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Africa: The Art of a Continent Paperback – March 1, 1999
| Tom Phillips (Author) Find all the books, read about the author, and more. See search results for this author |
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Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as mural paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many.
- Print length615 pages
- LanguageEnglish
- PublisherPrestel Pub
- Publication dateMarch 1, 1999
- Dimensions9.84 x 11.81 inches
- ISBN-103791320041
- ISBN-13978-3791320045
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Product details
- Publisher : Prestel Pub (March 1, 1999)
- Language : English
- Paperback : 615 pages
- ISBN-10 : 3791320041
- ISBN-13 : 978-3791320045
- Item Weight : 6.8 pounds
- Dimensions : 9.84 x 11.81 inches
- Best Sellers Rank: #1,924,685 in Books (See Top 100 in Books)
- #8,668 in Arts & Photography Criticism
- Customer Reviews:
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At the time of the 1995 exhibition, most collections of African art, and most courses in African art, focused on Sub-Saharan Africa, especially west and central Africa. Coming from the perspective of the history of western art, we saw North Africa as Mediterranean. Egypt was Near Eastern and a part of our own heritage. Yet, the leaders of African countries were thinking of the continent as a whole as early as 1963 with the foundation of the Organization of African Unity. In the United States, African-Americans were making the point that Egypt was a part of Africa. In 1985 Werner Gillon's A Short History of African Art focused on the usual areas, but also included North African rock art, Nubia, and some material from Eastern and Southern Africa. By 1995, historians of African Art realized they really should be getting away from the primary interests of western collectors and be looking at Africa as a whole. It was also necessary to become free of the validation of African Art by Matisse, Picasso, Derain, Stieglitz, et al., and to see it on its own terms. With Nelson Mandela, a Pan-Africanist, as one of the sponsors, this exhibition came about. For the students of African Art, this exhibition and catalog are an historic marker for one of the changes of direction in the study of African Art. In retrospect, it is hard to see why so much rich material and research were neglected in the teaching and exhibiting of African Art. Another change occurring around the same time was a new interest in contemporary African Art. That's beyond the scope of this book. Both traditional and contemporary arts would be tough to integrate in a single exhibition or publication covering the entire continent. Even in the text book, A History of Art in Africa (2nd ed. 2008), contemporary art is tacked onto the end of chapters about traditional art and a bit fragmented. For the Pan-Africanist movement, The Art of a Continent is an effective survey of precolonial styles, the African roots.
The scope of this impressive book is nothing less than the art of the entire continent of Africa, from 3,000 years B.C. to the 20th Century. Nearly 500 works of art are depicted in color, and most items are of a very high quality, and well photographed. The item descriptions are excellent, and the text is informative and easy to read. This is definitely not a specialty book, and for detailed information on Africa's art and tribal cultures, books on individual regions and tribes abound. However, for a overview of the myriad art forms of the whole continent, this book does as well or better than any publication I've seen. As is usual with Prestel publications, the quality of the paper, binding and presentation is excellent.
Pricing note : As a mass-market publication, printed both in hardback and softcover, this book is readily available in used condition. As of late 2012, it could be purchased for under $20, which makes it the best value tribal art book in the marketplace. Enjoy !
Another problem is the lack of showing contemporary African art (it assumes that new Euro-influenced art is no longer African. This is of course ridiculous since contemporary Euro art since the late 19th century has been heavily African influence, yet remains European art)
Also, the book does not include African architectural art. Though I only gave it a B-minus, if there was a sliding scale I'd have to give it an A-minus due to the lack of good art books regarding Africa.













