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After The Fall Soundtrack
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After the Fall (Original Motion Picture Soundtrack)
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
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MP3 Music, December 23, 2014
"Please retry" | $9.49 | — |
From the brand
Track Listings
| 1 | Elevate (2:00) |
| 2 | Changes (1:22) |
| 3 | Searching in the Dark (3:30) |
| 4 | Innocence (2:47) |
| 5 | Goodnight (1:33) |
| 6 | Connected (2:22) |
| 7 | You Never Know (1:16) |
| 8 | Robberies (2:10) |
| 9 | Wrath (2:44) |
| 10 | Whole Again (2:09) |
| 11 | Virtue (2:42) |
| 12 | Home Sweet Home (4:14) |
| 13 | Just to See You (2:56) |
Editorial Reviews
Lakeshore Records will release the soundtrack to After The Fall, starring Wes Bentley (Interstellar, Gone, American Beauty), Vinessa Shaw (Eyes Wide Shut, The Hills Have Eyes) and Haley Bennett (Marley & Me, The Hole). Featured on the album is the score by Marc Streitenfeld (The Grey, Welcome to the Rileys, Gladiator), an accomplished composer known for his collaborations with Director Ridley Scott. Directed by Saar Klein, Oscar-nominated editor of The Thin Red Line and Almost Famous, After The Fall won "Best First Feature Film" at the film's premiere this past February at the Berlin International Film Festival (read the review at Indiewire). When everyday family man Bill loses his job, his peaceful life quickly spirals out of control. Terrified that he will lose everything he has achieved, he turns to a life of crime, descending into drastic and dangerous measures to stay ahead of the law. As he fights to provide for his family, Bill discovers that the only thing worse than getting caught is getting away with it.
Product details
- Language : English
- Product Dimensions : 4.95 x 5.51 x 0.28 inches; 2.08 Ounces
- Manufacturer : Lakeshore Records
- Original Release Date : 2015
- Date First Available : December 2, 2014
- Label : Lakeshore Records
- ASIN : B00QH23VXS
- Number of discs : 1
- Customer Reviews:
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I’ve always been a huge fan of Marc’s music. He is a unique voice in this industry, never has his music felt part of the mold. After The Fall is a very cliched film about a guy who is having financial trouble so he turns to armed robbery to make money for his family. Breaking Bad did a way more interesting character exploration of morality and genre craftsmanship with style than something like this straight to video type of movie. Despite the narrative limitations, Streitenfeld executes the story quite well. We witness the spiral downward of a character who is trying to do right by doing wrong. The score has limited function at a slim 32-minutes, but Streitenfeld is a master of setting mood and tone. He also is a master at evoking emotion through reflective thought. In other words, creating an existential reflection in your own mind. If you’ve never listened to The Grey then I strongly urge you to listen to that score (and watch the film) before diving into this. You can tell first-time director Saar Klein probably temped this film with Streitenfeld’s masterpiece of a score to The Grey. The whole thing feels like Marc is dancing around that old score of his, gently dipping the paint brush into the existential tragedy of The Grey and finding a new way to structure it here. Does it work here? Yes. But not as well as it did in The Grey. The score does find a way to come to a very satisfying emotional resolution after a bit of stylistic meandering. It’s appropriate that the best track on this score is “Home Sweet Home”, which is also the longest track at over 4-minutes. It shows that music needs room to grow, and that Streitenfeld can do amazing things if given the canvas to do so.
Marc Streitenfeld’s After The Fall shows what the composer does best. I really love his music and the way he approaches scoring. Something about his style resonates so deeply. It’s nice to be able to be immersed in the Streitenfeld sound once again even if his first post-Ridley score is nothing notably different or better than what we’ve seen him accomplish in the past. After The Fall feels like a slimmed down version of The Grey, but it still works. I’m probably forgiving more of the score’s limitations simply because I’m just happy to have a new Marc score for the first time in 2 years. I hope Streitenfeld falls into another groove with a musically driven director that will allow him to work unhinged on some great projects. This composer can do great things with the right material, and even do decent things with not so good material such as this. For that, After The Fall is worth your time.
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