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Customer Review

285 of 300 people found the following review helpful
5.0 out of 5 stars Best All Around Camera On The Planet, December 17, 2010
This review is from: Panasonic Lumix DMC-GH2KK 16.05 MP Live MOS Mirrorless Digital Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Lens (Black) (Discontinued by Manufacturer) (Camera)
Now I know that is a bold statement and I intend to back it up. However, before I do I need to explain what I mean. I am not saying this camera is the best at everything or even anyone thing. Cameras that are the best at something are usually specialized beasts that can really only do that one thing well. What I am talking about is a camera the is so good in so many categories that it can joyfully be used for just about and photographic or video graphic purpose you may have. The GH2 is that camera.

Now that is out of the way we can get to the meat and potatoes of the review. I shoot mostly Nikon and Panasonic and I primarily shoot stills. I dabble in Video but do not proclaim myself any sort of an expert. I can say if you are looking for the best handling combo/cam with the most features then the GH2 is the one you want. Panasonic went out of its way to make this a video camera so that was its primary focus with this camera. However, there are lots of payoffs for the stills part of this camera so this is the best m4/3 stills camera by a long shot also. I will also say that the hard core video market is a niche market compared to the stills market because shallow depth of field video is hard to shoot properly and hard to edit. The average home user has neither the time nor inclination to properly storyboard and shoot this type of video. However, with that said, it is really nice to be able to shoot stills and video. And basic home videos are a snap to shoot with this camera; much more so than any other DSLR with the exception of the Sony SLT A55/33 which at least has a fast auto focus also. To shoot nice home movies, put the mode dial to iA, press the red button, and you are shooting video.

This camera is the next generation of cameras as it successfully blends the advantages of Point and Shoot cameras with the benefits of DSLRs and creates and incredibly small and powerful camera. Listed below are some of the benefits and weakness you get from this next gen camera.

What's Hot

The handling on the GH2 is bar none the best handling "DSLR" on the market. WIth smart controls, great layout, fast autofocusing, swivel screen, full time double live view, etc. Even with how good the D7000 is, it still feels clunky after using the GH2. I get into most of the details of this down below so I don't want to repeat the info here. What I will say here is that you can do things with this camera you couldn't hope to do with DSLRs and you can generally set up your photo parameters much faster with this camera. The menus on the GH2 are not very good. However, the actual camera controls are so good you will rarely even need to use the menus.

Program Shift - Forget using Aperture priority with this camera. You can leave the camera in Program mode. With program shift you can change the aperture setting and thus the shutter speed while in program mode. To do this you press the shutter release button down half way to set the exposure. Then if the numbers are in yellow you just rotate the rear dial switch to change aperture. Want a shallower depth of field or faster shutter speed, then dial in a bigger aperture (smaller number). If the numbers are not in yellow then you are currently in exposure compensation mode. All you have to do is click the rear dial switch and then rotate it. Snap. What a neat feature.

Extra Tele Convert (ETC) Mode in Video - If you shoot video you are going to love this. This is even great for home/casual video shooters. The GH2 has a 16mp sensor but like every other consumer combo/cam shoots 2K video. That means the picture is usually down-sampled to make it 2K. This has some pluses and minuses. Enter the GH2. With the ETC mode the camera uses only 2K of the sensor. This gives you an extra 2.6x crop factor. Which means your total crop factor is now 5.2x. So that brand spanking new 100-300mm you just got is now 520-1560mm with no light loss. If you put a Nikon 135mm f2 then you now have a 702mm f2! lens for video. There are some drawbacks for using ETC also but they are pretty negligible.

Auto focus - the auto focus on the GH2 is twice as fast as the GH1 and the GH1 was the fastest of previous generation. I have seen some very knowledgeable photographers saying it is as fast as mid-level DSLRs. While I think it is supposed to be a complement I don't think it is a very good comparison. I find the focus speed of DSLRs has most to do with what lens you have on. There are some lenses that focus slowly on even a D3. All of the lenses I have used on the GH1 focus very quickly except the 45-200mm. That lens tends to be my slowest. Non of the lenses I have focus as fast as a 70-200mm f/2.8 but the rest of them focus as fast if not faster than any of the other Nikon lenses I own. The best I can say about this is that you won't notice the focus speed on the GH2 as it is fast enough to get out of your way.

Smaller lighter camera - I recently went on a trip to Egypt and carried nothing but my Panasonic gear. Two camera bodies, 5 lenses, 1 flash, an iPad, and camera bag. Total weight 10lbs (3lbs of that was the bag itself). My Nikon D300 and 14-24mm lens would have weight more just by themselves (I was carrying the Panasonic 7-14mm so I did have wide covered)

Swivel Screen with full-time live view - You won't know what you are missing until you become used to this and how well it works. Want to reach up as high as you can and shoot down; No problems. Want to get as low as possible but can't lay down in the mud or water; No problem. Want to take a picture of you and your daughter but there is nobody around; No problem. Turn the screen around aim the camera at you and use the screen to frame. Something that makes photos interesting is showing the viewer something from a perspective they don't often see. The swivel screen actively encourages this. The other thing the swivel screen does is make shooting from a tripod a joy. Because of how small and light this camera is you can use a much smaller tripod. I have a 3lb tripod that can support 7lbs. Also, you can now set you camera up in all sorts of whacky positions and just rotate the screen to be able to frame and focus. Very nice. Also, with no mirror to flip up you don't have to worry about any vibrations.

Touch Focus implemented as slick as on the iPhone. As I mentioned above you can shoot from many strange angles because you can swivel the screen to almost any angle. However, if the camera did not focus on what you wanted it would be hard to change it. Now you can simply touch the screen on what you want to focus and presto it will focus on that. The GH2 is worth the price just for that.

WYSIWYG - What you see is what you get. Since you are looking at either the screen or the beautiful EVF, you are seeing what the sensor sees. With a DSLR you are seeing what the lens sees. This is an important difference. If you forgot to reset your WB or Aperture or any camera setting, you will see it before you shoot. On a DSLR you would have no idea until you looked at the pictures. Also, if it is a low light situation, the EVF will start to noise up and start to lose some of its smoothness. This is a warning to you that you need to use flash or a tripod. With a DSLR the viewer becomes darker but you don't get a very good visual cue of how your camera is seeing it. For me the most brilliant thing with WYSIWYG is setting exposure. Because I can see what the camera is doing with exposure, I usually leave the camera in P mode. Then I change the exposure by changing where I aim the camera, lock the exposure and then reframe for the subject. It works something like this. I am trying to take a picture of a person but the exposure is picking up to many bright objects, thereby dimming my subject. So, I aim the camera to include more dark areas while keeping my subject in the shoot. Then I press the shutter release button down half way to lock the exposure and focus. Then I reframe back to the original photo. This works so quickly you can try several exposures in less time than you could set one with the exposure compensation dial (which is actually exceedingly well executed on this camera also.) In a DSLR, since you don't see the exposure, you are just basically guessing at what you want and then shooting, view the photo and fix. Much slower.

Shoot about any lens you want - The distance from the lens to sensor is so short, that with the appropriate adaptor, you can put just about any lens you want on this camera. Canon, Nikon, Leica, Voigtlander, Pentax, Sony, you can use them all. Generally you need to use lenses which have aperture rings. Additionally, you do lose autofocus but there are many instances where this just doesn't matter. Macro photography is a good example. You can fit a Nikon 200mm f/4 onto the GH2 and then either get a 2:1 reproduction or a 1:1 reproduction with twice the depth of field. It is like putting on a teleconverter without the loss of light and depth of field. Brilliant.

Great for Newbies - All DSLRs are easy for anyone to use and the GH2 is no exception. The great handling makes the GH2 better for newbies in my opinion. Anyway, all you have to do is put the camera into iA mode and start shooting. This camera gets the subject correct more often then not and will make you look good. In dynamic situation, I actually use the iA mode quite a bit. I do this because the camera is good a recognizing as scene as a person, flower, scenery, etc. The camera then instantly sets numerous setting to make that scene look as good as possible. If you tried to do it yourself it could take a few minuets to set and then a few to set back. Or even worse you forget to reset it and you next pictures look bad. If I have time, then I will set the camera myself. My daughter has been using the GH1 since she was 2. Here hit rate initially was only about 10% usable picture and 1% good pictures. Her hit rate now is about 70% usable pictures and 20% good pictures with about 5% really nice pictures. She has such a different perspective that it is really interesting to see how she views the world.

Image Quality - I am reluctant to put this in the review because all modern cameras have such good IQ that it really is not relevant in most cases and any discussion encourages pixel peeping instead of photo making. I will say, if you are using this camera to make pictures to view on your monitor, or publish on the web, or print 8x10s this camera will more than meet your needs and if you do your part make some really nice photos. The GH1 has been my go to camera for the past two years and I have made some amazing pictures with it. The GH2 is better. You can argue the merits of FX vs DX vs M4/3 until you are blue in the face but the fact of the matter is it just doesn't matter in todays age and each year it continues to matter less and less. All cameras have their limitations and part of being a good photographer is know what those are and shooting around them. As far as ISO goes, with the GH1, ISO 800 was the highest I would shoot except in an emergency. With the GH2, ISO 1600 shoots clean (better than 800 on GH1) and 3200-6400 are perfectly usable.

Stills while shooting Video - The GH1 would not let you take a still photo while shooting video. The GH2 allows you to take a 14mp 16x9 picture while shooting video. So now you can be taking video and when you see something you want a still photo of just press the shutter release and now you have a photo. Brilliant.

5 fps full 16mb resolution and 40fps 4mp pictures for up to 1 second - Here is a feature I have not really seen anyone talking about. This camera has become a fantastic sports camera. It will shoot full resolution at 5 fps which is pretty pedestrian but still more than adequate for most sporting events. The 7D and A55 shoot 7 and 10 respectively. However, the GH2 pulls a trick out of its hat with an electronic shutter that will shoot 4mp pictures 40fps for up to 1 second. Now for those of you who think 4mp is yesterdays news. That is a 2400x1600 size photo. That is good enough to print a 12x8 photo from. Combine this with the fantastic new 100-300mm lens and you can shoot 40fps at 200-600mm equivalent. Wow.

I can go on and on but this review is getting too long already. Some of the features I haven't talked about are Aspect Bracketing, Advanced Scene Mode, My Color Mode, Film Mode, Face Recognition, Fn1-3 button (Function) and the C1-3 modes (Custom Modes). You can really tell that someone who enjoys making pictures designed the layout and handling for this camera. There are not a lot of cameras out there that can make that claim.'
What's Not

1/4000 top shutter speed and 1/160 flash sync speed - Panasonic has given us a partial Electronic shutter on the GH2. They were supposed to have released a full electronic shutter but instead wasted research resources on the fad know as 3D. A full electronic shutter, as we are likely to see in the GH3, will probably have a shutter speed of 1/16000 and a flash sync speed around 1/2000-1/4000. Also, it is like to be able to shoot 24+ fps for as long as the card can stand.

Construction - The switches are a cheap feeling plastic. Please panasonic put some nice metal or composite switches on this camera. I never had it fail on my GH1 but I was always worried and careful of it. This is a bit of a double edged sword as the current construction keeps the camera very light and as I said I have had no troubles with the GH1. However, The mode nob rotates too easily. When I am pulling the camera out of the camera bag I often accidentally rotate the mode nob.

Panasonic Flashes are outdated, lacking in multiple features and are heinously expensive. You may wonder the relevance of this in a camera review but if you seriously want to make nicely lit indoor pictures you are going to want a flash.

3 years into M4/3 and we are still missing critical lenses - 12mm f/1.4 25mm f/1.4 45mm f/1.4 35-100mm f/2.8 300mm f/4 300mm f/2.8 1.4/1.7/2.0 Teleconverters. All MIA. This and the flashes are the only thing really holding the M4/3 system back as a dominant professional system. To shoot events and wedding you really need the fast glass for the shallow depth of field and for catching special moments in poor lighting.


The GH1 in my opinion was a truly revolutionary camera for its day and was the best all around camera on the planet. The GH2 continues the revolution and has added some amazing new features such as touch screen, 40fps shooting speeds, ETC mode, hi ISO shooting, and the list just goes on and on. Frankly, there is not another camera that can even come close to doing all of the things this camera is capable of. It is the new best all around camera on the planet.

40 fps 4mp shooting for up to 1 sec
Touch screen focusing
Blazing fast auto focus -- twice as fast as the already fast GH-1
Clean Pictures up to 1600 ISO -- Same as D700
Best video in a combo-cam to date
Most shooting modes of any combo-cam
ETC 2.6x extra crop factor turning your 100-300mm into a 520-1560mm video lens
Multi-aspect 18mp (16 mp per aspect) sensor
Best M4/3 sensor - delivering clean images at 1600 and useable to 6400 thanks to the 3 venus microprocessors for video
IMHO Pound for pound, dollar for dollar, the best all around camera on the planet

Still only 1/160 flash sync speed
Still only 1/4000 max shutter speed
3D is a Fad -- No one wants to have to find/wear some goofy glasses to watch TV or read a book all of the time. There are good 3D picture solutions that don't require glasses but they are expensive.
3years into M4/3 and the format is still missing critical lenses. 12mm f/1.4 25mm f/1.4 45mm f/1.4 35-100mm f/2.8 300mm f/4 300mm f/2.8 1.4/1.7/2.0 Teleconverters. All MIA.

Stills Purchasing Thoughts

Panasonic GH2 with 14-140

If you buy a M4/3 system then you are going to want this superzoom as your all around lens. This lens cost $750 by itself. This means if you don't already own this lens you are faced with a tough decision. The GH1 with 14-140mm lens is selling for $950-1000. If you buy the GH1 now and then wait six months to buy the GH2 body, you should be able to get that for around $700 at that time. Then you would have two superb cameras for only $200 more than the GH2 system today. The downside is, while the GH1 is still a great camera it is not in the league of the GH2. If you do opt for this system, then the sister lens is the 100-300mm lens. This would give you a 35mm equivalent coverage of 28mm-600mm with only 2 lenses. Very very nice.

Panasonic GH2 with 14-42

This is the system that I bought simply because the body only was not available when I ordered. The 14-42 is probably Panasonic's worst lens. Optically it is fine but the construction is not up to the standards of Panasonic's other lenses. I would avoid this combo and buy the GH1 with the 14-140 lens for the same price as this camera. Then down the road buy the GH2 body only or wait for the GH2 body only. If you are just burning to have a GH2, and you only have $1000 to spend then you can still set up a good system. Get this, and the 45-200mm lens for a total of $1300. Those two lenses cover you from 28-400mm and should serve just about every need.

Panasonic GH2 Body Only

Great for anyone who already has M4/3 lenses or anyone just wanting to shoot with Leica lenses.

Video Purchasing Thoughts

Buy the GH2--period dot. There is no other consumer combo cam on the planet that can even come close to the GH2.
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Tracked by 18 customers

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Showing 1-10 of 100 posts in this discussion
Initial post: Dec 17, 2010 7:40:48 PM PST
Bron says:
5 stars for your review! An incredibly good review and spot on. And when I read these words "encourages pixel peeping instead of photo making" I knew we shared similar views on the subject. You really nailed it.


Posted on Dec 18, 2010 1:20:53 PM PST
S. Marco says:
Great review.

Your experience very much matches mine and while I'm still discovering the inner qualities of the GH2, I'm already surprised by what I'm seeing...

Twice kudos!

In reply to an earlier post on Dec 20, 2010 3:08:49 AM PST
shuTTL3bus says:

Thank you. It is the person not the tool who makes the photos. The GH2 tool just allows one to make about any picture they could possibly want.

In reply to an earlier post on Dec 20, 2010 3:09:08 AM PST
shuTTL3bus says:
@S. Marco,


Posted on Dec 20, 2010 6:39:59 AM PST
G. Smith says:
exceptional review... very thorough...
your review, in some ways, puts to shame many other "so called professional" reviews of cameras that I've read.


In reply to an earlier post on Dec 20, 2010 9:16:11 AM PST
Bron says:
@B. Fuller,

Couldn't agree more! It is indeed the "Eye of the Beholder" where the magic lies.

Best regards,


In reply to an earlier post on Dec 20, 2010 11:26:44 PM PST
A. Ting says:
B. Fuller. Thanks for the detailed review.

I'm starting out from scratch and want to just dive in with the GH2, although not sure which lens. If I get the 14-140, what other lens would you recommend to complement it? Or get the 14-42 and buy the 45-200?

Posted on Dec 21, 2010 4:08:11 PM PST
Last edited by the author on Dec 21, 2010 4:58:43 PM PST
Tom N says:
Another great review, thanks. I tested the Nikon 28-300 (so so) and the 70 -300 (better) on a D7000. How would you compare the Panasonic GH2 with the 100-300mm to the Nikon system for 16 X 20 or 20 x 24 inch prints (viewed at 2+ feet)? (I understand the extra reach (2x) of the M4/3.) As I think you may have already said, I would leap over tall buildings for an FX sensor Panasonic style camera.

I had (should still have) a GH1. One very nice feature not mentioned by anyone so far is that it has a menu access button that displays all the shooting options while looking through the viewfinder. The super advantage is they are in perfect focus (appear at infinity), even for those of us who are now using reading glasses. A whopping advantage for the live view viewfinder for a growing number of us.

I am a modest pixel fan, I love macro shots of wild flowers with all the little hairs and veins showing (using a Nikon 60mm Macro -might switch to a Sigma 150mm or Tokina 100mm - comments if you have these). My Canon G9 (12 mp) gave me sharper prints than my G11 (10 mp but CMOS). I see the G10 (14 mp) sells for more than the current G12 (10 mp) model. Do you notice an improvement with the 16 mp Panasonic sensor over the GH1 12 Mp? It seems that we are able to develop smaller sensor cells (=more MP) that are also more sensitive to light / color. That's great but when do we reach the limits of the lenses? Do you think we are there for the M4/3 sensor size?

Opinion - I love Nikon (go back to the F1). But they are in the dark ages of intuitive usability. It's not a problem if you evolved with them but sometimes really odd things stand out. To switch reviewing between memory cards on the Nikon D7000 you hold down the "bracket" button (on the front of the camera) and press the up carrot on the "multi selector". I doubt any Nikon user would have been able to guess that combination ;-( (Think iPad verses PC -> Come on Nikon it's the 21st century show your power.)

Posted on Dec 23, 2010 8:15:30 AM PST
Brad R says:
[Customers don't think this post adds to the discussion. Show post anyway. Show all unhelpful posts.]

In reply to an earlier post on Dec 24, 2010 10:53:41 AM PST
pg says:
What a great, balanced review -- thanks for taking the time to provide it.
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