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Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond Paperback – January 21, 1994
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And what a story it is, beginning with LSD’s discovery in 1943 as the most potent drug known to science until it spilled into public view some twenty years later to set the stage for one of the great ideological wars of the decade. In the intervening years the CIA had launched a massive covert research program in the hope that LSD would serve as an espionage weapon, psychiatric pioneers came to believe that acid would shed light on the perplexing problems of mental illness, and a new generation of writers and artists had given birth to the LSD sub-culture.
Acid Dreams is a complete social history of the psychedelic counter-culture that burst into full view in the Sixties. With new information obtained through the Freedom of Information Act, the authors reveal how the CIA became obsessed with LSD during the Cold War, fearing the Soviets had designs on it as well. What follows is one of the more bizarre episodes in the covert history of U.S. intelligence as the search for a truth drug” began to resemble a James Bond scenario in which agents spied on drug-addicted prostitutes through two-way mirrors and countless unwitting citizens received acid with sometimes tragic results.
The story took a new turn when Captain Al Hubbard, the first of a series of Johnny Appleseeds” of acid, began to turn on thousands of scientists, businessmen, church figures, policemen, and others from different walks of life.
Timothy Leary, Ken Kesey and his band of Merry Pranksters, Allen Ginsberg and the Beat generation, the Diggers and the Age of Golden Anarchy in Haight-Ashbury, William Mellon Hitchcock, Abbie Hoffman and the Yippies, the Beatlesthese are just some of a motley cast of characters who stride through the pages of this compelling chronicle. What impact did the widespread use of LSD have on the anti-war movement of the late Sixties? Acid Dreams traces the way the drug intensified each stage of counter-cultural transition to break the mind-forged manacles” of a new generation in rebellion.
In Acid Dreams, Martin Lee and Bruce Shalin have written the history of a time still only dimly understood. The events they recount and the facts they uncover supply an important missing piece of the puzzle of a crucial decade in our recent past.
Praise
Engaging throughout. . . . At once entertaining and disturbing.”Andrew Weil, M.D., The Nation
Marvelously detailed . . . loaded with startling revelations.”Los Angeles Daily News
Excellent. . . . Captivating. . . . A generalist’s history that should replace all others.”San Francisco Chronicle
A landmark contribution to the sociopolitical history of the U.S. . . . Some of the liveliest, most absorbing, best-documented historical analyses to appear in recent years. . . . A seminal contribution to understanding America’s most turbulent modern decade.”Choice
This funny and irreverent book brings it all back.”The Washington Post
Recounts some of the most bizarre incidents in the history of U.S. intelligence.”The Boston Globe
A monumental social history of psychedelia.”The Village Voice
A blistering exposé of CIA drug experimentation on Americans. It’s all there.”John Stockwell
Highly readable. . . . Well researched. . . . Filled with entertaining and bizarre episodes.”The Detroit Free Press
An important study of cultural history. . . . The scholarship is exquisite and the methods sensible.”Allen Ginsberg
An engrossing account of a period . . . when a tiny psychoactive molecule affected almost every aspect of Western life.”William S. Burroughs
A missing link, a work of combat history, a devastating combination of facts and poetry that is bound to arouse controversy.”Paul Krassner
An important historical synthesis of the spread and effects of a drug that served as a central metaphor for an era.”John Sayles
- Print length384 pages
- LanguageEnglish
- PublisherGrove Press
- Publication dateJanuary 21, 1994
- Dimensions6 x 1 x 9.25 inches
- ISBN-109780802130624
- ISBN-13978-0802130624
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Product details
- ASIN : 0802130623
- Publisher : Grove Press; Revised edition (January 21, 1994)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 9780802130624
- ISBN-13 : 978-0802130624
- Item Weight : 1.15 pounds
- Dimensions : 6 x 1 x 9.25 inches
- Best Sellers Rank: #143,172 in Books (See Top 100 in Books)
- #364 in Popular Culture in Social Sciences
- #366 in Cultural Anthropology (Books)
- #3,301 in World History (Books)
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There are all kinds of unlikely combinations of people intermingling with each other, including "Captain Trips", a former spy -turned Acid advocate hanging out with Aldous Huxley and both opining on the transformative nature of the drug. There are so many strange intersections of culture, psychology, politics, drug culture, horrifying military research, and overall weird agendas that I can see now that the sixties were far weirder than I'd ever thought.
The authors also note how LSD can be sort of a neutral mind-expanding agent that depends a lot upon context and environment, thus they have a fairly open-minded attitude about how it can be both used and abused. The book was neither strictly ruling it out as automatically inducing incurable psychosis and brain damage, or naively endorsing it as a social cure-all, the way Ginsberg and others did (who sound surprisingly daffy, given how informed and erudite Ginsberg was-- ah! hindsight!)
I also loved the part about the New Left and how acid played a part in giving the movement an almost magical-thinking type of mentality, losing sight of what was really realistic. It also confirmed my suspicions about certain types of radicals who have no patience with the more mundane aspects of activism (the so-called "Action" faction of the radical movement who thought organizers were boring sell-outs-- there are still these types of radicals today. Adrenaline junkies who have no patience for boring tasks and basically rationalize their tendencies as being 'pure'. Ugh!)
That chapter even put Manson's wacky revolutionary paranoia into context, and how his followers could actually believe his apocalyptic theories (including a series of underground lakes beneath Death Valley!!!) as you see how repeated use of the drug, along with severe isolation and cultish behavior, could make people really nuts. (Having just read a lot of stuff about the Family, I was puzzled how people could be so stupid and crazy; this chapter really puts that into context- how so many people were anticipating a violent revolution).
This book also has some humor, some horror, and a lot of insight. Very readable. Literally hard to put down. Highly recommended.
Oh, and the government agencies which may have manipulated them heavily.
I enjoyed this book, even the parts which disgusted me like the CIA addicting people to heroin to use withdraw as an interrogation tools during the 50s or the Army's testing of BZ on troops among many other examples.
I'd have given it 5 stars if not for the criticisms of Art Kleps and Jan Irving. While both these men are dubious in their own way, Art as the founder of the first formal Psychedelic Religion and one of the main factions at Millbrook and Jan as a thinker who assumes conspiracy from rather threadbare evidence.
Kleps' criticisms involve misrepresentations based on poor research and unreliable sources which you can read at the end of his book, "Millbrook" freely available here: okneoac.org/millbrook/
He cites several examples of incompetent research, fact conflating, and made up timelines through much of the book's narrative. I'll leave you to determine the value of criticisms by a lifelong alcoholic solipsistic nihilist defending himself in his own book. My own biases at least agree with many of his overall views, excepting his racism.
Irving comes out and says Acid Dreams is one in a long series of half-truth half-deception books published on the subject of the CIA's research on mind control tested on American citizens and against any definitions of ethics or even the CIA's own charter.
Since much of the full extent of MK Ultra is probably forever hidden by Richard Helms' ordering the records destroyed in 1973 (also against CIA's official policy), it's likely the publically verifiable information only represents a fraction of their activities. Since determining how much we know about the project is only possible with full knowledge of what the CIA actually did, it seems sensible to agree with Irving's broad conclusion that we probably don't know the worst of their activities.
Interestingly, and against Irving's overall claim, Acid Dreams itself makes this broader point. Attempted accuracy or complicated double-triple-or-quadruple bind? Who knows.
In the end, Art Kleps' advice to suspend belief in anything until you've checked their sources is a wise one.
Even if propaganda, Acid Dreams is an important document of the history of Psychedelics and their shadier dealings. Do your own research, come to your own conclusions.











