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Afrofuturism 2.0: The Rise of Astro-Blackness Hardcover – December 16, 2015
Purchase options and add-ons
- Print length240 pages
- LanguageEnglish
- PublisherLexington Books
- Publication dateDecember 16, 2015
- Dimensions6 x 0.69 x 9 inches
- ISBN-101498510507
- ISBN-13978-1498510509
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Editorial Reviews
Review
“Afrofuturism 2.0 proves to be not only an educational experience, but a necessary provocation of questions on Pan-Arab culture, which may be read through various Palestinian states of being – whether present, absent, or imagined.... Taken from a wider perspective, Afrofuturism, as the book seeks to assert, can be moulded into a vibrant, analytical framework for exploring notions and practices of temporality in African cultural production. Indeed, the numerous studies and examples that unfold across the different parts of the book point to the rising instrumentalization of futurist and sci-fi aesthetics as important politically charged practices within contemporary Afrodiasporic culture.” ―Tohu
“Do your interest lie in the connections between music, art, science and futurity as performed and lived through Black people of the African diaspora? Or, through your engagement with popular culture, have you heard the terms AstroBlackness, Black Speculative Fiction, Afrofuturism, or Black Futurism and have wondered what they mean or what they are? If you have asked yourself these questions and want a deeper understanding than what a good Google search can provide, Reynaldo Anderson and Charles E. Jones edited volume Afrofuturism 2.0: The Rise of Astro-Blackness is the intellectually and culturally grounded place to begin your study.... Afrofuturism 2.0 should be looked upon as central read for anyone interested in the discourses of Africana diaspora and the future. For communication scholars focused on digital media, fandom, Black Geek/Nerd discourse, speculative fiction, science fiction or other discourses grounded in the Black imaginative― essays in this volume are foundational locations for depth in analysis. It is hard to imagine discussion on the rhetoric of Black Panther, Luke Cage or DC Legends without a functional reading of Afrofuturism 2.0.” ―Iowa Journal of Communication
“Reynaldo Anderson and Charles E. Jones assemble a remarkable collection in Afrofuturism 2.0....Anderson and Jones have taken Afrofuturism in fascinating directions, encouraging scholars to consider how the concept is expressed across media. I strongly recommend this volume to scholars and research libraries, as well as for the college classroom.” ―Science Fiction Studies
“It's a rare event when an anthology captures the essence of a movement, so timely, yet still in its infancy. Imagining alternative realities for people of the African diaspora is the genesis for social change. This collection is leading the charge by questioning historical perceptions and redefining identity.” ―Ajani Brown, San Diego State University
About the Author
Dr. Reynaldo Anderson currently serves as the Graduate Director and Associate Professor of Africology and African American Studies at Temple University in Philadelphia, Pennsylvania. Reynaldo is currently the Executive Director and co-founder of the Black Speculative Arts Movement (BSAM), an international network of artists, intellectuals, creatives, and activists. He is the co-editor of the following anthologies and journals, Afrofuturism 2.0: The Rise of Astro-Blackness and The Black Speculative Arts Movement: Black Futurity, Art+Design (2015, 2019), Cosmic Underground: A Grimoire of Black Speculative Discontent (2018), Black Lives, Black Politics, Black Futures, a special issue of TOPIA: Canadian Journal of Cultural Studies (2018), and "When is Wakanda: Afrofuturism and Dark Speculative Futurity" (The Journal of Futures Studies, 2019). He is also the author of numerous articles on Africana Studies and Communication studies and helped conceive the joint BSAM and NY LIVE Arts Curating the End of the World online exhibitions (2020-2021). He has presented papers in areas of communications, Africana studies, Afrofuturism, and critical theory in the US and abroad.
Product details
- Publisher : Lexington Books
- Publication date : December 16, 2015
- Language : English
- Print length : 240 pages
- ISBN-10 : 1498510507
- ISBN-13 : 978-1498510509
- Item Weight : 1.1 pounds
- Dimensions : 6 x 0.69 x 9 inches
- Best Sellers Rank: #2,747,599 in Books (See Top 100 in Books)
- #3,808 in Communication & Media Studies
- #4,173 in African American Demographic Studies (Books)
- #4,284 in Popular Culture in Social Sciences
About the authors

Dr. Gaskins teaches, writes, "fabs”, and makes art using algorithms and machine learning. She has taught multimedia, visual art, and computer science with high school students. She earned a BFA in Computer Graphics with Honors from Pratt Institute in 1992 and an MFA in Art and Technology from the School of the Art Institute of Chicago in 1994. She received a doctorate in Digital Media from Georgia Tech in 2014. Currently, Dr. Gaskins is a 2021 Ford Global Fellow and the assistant director of the Lesley STEAM Learning Lab at Lesley University.

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