Excerpt - page 20: "... American counterpart, Capitol Records, had right of first refusal. Since ManfredMann had produced only one hit, Capitol had no interest in the group. "5-4-3-2-1" then became ManfredMann's US debut single on Prestige Records, ..."
Excerpt - page 72: "... Early in 1964, the show started to use ManfredMann's '5-4-3-2-1' as the theme. Everything pointed to the fact that teenage ..."
Excerpt - page 104: "... showed in his gallery. They changed theme tunes regularly, now ManfredMann's "5-4-3-2-1," now The Who's "Anyway, Anyhow, Anywhere," now "Three Hundred and ..."