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Excerpt - page 13: "... of honky-tonk, the jazzy underpinnings of western swing or the outlaw ethos of rockabilly. Yet these styles, too, were filtered through white Southern Christian sensibility to become countrymusic. ..."
Excerpt - page 3: "... all southern schoolchildren. The observation that southern white folk liked outlaw and disaster ballads was also correct, but such preferences, ..."