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1963: The Year of the Revolution: How Youth Changed the World with Music, Art, and Fashion Hardcover – November 19, 2013
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Ariel Leve
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Print length256 pages
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LanguageEnglish
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PublisherIt Books
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Publication dateNovember 19, 2013
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Dimensions6 x 0.93 x 9 inches
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ISBN-100062120441
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ISBN-13978-0062120441
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Editorial Reviews
From Booklist
Review
A vivid and exhilarating guide to the year that revolutionized pop culture and shook the world, told by the movers and the shakers, themselves. (Mick Brown, author of Tearing Down the Wall of Sound: The Rise and Fall of Phil Spector)
An extraordinary year, a great cast of characters, a terrific book. (Sir Alan Parker)
...a must read for anyone interested in how pop culture, and particularly pop music, was both representative of the age and a catalyst for change. (Victoria Broackes, Head of Performance Exhibitions, V&A Museum London)
From the Back Cover
1963
It was the year that Cold War protagonists sought a truce, the race to space stepped up a gear, feminism and civil rights flexed their political muscles, and President John F. Kennedy's assassination numbed the world. But as the front pages of history were being printed, the scoop of the century slipped by unnoticed. On January 13, 1963, two then-largely unknown musical acts made their first appearances on nationwide television in Britain. Neither the Beatles nor Bob Dylan could have known it at the time, but through some strange alchemy the anthems of social upheaval were being heard by a mass audience—and these artists were the catalyst. Within the year, their voices were captivating millions of ears around the world. The Beatles had become the poster boys of a revolution that still influences us to this day, and Dylan its prophet.
In short, 1963 saw the birth of a global demographic power shift. Within that one year, youth, for the first time in history, had become a commercial and cultural force that commanded the attention of government and religion and exercised the power to shape society.
1963: The Year of the Revolution is the first book to recount the kinetic story of the liberation of youth through music, fashion, and the arts—and in the voices of those who changed the world so radically, from Keith Richards to Eric Clapton, Mary Quant to Vidal Sassoon, Graham Nash to Peter Frampton, Alan Parker to Gay Talese, Stevie Nicks to Norma Kamali, and many more. It is an oral history that records, documentary-style, the incredible roller-coaster ride of that year, in which a group of otherwise obscure teenagers would become global superstars. It serves not only as a fast-paced, historical eyewitness account but as an inspiration to anyone in search of a passion, an identity, and a dream.
About the Author
Ariel Leve is an award-winning journalist who has written for the Guardian, Financial Times Magazine, the Telegraph, the Observer, and the London Sunday Times Magazine, where she was a senior writer and a columnist. At the British Press Awards she was short-listed twice for Interviewer of the Year and Highly Commended twice. Her books include It Could Be Worse, You Could Be Me.
Robin Morgan is a multiple award-winning British journalist and editor who was the longest-serving editor-in-chief of the London Sunday Times Magazine, from 1991 to 2009. He has worked as a news editor, foreign correspondent, and investigative journalist and was awarded British Campaigning Journalist of the Year twice. He lives in London.
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Product details
- Publisher : It Books; 1st edition (November 19, 2013)
- Language : English
- Hardcover : 256 pages
- ISBN-10 : 0062120441
- ISBN-13 : 978-0062120441
- Item Weight : 15.8 ounces
- Dimensions : 6 x 0.93 x 9 inches
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Best Sellers Rank:
#2,473,946 in Books (See Top 100 in Books)
- #5,491 in Pop Culture Art
- #12,192 in Popular Culture in Social Sciences
- #89,933 in World History (Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Although it was interesting to hear from some of the early players, and to realise the class and societal changes that took place in England, the authors neglected to tie in the extremely important world events that took place during that crucial year, such as the Cuban Missile Crisis, the Berlin Wall, the American civil rights movement, the Kennedy assassination, and the dissolving of the world's imperialistic empires, just to name a few. As a 12 year old growing up in the United States, even I, at that young age could feel and knew that " the times were a changin", not just in London, but throughout the world. The title of the book should have indicated that this oral history was about London in 1963 and not as comprehensive as the title implies.
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Top reviews from other countries
There are interview snippets with many people, including Eric Clapton, Keith Richards, Jeff Lynne, Georgie Fame, Bill Wyman, Mary Quant, Patti Boyd, Mandy Rice Davies, Graham Nash, Andrew Loog Oldham and Peter Noone. As you can see, much of the book is taken up by musicians or those involved with the music business (which was fine by me, as it was the area I was most interested in, but just be aware that the majority of those interviewed are musicians). Also, although there are interviews with American artists, such as Carly Simon and Neil Sedaka, the bulk of the book is British.
Much of the book is very entertaining - both Keith Richards and Eric Clapton give thoughtful and insightful information on the music industry in the early 1960's. It is wonderful to hear how there was a lack of competition and a sense of helping each other. It was, you feel, a friendly and welcoming time for musicians to come together in the spirit of mutual cooperation. The Beatles, for instance, helping the Rolling Stones to get a record contract and writing them a song; the groups socialising together and creating wonderful music, which has stood the test of time.
However, although the individuals are mostly extremely interesting, there is a lack of focus on historical or political events. Mandy Rice-Davies, for instance, was involved in THE scandal of 1963, the Profumo Affair, and yet it is barely mentioned in her contributions. Also, although the Beatles absolutely dominated the British charts (no American artist topped the charts in this year when Merseybeat reigned supreme), neither Paul McCartney or Ringo Starr are interviewed - and neither are any members of other Merseybeat bands, such as Gerry and the Pacemakers or the Searchers. The authors rely on Peter Brown (who worked for Brian Epstein) and Cilla Black. Cilla makes two major errors in her interview and, such is the format of the book, that they are accepted as fact. Firstly, she claims that Brian Epstein became aware of the Beatles when he was asked for a record by the 'Beat Brothers' - a name that she says "the Beatles were calling themselves then." The Beatles recorded that single, "My Bonnie Lies Over the Ocean" as a backing band for Tony Sheridan while in Hamburg, and the record company changed their name from the Beatles as it was hard to pronounce for the Germans (who usually called them, "the Peedles", which means something extremely rude!). Secondly, seeming to have some kind of grudge going, Cilla claims that "in and around Liverpool the Beatles weren't nothing special." Not only grammatically, but factually incorrect. She states that Rory and the Hurricanes were the top group in Liverpool, even after both bands returned from Hamburg, which is patently not true. After Hamburg the Beatles became immediately the number one group in town - causing a sensation on their first show back in Liverpool. In Mark Lewisohn's new book, "Tune In", he refers to the fact that Rory Storm watched them perform and knew he had lost his number one position, while Ringo also states that he knew they were better than the group he was in (ie the Hurricanes).Sadly, Rory Storm remained one of the few Merseybeat acts who never made it big that year, although there are some interesting recordings available. Always a showman, his voice was probably not strong enough on record, but he would undoubtedly have enjoyed fame.
Although it was interesting to read about the music scene, the new photographers and fashion of the year, it would have been nice to have had a little more structure to put things in focus. I accept the book concentrates on the youth movement, but just felt the chapters needed a little more text than a basic introduction. Some of the memories, though, are priceless and, if you like the music from that era, you will certainly enjoy this - it is especially good for Rolling Stones fans. Personally, though, I felt that 1963: That Was The Year That Was , was a far more balanced account of a year that was naive and innocent, but which saw world changing events and seismic shifts in attitudes and popular culture.

