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The Accusation: Forbidden Stories from Inside North Korea Hardcover – March 7, 2017
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Winner of a PEN Translates Award
“[A] remarkable collection . . . [the stories’] power is in the plain-spoken, almost artless way they convey daily life under an ever-watchful, whimsically cruel regime . . . This courageous book offers an important reminder that not all dystopias are invented.”―Sam Sacks, Wall Street Journal
“Searing fiction by an anonymous dissident . . . A fierce indictment of life in the totalitarian North.”―New York Times
“[The Accusation] might be the most dangerous book on the planet right now . . . An historic milestone . . . A powerful denunciation . . . Its very existence is still a hopeful symbol that change is inevitable, if not imminent.”―Vice
“They say fact is stranger than fiction. One book smuggled out of North Korea encapsulates both . . . A reflection of life under North Korean rule . . . This is the first known writer of a book, critical of North Korea, who is still inside the country.”―Paula Hancocks, CNN
“The Accusation shines a light on the dark half of the Korean peninsula with stories that are as readable as they are important . . . If these stories are an exorcism for the author, they are a revelation for us; The Accusation is fiction, but it is fiction that screams truth. Like its great literary predecessor One Day in the Life of Ivan Denisovich, The Accusation is a powerful work that seems destined to serve as the go-to example, and indictment, of life in the Democratic People’s Republic of Korea.”―National Post
“Deborah Smith . . . vividly brings to English the taut, searing stories . . . Each turn of the page, each moment of anger and sadness a reader feels for Bandi’s characters comes with a deeper ache. The reader knows, horribly, that all of these things are still happening.”―Minneapolis Star Tribune
“Seven short stories, each pointing an accusing finger at the ruling regime, shine a light on North Korea’s ‘truly fathomless darkness’ . . . In the midst of dashed hopes and broken dreams, the flame of hope barely flickers. These are indeed, as the book’s subtitle says, Forbidden Stories from Inside North Korea.”―“The Best Books on North Korea,” The Guardian
“Revelatory . . . Bandi, whoever he may be, has made history. He’s illuminated the daily life of North Koreans, presenting them as human beings living in―and in spite of―extraordinary circumstances. The Accusation, which is a triumph simply for existing, places Bandi in the canon of dissenting literature. Now we can only hope to read more of his work.”―Paste
“The seven stories . . . aptly convey the hardships and constant trauma that people face in a country cut off from the rest of the world . . . Written with deep emotion and elegance.”―Business Standard
“All we can do is to read these ‘accusations.’ Only that will save the writer who wrote and sent them out into the world at the risk of his own life.”―Kyung-Sook Shin, New York Times bestselling author of Please Look After Mom
“The Accusation is a stark and often despair-inducing collection, but one we should read with great urgency at this moment, both as a document of what is and what could be and as a way to continue gaining better understanding of the complexities of North Korean society, which remains elusive to the West . . . The Accusation represents a milestone for those living outside the DPRK, but also in a sense for those living within its borders . . . Bandi refuses simplicity for his characters. Instead he gifts them forceful and vivid voices.”―Words Without Borders
“A startling collection of short stories revealing the brutal reality of life inside the isolated regime . . . A remarkable feat of dissident literature . . . The seven short stories and one poem presented in The Accusation are based on harrowing true events, which only heightens their import and impact . . . A clarion call for justice, The Accusation is an unforgettable testament to indomitable human spirit, written with an unbending commitment to the truth, at times difficult to bear, but also spiked with a sharp satirical spear . . . Immeasurably vital.”―New Daily
“This is an extraordinary tale of ordinary people in North Korea . . . A highly readable, nuanced, credible picture of a country where ordinary people go about their lives treading around the regime, and sometimes bumping into it.”―BBC World Service
“A collection of courageous and confounding short stories . . . expertly translated by Deborah Smith . . . Shows similarities of both quality and content to stories by authors as various as Gorky, Solzhenitsyn and Chen Ruoxi, or even Chinese contemporaries such as Yan Lianke . . . Vivid and uncompromising storytelling.”―New Statesman (UK)
“These short works offer powerful insights into a world behind walls . . . In its scope and courage, The Accusation is an act of great love.”―Guardian
“Unflinching tales from North Korea . . . Enlightening . . . A compelling collection.”―Observer (UK)
“The Accusation takes us across a deep cultural and political border . . . The stories, written between 1989 and 1995, constitute a passionate J’accuse . . . Shines a necessary light on what remains one of the darkest places on Earth.”―Hamilton Spectator
“A rare piece of fiction from one of the world’s most repressive regimes . . . A dramatic page-turner.”―Quartz
“For readers interested in a candid look at life in North Korea, The Accusation . . . will immerse you via the stories of common folk.”―Millions
“A concise and clearly written and translated work . . . The stories document the poverty, mutual spying and damaged family relations, the desire for openness and dream of defection that imbue everyday life.”―The Hudson Review
“Bandi has been likened to Aleksandr Solzhenitsyn. This is a specious analogy . . . Bandi cannot be fitted into familiar traditions because he is unprecedented. North Korea is unlike anything that exists or has existed . . . Bandi’s existence proves that fear and mass hypnosis haven’t yet succeeded in annihilating the imaginations of North Koreans. If the stories in The Accusation are sourced from the actual experiences of actual people, then there can be no doubt that there are multiple Bandis in the country―men and women like the characters in The Accusation who are striving to preserve their souls from the assaults of the Kim dynasty.”―The National
“The Accusation continues to make international history as the first literary work smuggled out of repressive North Korea . . . Illuminating stories that reveal desperate lives enduring terrifying day-to-day challenges . . . British translator Smith . . . expertly delivers Bandi’s subversive prose with nuanced grace . . . As Bandi’s characters both fear and sling accusations, the title takes on piercing gravitas for readers.”―Booklist (starred review)
“With these uncompromising stories, the pseudonymous Bandi gives a rare glimpse of life in the “truly fathomless darkness” of North Korea . . . An endnote about how Bandi’s collection was smuggled out of the country reveals just how miraculous it is that it exists at all.”―Publishers Weekly
“Fugitive fiction―literally―from inside North Korea, devastatingly critical of the Kim dynasty and its workers’ paradise . . . There is a streak of satire in these stories, but mostly they are grimly realistic . . . Certainly the author has access to the broad sweep of North Korean society, from industrial workers and farmers to midlevel political functionaries . . . An important document of witness.”―Kirkus Reviews
“No fiction beyond a trickle of agitprop has passed beyond North Korea’s borders, and of course dissident voices are suppressed altogether. When it was smuggled out, this story collection became an international publishing sensation.”―Library Journal
“Well-crafted stories . . . The Accusation is a haunting, disturbing collection . . . worthwhile.”―Complete Review
“[An] insightful and harrowing collection of stories written about life in North Korea . . . The overarching aspects of everyday life in a terrorist regime are on full display . . . [Bandi’s] stories are delivered in a simple style, but neither time nor translation lessen their impact.”―US Review of Books
“[A] slim, powerful volume.”―Week
“Bandi’s writing style is markedly different from that of Western fiction . . . The rather bare-bones, bracing style fits the stories told. Their content has so much implicit drama and heartache, there’s no need to elaborate . . . The Accusation is a quick read . . . Worthy of attention.”―Crime Fiction Lover
“The stories are understated but the dissent is scorching. The only way to adequately honour writing that puts the author’s life in danger is to read it.”―Globe and Mail
"Dissident tales from pseudonymous author Bandi, still living in the country . . . very rare fiction to emerge from the secretive dictatorship . . . on its way to becoming an international literary sensation."―Alison Flood, Guardian
“[A] remarkable collection of stories . . . Revealing the terrible truth of living in a country where any any freedoms are curtailed, where famine and brutality are rife, but where human belief and hope can survive any odds, this is a defining read for 2017.”―Emerald Street (UK)
“Compelling, at times heartbreaking . . . [There] are echoes of great dissident writers such as Alexander Solzhenitsyn and leading Western chroniclers of 20th-century totalitarianism such as George Orwell . . . There is a rawness about the prose that is as startling as it is unsettling . . . In common with Fyodor Dostoevsky, Bandi has the deepest sympathy for the unassuageable anguish of his or her characters . . . [A] truly remarkable book . . . [The Accusation] may well be the most important work of fiction published this year.”―Australian
“The Accusation courageously speaks for millions of people who collectively long for a life of peace.”―Culture Trip
"Plunges us into the daily life of families in North Korea. These stories are the cry of a man suffocated by totalitarianism. These are also the cry of an entire people who have been broken under the yoke of North Korean communism . . . The author makes use of storytelling, poetry, humor, and even the burlesque to aid his condemnation of these unbearable injustices. The writing is simple, humble, which gives it its beauty. The seven novellas shine with humanity and tenderness."―Aleteia
"This collection of novellas that the author managed to extract from his country is of incredible value . . . The classic construction reminds us of Gogol and Chekhov, and for their taste for absurdist satire, Ionesco and Bulgakov."―Books Magazine
"Describes in very impressionistic, subtle, almost veiled tones, if I may, the daily life of a dictatorship . . . The book gives a human face, gives stories and images, to the sufferings of North Koreans . . . I was almost groggy by the time I finished reading, reminding myself of just how lucky I am to live in a democracy . . . I thought of Orwell and Kafka but realized that the country described here really exists and that there are people who are living there, perhaps not even knowing that a different kind of life is possible."―L'express
"Bandi, a pseudonym that means "firefly", has achieved the unthinkable – offering a testimony on the dictatorial regime of North Korea while remaining in situ . . . In the same way as the works of Solzhenitsyn in their time, Bandi's writing reminds us of the perennial necessity of battling censorship, whatever the cost."―L'amour des livres
"This author is completely unknown and would like to stay that way. He continues to live in a country that is held fast by an iron fist, putting his life at risk by writing. He describes, not without humor, the ordinary life of this dictatorship, the extreme misery there, and the surveillance networks that have been put in place by the regime, which make everyone into a potential spy or informant."―Mag Dimanche
"Even if one did not know anything about the writer or the way the manuscript was smuggled out of the country, it would not diminish the fact that the force of this collection of novellas evokes the classics of world literature about totalitarianism."―L'ours
"A message in a bottle that is so precious that we should all reach out to grab it and better understand the tragedy of the last Marxist regime in the world."―Le Revenu
"Stories of simple people that are humiliated and beaten down for absurd reasons, watched over by grotesque henchmen and toadying neighbors, arrested and punished by a dictatorship that has held the country under its heel for six decades. A book to burst the silence."―La Vie
"This rare collection offers seven moving novellas, snapshots of a country where nothing normal ever leaks out . . . A far cry from the grandiloquent, ridiculous images that are thrown out by the Kim Jong-Un regime, The Accusation offers the opportunity to discover a moving portrait of a secret country, a forgotten land where humanity only asks to try to triumph."―Lire
"No one could imagine that it could be at all comical to live in a dictatorship, but in describing the limitless absurdity of the system, Bandi sometimes makes the reader give out a nervous laugh . . . A fragile hint of light in a country that confuses democracy with obscurantism."―L'Alsace
"Each of these stories shows a different aspect of the remorseless dictatorship . . . With a fierce sense of irony and a deeply dark humor, Bandi denounces totalitarianism, the divisions in North Korean society, and the absurdity and corruption of the one party system."―La Grande Parade
"Stories written with a great humanity, the work of a true writer."―Lecturama.fr
"The appearance of this collection of seven novellas is a true publishing event."―Livres Hebdo
About the Author
Bandi, a name derived from the Korean for “firefly,” is a pseudonym for a writer who is still living in his homeland of North Korea. The Accusation is his only published book to date.
Deborah Smith is the Man Booker International Prize–winning translator of The Vegetarian by Han Kang and other books.
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In "Record of a Defection", a man, on the brink of defection, writes a farewell letter to a friend, detailing the discoveries and realizations that have led him to his decision, all stemming from a crime, an act of "anti-party anti-revolutionary sabotage" his father committed before he was even born, a crime for which the family continues to be punished thirty years later: dropping a tray of rice seedlings in an experimental greenhouse.
In "City of Specters", a woman who's enjoyed the government's favor her entire life discovers that such favor can vanish overnight. And that in the end, everything, even a frightened child's foolish fear, is ultimately political.
In "Life of a Swift Steed", a old man who has faithfully served the party his entire life is suddenly confronted with the reality that his most prized possession - an elm tree he planted at the birth of the revolution - is symbolic not of a promise but a lie.
In "So Near, Yet So Far", a man struggles against an implacable bureaucracy to get a permit to visit his seriously ill mother, who lives in a different county, one last time before she dies.
In "Pandemonium", an old woman traveling with her husband and grand-daughter to be with her pregnant daughter becomes first trapped in a railway station when all traffic is halted due to an impending visit by the Great Leader to the area. In a bizarre twist of fate, she sets out on foot only to end up being picked up and given a ride by the Great Leader himself in his personal car.
In "On Stage", a young actor's life on stage collides with his father's life as a party official when a questionable skit lands the young man in political trouble.
In "The Red Mushroom", a journalist deals with the reality that, in North Korea, "reporting" is not a matter of finding out what the story is, but of finding out what the story is supposed to be and then reporting that, regardless of anything he might know to the contrary.
In addition to the stories themselves, there is one chapter detailing how the stories eventually made it out of North Korea to be published in the West, and a few pages about the anonymous author.
Highly recommended for anyone who wants a feel for what life under the world's longest-running totalitarian regime is like for most people who live there.
Literature has two aspects which take us in: 1) strangeness, so that it captures our attention, and 2) an ability to relate to something in us, making it intelligible and meaningful. Bandi's stories are strong in both qualities.
In the first place, the settings introduce us to North Korean social structure, the prestige attached to (Communist) party membership, the disgrace attached to families of those who resisted the revolution, the policies of the state, or even failed to show enthusiasm for the Glorious Leader. When the Leader visits a district, transportation is cut off, inconveniencing, even endangering, individuals, who may not complain lest they be accused of being unpatriotic. In a society of scarcity, political vulnerabilities can be used to get ahead over neighbors and this turns one's neighbors into potential tattle-tales. Unable to express frustration with public policies that fail, the population resorts to gossip, denial, saving face, role-playing. Some of this is familiar to readers of George Orwell's 1984 and Animal Farm, as well as Fan Shen, the account of the 1940's Chinese revolution.
However, there is much that we can relate to in Bandi's stories. The revolutionary whose dream is never realized experiences one of the predictable crises of adult life in most societies, namely coming to terms with one's limits as one's strength ebbs, one's family leaves, and one's dreams are unrealized. The estrangement that evolves between members of the same household is another phenomenon we also experience in the West. The cognitive dissonance experienced by several of Bandi's protagonists leading several to think about leaving the country is strangely reminiscent of John Bunyon's Pilgrim in Pilgrim's Progress who leaves the City of Destruction because of the sound in his ears, or even of the trope in American literature of young people leaving a straight-jacketed rural American society for the possibilities of urban life.
The North Korean regime/society truly believes that perception is reality, and the full power of state and society is used to uphold and perpetuate the positive perception of the regime as the savior of the people. This means that enemies must be constantly found to explain why things go wrong. Thus, when the bean paste factory runs short of product due to mistakes made higher up, a man, disgraced but talented, is put in charge to both mitigate the situation and then take the blame for the shortfall. Interestingly, hardly any mention is made in these stories of the threat of other countries; rather scapegoats are found among the people, "reactionaries" who resist society's progress. Come to think of it, does our society blame it's failures on its nonconformists, whether Left or Right? Perhaps there is more to relate to in the mystery of North Korean society than we'd like to admit.
There are seven short stories about mainly working people that show the strict control, the lack of compassion and the brutality that the Kim regime doles out. These are sad and depressing stories that speak to the hearts of those of us who live in democracies where we don't have to get permission to travel from one city to another and we don't have guilt by association. If one family member does something wrong , then the entire family is forever associated with that crime.
My favorite story is "Red Mushroom" for its showing what happens to people who work themselves nearly to death, who gets the credit and what the courts are like in this closed country.