, at least to these ears.

The instrumental "To Live is to Die," is better than prior instrumental tracks (yes, there I said it- someone had to); the snakey blues-metal solo is sick, and then there's the dynamic shifting in the song...

Love the "Oh-EEE-OH," chorus opening off "Frayed Ends of Sanity," that could've sounded kitschy and dumb but the guys pull it off making it the only time anyone has referenced "The Wizard of Oz," in an ominous manner.

Nitpicking: As many other reviewers have noted- You can't hear the bass. As in: at all. It's just not there. These tunes are bassless accusations, mwah-hah-hah... Given how awful James, Lars and Kirk treated Jason for something like the first 4 years he was with them; maybe this is but one more sign of that... Still, as I think Jason is an interesting metal bassman (a rare breed) I wish there were more low-end theory on this classic... Maybe when it gets the remaster in however many years, they'll crank up the BOOM... Which remindeth me, O my brothers- completely off the topic at hand: AVOID AT ALL COSTS THE NEW MEGADETH REMASTERS; the vocals are unbelievably bad. I know, I listened. I suffered so that you don't have to: we all know Mustaine was never an able crooner to begin with (not that his chosen mode of expression demands that) but... wow. They're just plain awful, the new vox. You want to tell yourslef, "Hey it ain't that bad, but that tiny part of your soul that knows spit from spinola just keeps nudging you saying, "Dude... Umm... Dude... Just turn it off."

Back to Metallica: This one catches some flak from most fans I think, despite the fact that those who dig on this one dig the holy hell out of it.

Oh... This is perhaps the best weight-lifting CD ever. The tracks ably segue into each other so well... Great for maintaining consistent anger and power output for multiple sets of squats and deadlifts.
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Showing 1-3 of 3 posts in this discussion
Initial post: Jan 20, 2011 6:01:30 PM PST
Last edited by the author on Sep 11, 2013 10:44:33 AM PDT
... says:
Fantastic review; further eloquent proof that those with the ability to identify and appreciate a genuinely solid metal album are (in my experience) amongst the more intelligent in society (contrary to public [ignorant] opinion [and stereotypes])! I very much agree with your statements, notably regarding remasters. In my opinion, "remasters," unless merely adjusting certain frequency peaks/valleys, background noise, etc., are nothing but highly detrimental blasphemy, and should never be produced...ever, for circumstances financial or otherwise (call me a purist). Megadeth's failed "remasters" are perfect examples; not only do the vocals collapse what was once one of the greatest metal albums of all time ("Rust in Peace;" thank God (or who/whatever) that I still have an original pressing of the CD), but songs have been outright modified, to boot ("Take No Prisoners," e.g.), and little but all that can be seen as an abomination is left lying in the ruins...

Note: there is indeed audible bass guitar (where they failed to properly strip it) present within this album (I _ _ _ _ you not). I actually just noticed it for the first time in my life yesterday, after having listened to the album more than (in my estimation) 2,000 times (22 years [album released in '88] * 104 [twice a week is a safe estimate, considering I listened to it nearly every day for literally just shy of a decade]). It's very, very difficult to hear, but if you have sufficient tools (audiophile-grade equipment), it can be done. Try 1:23 of "AJFA," 1:26-1:46 of "One," and...well, that's it.

Also, I'd like to make mention of my (simplistically [intentionally, I'd like to think] written) review, where I's very clearly labeled this as the greatest metal album of all is simply untouchable, and will in all likelihood remain this way until the end of humanity.

p.s. while this is great lifting music, and while I am in no way disputing the judgment of your obvious genius (I've perused your reviews, as I typically do before commenting), I'd have to go with Cannibal Corpse (pretty much any of their albums will suffice, though I particularly enjoy "Kill" the most (in this scenario)), All Out War "Condemned to Suffer," Death Before Dishonor (any of their albums will work just fine), Biohazard "Urban Discipline", Merauder "Master Killer," Earth Crisis "Destroy the Machines," or Cryptopsy "Whisper Supremacy" (when all else fails...)

Posted on Dec 13, 2011 4:59:04 PM PST
Khyron says:
Hands down the best review here. Well done!

Posted on Jun 24, 2016 12:45:16 PM PDT
Home Slice says:
Check out these 2 links for this album w/ enhanced bass:
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