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Akata Witch Paperback – July 11, 2017
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Raves for Nnedi Okorafor's Writing
"Nnedi Okorafor writes glorious futures and fabulous fantasies. Her characters take your heart and squeeze it, her worlds open your mind to new things, always rooted in the red clay of reality."—Neil Gaiman, Newbery Award-winning author of The Graveyard Book
"There’s more imagination on a page of Nnedi Okorafor’s work than in whole volumes of ordinary fantasy epics."—Ursula K. Le Guin, award-winning author of A Wizard of Earthsea
“The most imaginative, gripping, enchanting fantasy novels I have ever read!”—Laurie Halse Anderson, National Book Award finalist and New York Times bestselling author of Speak
"I always loved science fiction, but I didn’t feel I was part of it—until I read first Octavia Butler, and now Nnedi Okorafor."—Whoopi Goldberg
"Highly original stuff, episode after amazing episode, full of color, life, and death. Nnedi Okorafor's work is wonderful!"—Diana Wynne Jones, award-winning author of The Chronicles of Chrestomanci
"Jam-packed with mythological wonders."—Rick Riordan, #1 New York Times bestselling author of the Percy Jackson and the Olympians series
"Okorafor's imagination is stunning."—The New York Times Book Review
"A marvelous and uplifting read, heartwarming in its portrayal of true friendship, heartbreaking in its portrayal of headstrong youth and the perils of pride."—Cory Doctorow, award-winning author of Little Brother
"Fresh, original, and smart. We need more writers like her."—Patrick Rothfuss, author of The Name of the Wind
"Nnedi Okorafor is opening doors into strange and beautiful new worlds. Her heroes are beguiling, her magic firmly rooted in real places and real things. Rich, mysterious, and convincing, Akata Witch takes fantasy in a haunting new direction."—Jonathan Stroud, New York Times bestselling author of The Bartimaeus Trilogy
"The voice of Nnedi Okorafor does not obey the rules of distance, time, or place. Hers is the voice that fuses matter and imagination. She shows us just how close we are to that alternate reality."—Tchidi Chikere, Nigerian award-winning film director and screenwriter
About the Author
Nnedi Okorafor (nnedi.com) is the first black woman to win the World Fantasy Award for Best Novel. She has also received Hugo and Nebula Awards. Born in the United States to two Igbo (Nigerian) immigrant parents, and raised in both countries, she holds a Ph.D in English and is a professor at SUNY Buffalo. She divides her time between Buffalo and the suburbs of Chicago, where she lives with her daughter Anyaugo (Anya). Nnedi's work has been published both in Africa and the United States, and ranges from early chapter books to adult short stories and longer fiction.
Top customer reviews
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I have had some time to process What Sunny Saw in the Flames by Nnedi Okorafor and my thoughts on the story, characters, and place this book has in the young adult scene. First of all, I need to get this out of the way. I feel like a lot of YA fantasy novels will and do get compared to Harry Potter as the ‘pinnacle or bar’ of good YA fantasy. We must stop comparing literature and stories in this way because it gives all the credit to the stories of privilege (White, western, straight, male/man, able), in this case Harry Potter. What Sunny Saw in the Flames was the book, and soon to be series, I wanted as a young reader. Harry Potter is and remains entirely western centric (the new movie even takes place in the United States), I always wanted to read about magical societies of other countries, regions, and cultures. Britain and the US could not possibly be the world’s center of magic and Nnedi Okorafor challenges this notion in the first book in her series. I am happy the story did not conform to the ‘Harry Potter’ formula.
The book follows Sunny, born to Nigerian parents in the United States, grew up in the US before moving back to Aba, Nigeria. Sunny is albino and is relentlessly made fun of by classmates at schools. She soon meets Chichi through a mutual friend Orlu and her whole world changes! Sunny is a Leopard person, someone with special abilities, someone who can see into the future, someone who can step into the spirit world. Together with Chichi, and her friends Orlu and Sasha, they must confront their destiny, using wit, knowledge, and their Juju abilities. I asked myself many times while reading the book why I was enjoying it so much. I was very engrossed in the plot, but I think what really grabbed me was how identity impacted almost every aspect in this book. And the identities are layered and intersected – gender, nationality, race and perceived race, ability, and the Leopard identity. I am a big proponent of starting the conversation on identity and the systems of power and oppression that may come along at an early age.
The first aspect that stood out to me was how the education structure of the Leopard people consists of vastly different ways of learning and knowing. Their school is not like traditional school – the western version of school. Leopard children each have a mentor and a teacher that guides them through different experiences to help students gain their own knowledge. This reminds me of the discourse in Pedagogy of the Oppressed by Paulo Freire when he talks about banking education versus education as liberation. Instead of telling students what knowledge is valued and important, they create a learning environment where the instructor values the talents the students bring. The Leopard society is all about lifelong and experiential learning. The lessons are real and often brutal but propel Sunny and her friends to fulfill their destiny.
The currency system, tied into the education system, in this series is brilliant! Leopard people gain Chittim in bronze, silver, and gold whenever they gain knowledge or achieve something. Chittim magically fall from the sky in the amount equal to the knowledge acquired. In the Leopard peoples society, Chittim is used to purchase all things, which includes book for more knowledge! I love this concept because I think we can determine a culture/society/institutions true values by where its money is. The core value of the Leopard people is expanding knowledge. They do not subscribe to materials goods or wealth. This is the kind of culture I want to live in!
The Leopard community is not free from discrimination and systems of oppression. I do not want to call is racism, but there is definitely an -ism based on family and blood. Sunny, the main character, is what the community calls a free agent – a Leopard person who does not have parents who are Leopard people. Free agents get mixed response from the community… at best. At the beginning of each chapter, there is an excerpt from a book written for free agents. The tone is rather condescending and treats free agents as ‘less than.’ This sums up much of the cultural view of free agents and as Sunny interacts with the Leopard world, she faces this discrimination and potential oppression. She finds some allies on the way throughout the story and ultimately is able to overcome when many folks doubted her. But even after the final conflict of book 1, I still think Sunny will face discrimination later in the series. Once a free agent, always a free agent.
Nnedi Okorafor also starts a dialogue on gender stereotypes and sexism. The Leopard people are not immune to what culture thinks boys and girls can/should do. This is most prevalent during the chapter of the football tournament.The boys disregard Sunny when they are recruiting to form football teams and she had to undergo more scrutiny and a bigger challenge than the boys to make the team. She passes the challenge and plays in the game, proving she is one of the best football players among the Leopard youth. I feel like the author is setting up a foundation to dive more into stereotypical constructed gender roles in future books and I look forward to see where the conversation goes!
This book has been previously released about five years ago as Akata Witch. But I believe this is the first time it will be published in the UK by Cassava Republic this fall. I love what they did with the cover art for this republishing, although I did enjoy the original art as well. I am actually happy I read this book now and not back in 2011 because the sequel to the book is projected to release next year! I could not imagine waiting that long for the next book. I will be picking it up when it is released! Look for Akata Witch by Nnedi Okorafor now in the United States and look for What Sunny Saw in the Flames in the UK September 2016.
Final rating: 4.3/5
In the course of the story, Sunny discovers that her background and nature are far more confusing than she could have ever dreamed. She and Orlu, Chichi, and Sasha, three other teens who become her close friends, all find that they are “Leopard People,” possessed of magical powers—a fact that they must hide from the Lambs, or, as Harry Potter would have said, the Mundanes. The other three are the children of Leopard parents, but Sunny is a “free agent,” born to Lamb parents—although she eventually learns that there is Leopard magic further back in her family tree. Much of the story focuses on the four, with the help of Leopard elders who act as their mentors, learning to identify their powers and use them appropriately. The elders also task them with finding and destroying Black Hat, a mysterious serial killer who preys on young children for magical purposes.
The book’s main strength is its Nigerian setting, which includes a variety of things from foods to forms of magic that will be unfamiliar and probably intriguing to most American readers. Sunny and her friends are all likeable, in a mischievous sort of way; inevitably they get into trouble, annoying their mentors, as they overreach in using their newfound powers—but their story, at root, is a very well-trodden one. I had heard a great deal about Okorafor as an author and was expecting something a bit more unusual—but maybe she held back a little because this was a young adult book, or because she wrote it early in her career. I will be interested to compare this book with its sequel, Akata Warrior, which just came out in 2017, six years after Akata Witch appeared.