A Tarantino

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About A Tarantino
A. Tarantino (1974-Present) is an American writer, photographer and philanthropist. He is best known for a series of city specific street art photography books documenting temporary public urban art in print. He published his first book Seattle Street Art in 2011, with follow-up volumes over the years featuring Portland, Oregon; Seoul, South Korea and Hawaii Island. His interest in artistic expression started at an early age, seeing his first street art in Boston in 1988.
http://www.HawaiiStreetArt.com/
http://www.PortlandStreetArt.com/
http://www.SeattleStreetArt.com/
http://www.SeoulStreetart.com/
http://www.HawaiiStreetArt.com/
http://www.PortlandStreetArt.com/
http://www.SeattleStreetArt.com/
http://www.SeoulStreetart.com/
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Author Updates
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Blog postOur Street Art Book Series titles and discounted sets are now available for download in digital ebook format (pdf) on Gumroad!
Goodreads friends... use code 10off2016 for 10% off :)
https://gumroad.com/streetartbooks
posted by A. Tarantino on March, 225 years ago Read more -
Blog postOur Street Art Book Series titles and discounted sets are now available for download in digital ebook format (pdf) on Gumroad! For the Goodreads $2-off, use code ’poseref1111’ .
https://gumroad.com/streetartbooks
posted by A. Tarantino on March, 085 years ago Read more -
Blog postMy seventh book is in the making, Hawaii Street Art Volume One - Big Island. Get an advanced copy with some amazing exclusive perks, available via Kickstarter backing until March 15th 2015 at https://www.kickstarter.com/projects/...
posted by A. Tarantino on March, 236 years ago Read more -
Blog postMy latest street art photography book Portland Street Art VOLUME TWO is now available in Paperback, Kindle and Digital/PDF formats.
This series is a creative effort to help capture and preserve the temporary public expression in urban landscapes.
Visit:
http://PortlandStreetArt.com/
http://SeattleStreetArt.com/
http://SeoulStreetArt.com/
Enjoy!
August
posted by A. Tarantino on March, 197 years ago Read more -
Blog postMy sixth book is in the making, Volume Two of the Portland Street Art Graffiti Book Series. If you want to help me make it happen, get an advanced copy with some amazing exclusive perks, available via Kickstarter until March 23rd 2014 at https://www.kickstarter.com/projects/augusttarantino/portland-oregon-street-art-graffiti-book-volume-tw
posted by A. Tarantino on March, 157 years ago Read more
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Books By A Tarantino
by
A. Tarantino
$4.99
The Portland Oregon Street Art Graffiti Book contains over 100 original color photos. The project is an effort to help capture and preserve the temporary public expression that appears on the streets.
Book Introduction:
This book contains over 100 original street art and graffiti photographs taken in the City of Portland, Oregon, located in the pacific northwestern United States. Portland is a mid-size city, with 2.3 million residents living in the metropolitan area. It is known for its liberal politics, wet and gloomy weather, eccentric quirkiness, local food movement, DIY economies, craft beer, artisan coffee, strip clubs, skateparks, and bicycle-friendliness. The unofficial, but popular, city slogan “Keep Portland Weird” is found on building walls, T-shirts, car bumpers, and bike frames throughout the city.
This document is an effort to help capture and preserve the temporary public expression that appears in the streets of Portland. Like every other major city in the world, people here reclaim and use their public spaces as a communication tool, a venue to express themselves and as a way share their ideas with others. Walking around Portland, you’ll find thousands of legal and illegal public art pieces in the typical street mediums - murals, spray aerosol work, stickers, stencils, wheatpastes, installations, mosaic, reverse graffiti, moss graffiti, guerilla gardening, cuprocking, yarn bombing, and many more. They sometimes touch on the cultural challenges found in most cities, including repression, equality, unemployment, homelessness, drug abuse and environmental issues.
Even though street art is being embraced by cities around the world as a cultural asset, Portland spends $2-5 million annually in public tax dollars on graffiti abatement. It employs two full-time graffiti police investigators. It has a ‘zero-tolerance’ policy requiring that all unpermitted public expression be promptly removed (fines are hundreds of dollars). Removal of artwork from privately owned public spaces is common. In some cases, unpermitted mural work has remained for many years in certain Portland locations for various reasons. Designated legal outlets for open free public expression do not currently exist in Portland, such as Free Walls that are prevalent in nearby cities like San Francisco, California and Seattle, Tacoma, and Olympia, Washington.]
This book is a small window into the ephemeral world of street art in Portland. It’s urban canvas is everchanging and in constant flux. This visual time capsule is not meant to be a comprehensive representation of Portland street art, its artists, or its history. It’s meant to give you an opportunity to view the city from a different perspective. Some of these works only existed for a day or two before being washed away, written over by other artists or removed completely. These creative expressions serve as a reminder that nothing is permanent and that control is often just an illusion in the chaos of the city.
http://www.portlandstreetart.com/
Book Introduction:
This book contains over 100 original street art and graffiti photographs taken in the City of Portland, Oregon, located in the pacific northwestern United States. Portland is a mid-size city, with 2.3 million residents living in the metropolitan area. It is known for its liberal politics, wet and gloomy weather, eccentric quirkiness, local food movement, DIY economies, craft beer, artisan coffee, strip clubs, skateparks, and bicycle-friendliness. The unofficial, but popular, city slogan “Keep Portland Weird” is found on building walls, T-shirts, car bumpers, and bike frames throughout the city.
This document is an effort to help capture and preserve the temporary public expression that appears in the streets of Portland. Like every other major city in the world, people here reclaim and use their public spaces as a communication tool, a venue to express themselves and as a way share their ideas with others. Walking around Portland, you’ll find thousands of legal and illegal public art pieces in the typical street mediums - murals, spray aerosol work, stickers, stencils, wheatpastes, installations, mosaic, reverse graffiti, moss graffiti, guerilla gardening, cuprocking, yarn bombing, and many more. They sometimes touch on the cultural challenges found in most cities, including repression, equality, unemployment, homelessness, drug abuse and environmental issues.
Even though street art is being embraced by cities around the world as a cultural asset, Portland spends $2-5 million annually in public tax dollars on graffiti abatement. It employs two full-time graffiti police investigators. It has a ‘zero-tolerance’ policy requiring that all unpermitted public expression be promptly removed (fines are hundreds of dollars). Removal of artwork from privately owned public spaces is common. In some cases, unpermitted mural work has remained for many years in certain Portland locations for various reasons. Designated legal outlets for open free public expression do not currently exist in Portland, such as Free Walls that are prevalent in nearby cities like San Francisco, California and Seattle, Tacoma, and Olympia, Washington.]
This book is a small window into the ephemeral world of street art in Portland. It’s urban canvas is everchanging and in constant flux. This visual time capsule is not meant to be a comprehensive representation of Portland street art, its artists, or its history. It’s meant to give you an opportunity to view the city from a different perspective. Some of these works only existed for a day or two before being washed away, written over by other artists or removed completely. These creative expressions serve as a reminder that nothing is permanent and that control is often just an illusion in the chaos of the city.
http://www.portlandstreetart.com/
Other Formats:
Paperback
Seattle Street Art Volume Three
Nov 27, 2012
by
A. Tarantino
$4.99
Volume Three contains photos that I took on the streets of Seattle, Washington, USA in 2012. For this volume, the last page includes a list of locations where you can see a concentration of street art in Seattle.
Aside from its rain and coffee, Seattle is known for many things subversive, from Grunge music to the activist driven WTO riots. This region of America raised the likes of Jimi Hendrix and Bruce Lee. Today, there is a culture here that is only represented anonymously in the reclaimed public spaces of the city.
Images dot the urban landscape in the typical street mediums that are used across the globe: spray paint, stickers, paste-ups, stencils, wheatpasting, posters, video projection, art intervention, guerrilla art, flash mobbing, installations, post-graffiti, mosaic tiling, murals, wood-blocking, LED art, reverse-graffiti a.k.a. green-graffiti, cuprocking and yarn bombing.
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
Aside from its rain and coffee, Seattle is known for many things subversive, from Grunge music to the activist driven WTO riots. This region of America raised the likes of Jimi Hendrix and Bruce Lee. Today, there is a culture here that is only represented anonymously in the reclaimed public spaces of the city.
Images dot the urban landscape in the typical street mediums that are used across the globe: spray paint, stickers, paste-ups, stencils, wheatpasting, posters, video projection, art intervention, guerrilla art, flash mobbing, installations, post-graffiti, mosaic tiling, murals, wood-blocking, LED art, reverse-graffiti a.k.a. green-graffiti, cuprocking and yarn bombing.
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
Other Formats:
Paperback
Seattle Street Art Volume Two
Sep 27, 2012
by
A. Tarantino
$4.99
Volume Two contains photos that I took on the streets of Seattle, Washington, USA in 2012. For this volume, the last page includes a list of locations where you can see a concentration of street art in Seattle.
Aside from its rain and coffee, Seattle is known for many things subversive, from Grunge music to the activist driven WTO riots. This region of America raised the likes of Jimi Hendrix and Bruce Lee. Today, there is a culture here that is only represented anonymously in the reclaimed public spaces of the city.
Images dot the urban landscape in the typical street mediums that are used across the globe: spray paint, stickers, paste-ups, stencils, wheatpasting, posters, video projection, art intervention, guerrilla art, flash mobbing, installations, post-graffiti, mosaic tiling, murals, wood-blocking, LED art, reverse-graffiti a.k.a. green-graffiti, cuprocking and yarn bombing.
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
Aside from its rain and coffee, Seattle is known for many things subversive, from Grunge music to the activist driven WTO riots. This region of America raised the likes of Jimi Hendrix and Bruce Lee. Today, there is a culture here that is only represented anonymously in the reclaimed public spaces of the city.
Images dot the urban landscape in the typical street mediums that are used across the globe: spray paint, stickers, paste-ups, stencils, wheatpasting, posters, video projection, art intervention, guerrilla art, flash mobbing, installations, post-graffiti, mosaic tiling, murals, wood-blocking, LED art, reverse-graffiti a.k.a. green-graffiti, cuprocking and yarn bombing.
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
Other Formats:
Paperback
Seattle Street Art
Mar 27, 2011
by
A. Tarantino
$4.99
Aside from its rain and coffee, Seattle is known for many things subversive, from Grunge music to the activist driven WTO riots. This region of America raised the likes of Jimi Hendrix and Bruce Lee. Today, there is a culture here that is only represented anonymously in the reclaimed public spaces of the city. Images dot the urban landscape in the typical street mediums that are used across the globe: spray paint, stickers, paste-ups, stencils, wheatpasting, posters, video projection, art intervention, guerrilla art, flash mobbing, installations, post-graffiti, mosaic tiling, murals, wood-blocking, LED art, reverse-graffiti a.k.a. green-graffiti, cuprocking and yarn bombing.
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
You will see that these are not commercial enterprises or vandalism graffiti, but individual creative statements... something we can all relate to. Street art as a medium has been popularized internationally by the likes of Shepard
Fairey, Banksy, D*Face, Paul Insect, Swoon, Twist, Neck face, Faile, Space Invader and WK Interact. It can take on many purposes and sometimes involves activism, phenomenology, repetition, attention capture, culture jamming, direct action, guerrilla messaging, propaganda, subvertising, decoration and territory claiming.
The following is a small window into this temporary world that’s constantly being revised in a flux of new symbols. It’s a snapshot of work on the Seattle streets, a visual capsule in time, not a comprehensive representation of Seattle street art and the people involved over the years. Some of the work only existed for a day before it was written over by other artists or removed by the city... a reminder that nothing is permanent and, control is an illusion in the chaos of a city. Enjoy! SeattleStreetArt.com
Other Formats:
Paperback
by
A. Tarantino
$4.99
Book Introduction: This book contains over 100 original street art and graffiti photographs taken in the City of Portland, Oregon, located in the pacific northwestern United States. Portland is a mid-size city, with 2.3 million residents living in the metropolitan area. It is known for its liberal politics, wet and gloomy weather, eccentric quirkiness, local food movement, DIY economies, craft beer, artisan coffee, strip clubs, skateparks, and bicycle-friendliness. The unofficial, but popular, city slogan 'Keep Portland Weird' is found on building walls, T-shirts, car bumpers, and bike frames throughout the city. This document is an effort to help capture and preserve the temporary public expression that appears in the streets of Portland. Like every other major city in the world, people here reclaim and use their public spaces as a communication tool, a venue to express themselves and as a way share their ideas with others. Walking around Portland, you'll find thousands of legal and illegal public art pieces in the typical street mediums - murals, spray aerosol work, stickers, stencils, wheatpastes, installations, mosaic, reverse graffiti, moss graffiti, guerilla gardening, cuprocking, yarn bombing, and many more. They sometimes touch on the cultural challenges found in most cities, including repression, equality, unemployment, homelessness, drug abuse and environmental issues. Even though street art is being embraced by cities around the world as a cultural asset, Portland spends $2-5 million annually in public tax dollars on graffiti abatement. It employs two full-time graffiti police investigators. It has a 'zero-tolerance' policy requiring that all unpermitted public expression be promptly removed (fines are hundreds of dollars). Removal of artwork from privately owned public spaces is common. In some cases, unpermitted mural work has remained for many years in certain Portland locations for various reasons. Designated legal outlets for open free public expression do not currently exist in Portland, such as Free Walls that are prevalent in nearby cities like San Francisco, California and Seattle, Tacoma, and Olympia, Washington.] This book is a small window into the ephemeral world of street art in Portland. It's urban canvas is everchanging and in constant flux. This visual time capsule is not meant to be a comprehensive representation of Portland street art, its artists, or its history. It's meant to give you an opportunity to view the city from a different perspective. Some of these works only existed for a day or two before being washed away, written over by other artists or removed completely. These creative expressions serve as a reminder that nothing is permanent and that control is often just an illusion in the chaos of the city.
Other Formats:
Paperback
Seoul Street Art
Feb 7, 2013
by
A Tarantino
$4.99
The Seoul Street Art Graffiti Book contains over 100 original photos taken in 2012 in an effort to help preserve the mediums temporary aesthetic.
Book Introduction:
While traveling in South Korea I explored it's 2000-year-old capital, Seoul. This book contains over 100 original street art and graffiti photographs taken within city limits near Gangnam, Insadong, Itaewon, Sinsa and Hongdae. It is a creative effort to help preserve the temporary visual artwork on the streets of Seoul.
At 25 million inhabitants in its metropolitan area, Seoul itself is twice the size of New York City. It's one of the top ten financial centers in the world with over 100 museums and numerous prestigious universities. There is a culture here that is only represented anonymously in the reclaimed public spaces of the city. Images dot the urban landscape in the typical street art mediums that are used across the globe.
As is true in all cities, personal public artistic expressions touch on the struggles and triumphs of the current culture. In many cases, more can be gleaned from street art than from what is covered in the mainstream media.
In these pages, you will also see some of the darker themes and opinions reflecting Korean society*:
- Suicide, the highest suicide rate in the world
- Individuality and the importance of self image, the highest number of plastic surgeries in the world
- Immense pressure to succeed in school and work with high rates of youth unemployment
- Repressive Confucian honor-shame culture
- Gender equality roles
- Rebirth from Korean war destruction
- Environmental pollution
- Reliance on nuclear power and oil
- Free Trade Agreement with the US (entered into effect in March 2012), seen on the FTA Banksy rat stencil
This book is a small window into a temporary art world that is constantly being revised in a flux of new symbols. Enjoy!
* Information taken from the Wikipedia entry for Seoul and it's references.
Book Introduction:
While traveling in South Korea I explored it's 2000-year-old capital, Seoul. This book contains over 100 original street art and graffiti photographs taken within city limits near Gangnam, Insadong, Itaewon, Sinsa and Hongdae. It is a creative effort to help preserve the temporary visual artwork on the streets of Seoul.
At 25 million inhabitants in its metropolitan area, Seoul itself is twice the size of New York City. It's one of the top ten financial centers in the world with over 100 museums and numerous prestigious universities. There is a culture here that is only represented anonymously in the reclaimed public spaces of the city. Images dot the urban landscape in the typical street art mediums that are used across the globe.
As is true in all cities, personal public artistic expressions touch on the struggles and triumphs of the current culture. In many cases, more can be gleaned from street art than from what is covered in the mainstream media.
In these pages, you will also see some of the darker themes and opinions reflecting Korean society*:
- Suicide, the highest suicide rate in the world
- Individuality and the importance of self image, the highest number of plastic surgeries in the world
- Immense pressure to succeed in school and work with high rates of youth unemployment
- Repressive Confucian honor-shame culture
- Gender equality roles
- Rebirth from Korean war destruction
- Environmental pollution
- Reliance on nuclear power and oil
- Free Trade Agreement with the US (entered into effect in March 2012), seen on the FTA Banksy rat stencil
This book is a small window into a temporary art world that is constantly being revised in a flux of new symbols. Enjoy!
* Information taken from the Wikipedia entry for Seoul and it's references.
Other Formats:
Paperback
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