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This review is from: Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (Indigenous Americas) (Paperback)
This book shares remarkable insights on the choreographic works of Zora Neale Hurston. In her writing, Kraut skillfully recovers the invisibilized history and influences of Zora Neale Hurston's theatrical productions on the American dance scene in the 1930's. Kraut examines the manner in which Hurston utilized the rhetoric of authenticity to promote her stage renderings, distinguish her work from racist images of blackness, critique the commercial market, and negotiate issues of authorship. She also discusses the way in which Hurston navigated power struggles that surrounded her production of The Great Day and provides an in-depth analysis of the concert itself. In so doing, Kraut explores Hurstons' vision of black folk culture, the reception her work, and the racialized dynamics of the 1930's which served to obscure the influence of her work. Wonderful book for all!
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