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B+W 62mm Clear UV Haze with Multi-Resistant Coating (010M)
|Price:||$27.00 & FREE Shipping. Details|
|You Save:||$3.75 (12%)|
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- Brass Ring for higher Quality Image
- Highest possible polishiing technique
- World's best optical glass
- New thinner Pro mount. No vignetting
- USA Warranty
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|Package Height||0.5 x 4 x 4 inches|
|Shipping Weight||0.05 pounds|
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This item B+W 62mm Clear UV Haze with Multi-Resistant Coating (010M)
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|Item Dimensions||3.7 x 3.7 x 0.8 in||2.56 x 2.56 x 0.23 in||2.56 x 2.56 x 0.23 in||3.3 x 4.4 x 0.9 in||3.54 x 3.54 x 0.2 in||2.52 x 2.52 x 0.28 in|
|Thread Size||62 millimeters||62 millimeters||62 millimeters||62 millimeters||62 millimeters||62 millimeters|
High Quality German Filters
From the Manufacturer
Protect Your Lens while Reducing UV Exposure
This UV Filter blocks the invisible Ultra Violet component of light from the sky, which can cause blur and to which many color films react with a blue cast. These filters should be called UV-Blocking Filters, because there are filters for technical applications that pass UV radiation and block all the other wavelengths. Nevertheless, the short term “UV Filter” has become established among photographers. UV Filters are ideal for photography in high altitudes (in the mountains), by the sea and in regions with very clean air. The pictures gain brilliance and disturbing blue casts are avoided. Because the glass is colorless, color rendition is not altered, aside from the elimination of the unwanted blue cast, and no increase in exposure is required. That makes a UV Filter very suitable as protection of the front element of the taking lens against dust, flying sand, sea water spray and the like, and it can be kept on the lens at all times. It is recommended for analog color and black-and-white as well as digital photography.
MRC - A Special Scratch-Resistant, Water and Dirt Repelling Coating
traditional coating. The right half
has MRC coating.
The lens elements of high-quality lenses and the plano surfaces of filters require a perfect shape and smoothness to achieve the best optical quality. Dirt, greasy fingerprints, water marks and scratches reduce the image contrast and the sharpness, which can result in blooming at light sources and have an effect similar to a soft-focus lens. A clean front lens element and clean filter surfaces are therefore an absolute pre-requisite for demanding photographers.
to bead up and slide right off.
The MRC coating is first and foremost a broadband anti-reflection coating. This means that its reflection-reducing effect, which is thus also a transmission-increasing effect, i.e. one which suppresses scattered light and ghost images and transmits more light, has a broadband action over the full spectrum. In contrast, the (almost always blue) single-layer coating only has a high effect in the medium wavelength range around yellow and yellow-green where the eye is most sensitive to light, while its effect is greatly reduced toward the blue-violet and purple-red end regions of the visible spectrum. With the MRC coating, this blue, violet and red to deep-red light cannot produce any contrast reducing scattered light, spotty reflections or ghost images. A broadband effect can only be achieved with a multilayer coating which requires a much higher effort and precision because unevenness and irregularities of the individual layers build up on one another and amplify one another. Schneider therefore uses a plasma-assisted evaporation coating process in which inert gas ions accelerated in an electrical field compact the material deposited on the lens surface in the vacuum chamber.
For photographers, the main advantage of MRC coating, is it's ability to combat flare and ghosting. An added benefit is that their filters remain free of dirt longer, so that they do not have to be cleaned so often. When cleaning the filter does become necessary, it is a lot easier to wipe off the dirt with a blower brush, because of MRC's ability to repel dirt and moisture. This also reduces the risk of micro-scratches which can occur during cleaning.
Click for larger view.
F-Pro Brass Filter Mount
This filter uses our standard B+W F-Pro filter mount, which has a front accessory thread and is made of brass. Compared to the earlier standard mount, the F-Pro mount, introduced in 2001, has become thinner. Now it can be used with wide angle lenses, including most 24mm focal lengths on a full frame body, without vignetting. Another advantage of the F-Pro mount is its modified retaining ring, which is no longer threaded in from the front, but holds the filter glass in place from the back. When removing a filter or lens hood that has been screwed on too tight to the filter, the retaining ring is not at risk of loosening.
Top Customer Reviews
...last night my wife came home from a photoshoot a little flustered. It was a bit overcast and some of the photos didn't turn out as well as she thought they could have. I was upstairs replacing some light bulbs, but had left the ladder downstairs. My wife bounced around the ladder, but had forgotten to snap the cover shut on the camera bag that she uses, and out flops her camera, lens first.
Now let me backup here. My wife shoots weddings/families/portraits with a Canon 6D with L series lenses: the 24-70 f/2.8L II, the 70-200 f/2.8L II, the 100mm macro, the Sigma 50mm ART lens, etc... They have had B+W filters on them all for the past three years, and they've been great. Tack sharp images all around. No perceivable loss of quality whatsoever. They're also a cheap form of insurance for your nice lenses. I don't know if you've looked up the price of the Canon 24-70L II recently, but let's just say it's still upwards of $1,700.
Now back to the camera flopping out of the camera bag. The lens hit the (carpeted) floor directly on the lens cap, crunching the B+W filter glass in the process. Horrified, I gently pried the glass out of the filter to check the (certain) damage to the front element of the lens. To my pleasant surprise, once the filter glass had been removed, there wasn't a SINGLE scratch on the actual lens glass. Not one. Attached is a pic of the damage.
This $60 filter saved our $1,700 lens. And that's exactly why I'm buying another one.
Well, maybe not anymore.
I've personally used a 67mm Tiffen UV protection filter for about 4 years. I recently purchased a EF-S 17-85 IS USM, and decided that instead of just buying another 67mm Tiffen, I'd invest in a B+W MRC filter and see what all the hype is about.
This review is not about the physical protective characteristics of the filter, no review is done on the MRC coating of the B+W.
The two filters are physically very similar, both are slim filters, and both feel very nice in the hand. The B+W has brass lettering (the filter itself is made from brass) while the Tiffen is aluminum, with enamel lettering. Both are very well built. The B+W is somewhat better labeled, with labels that are less likely to get damaged located on the inside of the filter ring. The Tiffen has slightly rougher knurling, and i lighter than the B+W, but the feel of the B+W is slightly better.
When it comes to filters, we're most concerned about filter flare. I have noticed slightly better color depth on the B+W, but this is somewhat subjective and easily corrected in post-processing.
If you choose to use a filter, the B+W is worth it. If you're not sure if you want to use a filter, I personally will continue to use my B+W. While i understand small scratches on my 70-200 are minor, I value the resale value of my lens, and I also work in the rain, with sand, and accidents happen - you will touch your lens one day. I would personally rather accidentally scratch my filter than my lens.
Additionally a common cause of scratching is cleaning your lens with a speck of sand under the cloth. This can happen to anyone, and again, I'd rather scratch the filter than the lens.
Also take a look at the images I've uploaded. I have also posted this review with the Tiffen.
I have been a SLR then DSLR photographer for 37 years. Also medium and large format too.
I think using a clear or UV filter is a good idea for protection. Not all out dropping a lens on camera on concrete from a window or even your car roof. That will destroy a lens with or without a filter. But rather for incidental spray (camel spit, water, etc.) and scrape and bump damage. Rain, keys, brick walls, crowds, travel, etc. The filter and the metal rim can take all that and even be mucked up. But the lens is *behind* that minor stuff.
But a direct hit on the center, with or without a filter, the lens and the filter will *both* be toast.
Pros will say do not use or they do not use a filter. Hey, if your gear is not your gear or you are a top pro with $$ or it is owned by a publisher, company, school, etc. you work for – no problem. If it breaks, they can just go buy another $200 to $2000+ lens. But freelancers and hobbyists cannot!
I say, compromise, use a good filter with good glass that is not too expensive. B + W is a good medium pick.
If you still have the kit lenses, just use Tiffen or cheaper brand filters or, none at all. Those lenses are cheap anyway. But if a lens is good or expensive, use a UV filter for minor protection of the front bezel and element.
While I had to use two pair of vice-grips to screw it off, my beloved filter saved my lens.
I was mostly lucky and an idiot, but I am extremely thankful for the fine craftsmanship and solid construction. This, coupled with years of amazing service prompted me to order an immediate replacement.
Thank you for your fine product Schneiderkreuznach! You have a loyal customer!