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15 of 15 people found the following review helpful:
An underrated story that illustrates the resourcefulness of the Doctor Who series
"The Mind Robber" was initially derided by Who critics as mere fantasy when, in fact, the story has a solid science fiction foundation: the brain of an unseen alien intelligence must be fed by the musings of a pulp-fiction writer imprisoned in its service. Turn on the commentary text and many of the production problems that contributed to the unique nature of this story...
Published on November 2, 2005 by buckbooks
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3 of 3 people found the following review helpful:
VODKA & TONIC
One of the first things you'll notice when your start in on THE MIND ROBBER is just how CLEAN and CLEAR the image is. More than a touch up, the print here seems to be a complete reworking and rebuilding from the ground up. It's better than first broadcast, better than DVD - it's almost as good as being right there on the set... perhaps even better. Flaws, gaps, cracks,...
Published on September 26, 2005 by Thomas E. O'Sullivan
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15 of 15 people found the following review helpful:
An underrated story that illustrates the resourcefulness of the Doctor Who series, November 2, 2005
This review is from: Doctor Who: The Mind Robber (Story 45) (DVD)
"The Mind Robber" was initially derided by Who critics as mere fantasy when, in fact, the story has a solid science fiction foundation: the brain of an unseen alien intelligence must be fed by the musings of a pulp-fiction writer imprisoned in its service. Turn on the commentary text and many of the production problems that contributed to the unique nature of this story are revealed.
First, the original four-episode story was stretched to five because the previous story, "The Dominators," didn't offer enough material to pad out its planned six episodes and was cut back to five. So the added first installment of The Mind Robber had to be improvised on a shoestring budget from existing props and sets. The "great white void" which so distinguishes this story was created specifically because "nothing" was cheap to depict.
Next, actor Frazer Hines contracted chicken pox before shooting on the second episode could begin and had to be temporarily written out of the story. A substitute actor was cast to play Jamie that week with a clever subplot written in to explain his changed appearance.
The story, which may seem an incomprehensible jumble at first, actually follows a very logical set of rules exploring the nature of fiction vs. reality. The storyteller, for example, dictates the action, so the Doctor can change the story by writing it himself, but if he refers to himself in the narrative he will become a fictional character and therefore cease to exist.
The use of literary figures such as Lemuel Gulliver and Cyrano de Bergerac harks back to one of the series' original objectives, to serve as an educational children's program. Gulliver, for instance, speaks in dialogue lifted mostly from Jonathan Swift's novel. So kiddies who think they're watching a low-budget sci-fi serial are actually getting an introductory course in English lit.
This story is a sterling example of the resourcefulness and solid acting that made Doctor Who, particularly the early episodes, such a charming TV series.
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12 of 12 people found the following review helpful:
Very Good And Nostalgic Doctor Who Adventure!!!!!, February 6, 2001
This is the best Dr. Who episode I've seen with the 2nd Doctor. It's also was the first black & white Dr. Who episode I've seen. I rented this video a few months ago and I really enjoyed it. The episode was somewhat in the realm of the Twilight Zone and Outer Limits in a way, but of course it's Dr. Who, in my opinion is the most creative (and intelligent) science fiction series in television history. I liked both Jamie and Zoe in this one when they get lost in this strange dimension where time and space doesn't exist and fantasies and storybook characters come to life. Doctor #2 was an interesting character, but not as much wit and charm as the Doctors I'm used to seeing like Tom Baker (#4). In all, Mind Robber is so fun to watch, very nostalgic. I recommend this video to fans of both Dr. Who and classic science fiction fans.
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14 of 15 people found the following review helpful:
We're nowhere, it's as simple as that, February 24, 2002
One of the most imaginative stories in Doctor Who took place during the notoriously unpreserved Patrick Troughton era. Fortunately, The Mind Robber survived the BBC purges for us to enjoy, and it's bizarrely surreal with a capital biz!The TARDIS leaves the space-time dimension into a place where anything is possible. "We're nowhere, it's as simple as that." Jamie and Zoe enter nowhere, represented by a blank opaquely white background. The TARDIS breaks up, and they find themselves in a strange land full of life-size toy soldiers, a forest of words, unicorns, a Minotaur, Medusa, Rapunzel, and other characters. They constantly encounter a British sailor who speaks in a well spoken but extraordinary manner, and the Doctor deduces his identity later. Riddles and intuition are helpful in this land. And the Third Doctor's explanation to Jo in The Mind Of Evil, "we believe what our minds tell us to," is also apropos here. When Jamie and the Doctor try to rescue Zoe, they hear her voice behind a door without a handle. "When is a door not a door? When it's ajar." The door vanishes, and guess what they find Zoe trapped inside? Wendy Padbury stands out as Zoe. She is cute as a button, in a glittering black catsuit, hanging for dear life on the disembodied TARDIS console like an exotic ornament. Another time, she has her turn as Emma Peel, using martial arts to overcome the Karkus, a Teutonic comic book superhero. Christopher Robbie (the Karkus), would return in Revenge Of The Cybermen as the Cyberleader. Zoe's inquisitive as the Doctor, while Jamie, protective of her as he was with Victoria, is more cautious. Keirsey would see it as a classic example of a Rational paired with a Guardian. Her analytical mind and memory comes in useful, as she detects an arithmetic progression in the labryinth. Bernard Horsfall (the British sailor) would appear in two other Who stories (Planet Of The Daleks, The Deadly Assassin). Debits: the Medusa could have been more convincing, i.e. more frightening (q.v. Clash Of The Titans) and the villain isn't exactly effective. Still, one of the series' greatest moments.
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10 of 10 people found the following review helpful:
"Who says wishes don't come true?", January 18, 2000
This 5 part story is a delight to watch. We must be thankful that this is one of the few Patrick Troughton adventures to exist in its entirety. Set in the Land of Fiction, "The Mind Robber" is wonderful, whimsical and fantastic (quite literally!). The opening episode is eerie and suspenseful as the plot slowly unfolds. There's a real sense of siege as the TARDIS comes under attack and the scenes in the white void are both surreal and tense. Once the crew reach the Land of Fiction, the story just gets better. Fictional characters such as Gulliver and Rapunzel are full of life and personality (unfortunately so much more than many "real" Dr Who characters!) and there are genuinely frightening moments (such as the confrontation with Medusa). The white robots and clockwork soldiers, although they look very simplistic and obviously BBC models/costumes, both exude an air of menace. A story such as this, set in a realm of fiction, could easily have overstepped the mark between fantasy and just plain preposterous - fortunately it doesn't. Great performances and a great story combined!
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5 of 5 people found the following review helpful:
Top-Notch Troughton And Company, February 18, 2008
This review is from: Doctor Who: The Mind Robber (Story 45) (DVD)
Growing up, I viewed very few of Patrick Troughton's adventures as the Doctor. For this reason, he was always an afterthought in my little "Who" world. After watching a number of his tales, however, he's quickly become one of my favorite incarnations of the good Doctor. I love his rapport with his companions and anybody else who happens to stumble on to the wobbly sets of "Doctor Who." In this particular adventure, he really shines, making me rank "The Mind Robber" as one of the best "Who" serials in the entire series' long run. It starts out with the Doctor, Jamie (Frazer Hines) and Zoe (Wendy Padbury) in a TARDIS that's about to be engulfed by molten lava. With no real idea as to what will happen to the TARDIS in this state, the Doctor (with a little help from Jamie) executes an emergency exit feature on the TARDIS' console. Where they end up is nowhere, literally. They are out of reality, time and space altogether. Jamie has visions of his home, Scotland. Zoe sees the city she was raised in. Zoe, against the Doctor's orders, leaves the safety of the TARDIS to see her home. What she finds is a void that shows her what she wants to see. Jamie goes to save her and gets caught up into the visions as well. Once the Doctor seemingly saves them, all three end up trapped in a world where fiction is reality and riddles help you find your way home. Who or what is behind this "nothing" that has the trio trapped? Can the Doctor save them? You'll have to watch to find out.
This tale features some wonderful characters from literature. From Gulliver to Rapunzel to D'Artagnan, history's best stories get a nod in this engaging adventure written primarily by Peter Ling, who we find from viewing the retrospective, "Fact Of Fiction," questioned his own ability to write science fiction.
This story seemed doomed from the beginning. Due to unforeseen circumstances, Episode One was thrown together to stretch the adventure into five episodes. It's actually one of the highlights of the story. Also, when Frazer Hines became ill, another actor was cast to portray him in one of the episodes. What's great about this is the rather funny way that a different looking Jamie came to be. Spare robots from a previous BBC production were used as well. This story is a shining example of chaos becoming classic.
As far as the actual disc is concerned, the crew at the BBC have outdone themselves once again. This is an excellent DVD transfer with only a few blemishes visible throughout the episodes. The audio is wonderful as well. As with the other classic "Doctor Who" DVDs, this one is chock full of special features. Including the aforementioned retrospective, there's also "Highlander," which looks at the career of the highly likeable Frazer Hines. There's a fun "Basil Brush" sketch featuring the dapper fox and his run-in with the Yeti, a photo gallery, a "Who's Who" gallery, excellent audio commentary and an easter egg as well.
This is a great "Doctor Who" tale and I highly recommend it to any and every fan of the classic series, the new series or science fiction in general. Fans of mysteries and thrillers may also like this story. It's got a fresh and different (for "Doctor Who") story, an excellent cast, a solid villain who shares his name with another, legendary arch-villain of the Doctor and even a little bit of classic literature education. It's simply wonderful. Highly recommended.
And one other completely chauvinist note: Although the Doctor has had his share of beautiful companions, I must admit that few of them have ever looked as smokin' hot as Wendy Padbury as Zoe in this particular adventure.
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4 of 4 people found the following review helpful:
Watch it with the lights turned out!, December 22, 2007
This review is from: Doctor Who: The Mind Robber (Story 45) (DVD)
Well, with the first episode at least. Even though Peter Ling (the author) didn't write this episode, as it was a last minute addition, it has to be the best of the five. A subtly creepy opening as The Doctor is forced to take the TARDIS out of time, space and reality, in order to escape being smothered by a volcano (from the previous adventure), and a mysterious voice inside their heads beckoning them to come out... but where do you go when there's... nothing?
The next four episodes are no slouch either. "Out there" is a land of fiction, characters from books such as Gullivers Travels and Rapunzel, but even creatures from mythology, Medusa, unicorns, etc. How do you escape Medusa? How do you escape a stampeding unicorn? When it doesn't exist?
And I don't want to hear any more talk about Rose being a revolutionary companion who "doesn't just scream." The new series was NOT the first to have a proactive companion who wasn't a cardboard cutout. Zoe is fantastic in this, taking down a futuristic superhero (Karkus) that she read about in her own time, and even saving the day as she destroys the computer controlling the fiction world.
An easy recommend. Patrick Troughton seems incapable of having a bad serial, and it's not just due to the writers. The Second Doctor's friends seem to have an impish excitement about each adventure, and that's conveyed through to you in every scene. And when you're watching TV to escape, that's almost impossible to resist.
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6 of 7 people found the following review helpful:
This Episode Makes Fine Family Viewing, Too, November 8, 2003
By A Customer
This 1960s episode of the Doctor Who series is one of the most imaginative ever made, and is a great choice for family viewing with your young family. I saw this story once as a kid in London when first shown and remembered it ever after, finally seeing it again with my own five year old decades later. The Doctor and his companions are in the middle of their usual time travels when their ship, the Tardis, accidently goes into a kind of void where they end up in a land where famous stories come to life. The time travellers meet Gulliver, Rapunzel, find themselves in a forest that turns out to be giant three- dimensional letters of the alphabet, while behind it all there is an "evil genius" (very tame by today's standards) behind it all who must be discovered and stopped before he forces the Doctor to change places with him. My five year-old found this very enjoyable. Selective choosing by Mom and Dad can turn up many of the Doctor Whos that are right for young kids (it was a famous children's/family show in Britain for decades, though in America it sometimes suffers from being too closely associated with adult loner males). Try the Daleks episode, too - the first two ("Daleks" and "Dalek Invasion of Earth"). The Doctor Who stories are great antidotes to the attention deficeit-inducing modern kids shows which are all noise and effects and no story to follow.This is a good tape for parents worried about the empty junk that makes up so much of today's children's televison. Other good kids'/family shows we've found include: the Jeremy Brett-acted Sherlock Holmes' film, The Hound of the Baskervilles, The Secret of Roan Inish, The Sand Fairy (this is the classic children's tale Five Children and It retitled for the American market), The Chronicles of Narnia, Postman Pat, Noddy, William's Wish Wellingtons, Brum and the Baby Carriage, Fireman Sam, the Adventures of Mouse and Mole, Darby O'Gill and the Little People, Percy the Park Keeper, Paddington, the Avenger's story The House That Jack Built (another great British series that, with a little parental pre-investigation, can yield good family viewing).
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3 of 3 people found the following review helpful:
VODKA & TONIC, September 26, 2005
This review is from: Doctor Who: The Mind Robber (Story 45) (DVD)
One of the first things you'll notice when your start in on THE MIND ROBBER is just how CLEAN and CLEAR the image is. More than a touch up, the print here seems to be a complete reworking and rebuilding from the ground up. It's better than first broadcast, better than DVD - it's almost as good as being right there on the set... perhaps even better. Flaws, gaps, cracks, peeling paint, zippers, wigs and all seem more obvious than ever before. It can actually take you out of the moment - but you never lose focus.
I just wish the same could be said of the story. THE MIND ROBBER is a famous bit of DOCTOR WHO for it's first episode. It's a slice of the surreal featuring just the principal cast, the TARDIS and a white set with white robots all of which ends with a bang - the destruction of the TARDIS itself. While clever, it's not the first time the series has done this. THE EDGE OF DESTRUCTION, the third story in Hartnell's years, was another TARDIS bound story featuring some surprising tension, violence and horror.
The rest of the story is highlighted with touches and moments that help to keep the story moving till the end (when the story does just that - ends, almost suddenly, without warning) - as well as another first for the series, the replacement of Frazer Hines (Jamie) with Hamish Wilson (Jamie), as Hines became ill during production and instead of just writing Jamie out, hired on Wilson at the last moment and wrote him into the story with a clever and witty twist.
This disc comes feature packed like the rest, but unlike the rest, a lot of the information here is repeated again and again. Commentary is included, and while not as fast, furious and funny as other Hines commentary (his comments on THE TWO DOCTORS with Baker and Bryant are very funny), they do manage to come up with some good memories and personal asides that help to sell it. There's also included a very suspect and odd BASIL BRUSH segment which features a YETI from DOCTOR WHO played for laughs - it's a very compelling, yet strange piece of DOCTOR WHO history that feels exactly like the padding that it is. There are no YETI in THE MIND ROBBER, so it seems odd to include it with this story. It simply there to mark time.
THE MIND ROBBER may not make anyone's top ten list of DOCTOR WHO stories, but it does feature several original twists and turns brought on by limited time, illness and budget problems that help to make a keeper.
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3 of 3 people found the following review helpful:
It's all about chemistry, December 25, 2001
This is a must have for any Doctor fan.......ANY Doctor fan......the chemistry that Zoe, Jamie and the Troughton Doctor had was amazing........I'd have to say that while i have my personal favorites as to who is the best Doctor (Tom Baker), that this era has to be the single best chemistry between companions........during the last season, the writers wanted to kill off Jamie, but he refused to be written off when he found out that Troughton was in his last season.......and Troughton fought for him to stay and Frazier (Jamie) was there until season's end.....that's chemistry and loyaltyOK, enuff behind the scenes......here's the story.........the TARDIS has a "Panic Button" that is activated when it is threatened with being overrun with a flow of lava........Troughton warns that there is no telling where they will end up........well, it is outside time and space, outside of known reality.......they materialize in a plane of exsistance where a single being shapes all reality........they face common (and not so common) mythical beings such as a Minotaur, Unicorn, Guliver and Repunzel (and others from Zoe's world unknown to us Humans).......they get hunted by Toy Soldiers (who have an unnerving methodical rhythmic march that gives them an inhuman quality, similar to Cybermen but without that personality) and strange "White Robots" all after they wander out of the TARDIS and no longer know for sure that their TARDIS is the real one or a fictional one created by that (inapropriately named adversary) "The Master"...........well, Troughton and the Master (which i re-iterate is not THE "Master") have to face off with a "battle of the wits", with each of them writing reality with their own words........oh, i can't go on (and i wouldn't want to spoil that battle, which is great)........but as far as another review naming this a cross of Dr Who, Twilight Zone and Outer Limits....I'd say that is right on........weirdness and an epic era for Who, thus my ascertion as a must have.....Nuff Said
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3 of 3 people found the following review helpful:
"Reality's getting too hot anyway!", November 1, 1999
This is the first story I saw with Patrick Troughton as the Doctor (apart from the multiple Doctor stories), and it made me a big fan of this specific TARDIS crew - Second Doctor, Jamie, and Zoe each complement the others quite nicely. But I can't help but feel that this story is at least two episodes too long. I really do like the first episode - Jamie and Zoe seeing their homes on the TARDIS scanner, the TARDIS breaking up, etc. But I think the author attempted too much in the following episodes. Gulliver, Rapunzel, a Jamie with a different face, the Minotaur, etc. etc. all fly past so quickly you don't really have time to absorb their presence on the screen. The story itself was fine - although somehow I expected some other explanation for the Land of Fiction and its master. I did have to smile at the scene with the Doctor being pestered by all the taunting British schoolchildren though. It seems the BBC were trying to remake The Celestial Toymaker from the Hartnell era (of which one episode exists on the video The Hartnell Years). All in all, The Mind Robber is not a classic - but it does deserve a look.
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