Customer Review

5 of 7 people found the following review helpful
5.0 out of 5 stars Public Enemy Deliver On No Missunderstanding Here, November 12, 2012
This review is from: The Evil Empire Of Everything (Audio CD)
When I heard about Public Enemy making a comeback in 2012,I was very excited to say the least. On the other hand this comeback seemed delayed for release again and again. By the time it finally arrived it came in the form of two seperate albums. The first of them was Most Of My Heroes Still Don't Appear On No Stamp,followed by this one as the second. That first album did a superb job at realizing PE's sociopolitical microscope in order to visually magnify a lot of the truths and contradictions we all see,but for the most part force ourselves to deny. And it did an excellent job,especially when it came to utilizing the musical medium of "the funk" to illustrate that almost like verbally expressed pages in a book. On the second part of the comeback,the same intention is there but the approach is slightly different.

Right off the bat,the musical difference expressed here is that this album focuses on music that is more epic and cinematic. The raps themselves are similarly expressed as very lyrical verses and choruses rather than James Brown style rapping/singing. On the title song,"Don't Give Up The Fight","PEace","ResPEct/Spit Out Your Mind","Riotstared" and "ICEbreaker" the overall intent here focuses more on the human side of societies ills. This is especially evident when the funk is again on heavily expressed in the music on "Beyond Trayvon",one of my favorites in it's tales on how racial profiling isn't just a problem in itself,but because it now has mainstream acceptability. A similar intent shows up on "Notice (Know This)". "Everything" is probably my favorite cut,sounding like an early 60's James Brown soul ballad with Gerald Albright on a sax solo guest spot with Chuck actually counting the blessings of his life,and they aren't the ones one might expect either.

The album closes with two heavily funk oriented numbers on "Broke Diva",which goes into the self victimization and manipulations of modern femininity and closes with "Say It Like It Really Is",where Chuck states that while he hasn't been consistently present with PE the way he was in the late 80's/early 90's that he still intends to keep his message of truth and honestly going forward and expressing it to the people. This along with the second PE release of this year it was paired up with make up for an excellent comeback. While I suppose this could've easily been released as a double album much in the same manner as OutKast's Speakerboxxx/ The Love Below,I can certainly Chuck D's viewpoint for the albums as two separate entities. Both make similar points. But they express them from somewhat reverse points of view both musically and thematically. This one of the two does so more with human drama. And that makes the topics PE express all the more relatable to those listening.
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