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Alice's Adventures in Wonderland: A Pop-up Adaptation Hardcover – October 1, 2003
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From School Library Journal
Kindergarten-Grade 6-Sabuda brings Alice's world to life with breathtaking, three-dimensional images that are incredibly imaginative, intricately detailed, and perfectly executed. Carroll's text has been significantly abridged, and although some scenes are a bit choppy, the quickly paced narrative retains the flavor of the original. Sabuda's illustrations pay homage to John Tenniel's artwork, while providing a fresh look at the story and offering details that add greatly to the reading experience. The events unfold in six glorious spreads, each featuring a large pop-up and a narrow booklet that opens into several pages containing the text as well as additional pop-ups. The first scene depicts Alice and her sister on the riverbank, and the faces of several Wonderland characters are camouflaged among the background trees. A pull-up panel provides a "Victorian peep show" view of Alice falling down the rabbit hole. Throughout, shiny foils highlight items such as pots and pans, and felt adds textured detail to the Cheshire Cat and other fuzzy animals. A movable inset transforms the face of the Duchess's offspring from a baby's to a pig's. As a page is turned, a gardener raises his paintbrush and a piece of cellophane changes a white rose to red. In the final spread, a frightened Alice waves her arms beneath a delicate arch of cards. In addition to pulling off feats of paper engineering, the artist also manages to create compositions that provide an eye-pleasing balance of colors, shapes, and action. Much too delicate to circulate, libraries may still want to purchase this book for displays and just for showing off.
Joy Fleishhacker, School Library Journal
Copyright 2003 Reed Business Information, Inc.
*Starred Review* Reviewed with J. Otto Seibold's Alice in Pop-Up Wonderland.
What is it about Alice? This season two well-known children's book creators have tackled the challenge of shoehorning Alice's Adventures in Wonderland into pop-up books only six spreads long. Larded with dioramas, flaps, and other displays of paste-and-paper bravura, both versions are likely to create buzz among Alice collectors and aficionados of movable books. But the two renditions of the same story could hardly be more different.
Seibold's "super dimensional" Alice, which he both designed and illustrated, plunges children into a psychedelic universe straight out of the Jefferson Airplane's "White Rabbit." It features Carroll's original text in brief, cherry-picked excerpts, so the finished product is more a series of interpretive highlights than a thorough presentation of the story, and the rococo, tough-to-decipher typeface adds to the impression that the book is meant to be viewed, not read. Seibold's trademark palette of beiges and pea greens, and a slightly grotesque Alice with Ronald McDonald clown feet, seem to dare readers to prefer Disney's prettiness or Tenniel's Victorian placidity. The pops conceived by Seibold and paper engineer James R. Diaz are a lot of fun. Each spread contains a dizzying array of devices and effects, including a particularly clever rendering of the vanishing Cheshire cat. In the end, however, all of this somehow seems less the point than the book's air of hipster irony.
The version by Sabuda, creator of a previous pop-up adaptation of a classic, The Wonderful Wizard of Oz (2000), cleaves more closely to the original; its full-color artwork is "in John Tenniel's classic style," and the abridged text, cleverly tucked into minibooks on each spread, is fairly comprehensive. It's also the more successful of the two, partly because this faithfulness preserves the contrast between the drawing-room politeness of Tenniel's illustrations and the lunacy of Carroll's imaginings. Where the pops in Seibold's version creak open a bit grudgingly and sometimes need a hand from the reader to work properly, Sabuda's don't pop so much as gracefully unfurl--and then collapse upon themselves with jaw-dropping ease that leaves one flipping the pages back and forth in amazement. Few readers will peep through the expandable tube that simulates Alice's tumble down the rabbit hole, or admire the closing spread's intricately die-cut, gravity-defying arc of playing cards, without feeling a bit bereft when the adventure comes to an end. This will very likely come to be seen as the definitive pop-up version of Alice, but it will also further establish Sabuda as the foremost visionary of the genre. REVWR
Copyright © American Library Association. All rights reserved
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Furthermore, considering it contains both books, plus the excellent Hunting of the Snark, it is a fantastic price.
However, there are still some glaring mistakes, such as some formatting bugs in a few of the poems and spelling errors in places (such as at the start of Looking Glass, where some of the Ls are replaced with 1s - I guess a scanner did the 'writing here').
5 stars for the great price and superior formatting over the other options. -1 star for the glaring lack of proof reading from the publisher.
So on our anniversary I looked and looked. I found it here! I couldn't have been more happy about my purchase, and my girlfriend was absolutely overwhelmingly ecstatic and loves it. Amazing in every way
Wonderland: ISBN-10: 1402768354 ISBN-13: 978-1402768354
Looking Glass: ISBN-10: 0957148399 ISBN-13: 978-0957148390
"The Complete Alice: with the Original Illustrations by Sir John Tenniel in Full Colour" is my pick of editions with Tenniel's classic (and brilliant!) illustrations. Full colour adds so much! This is a beautifully designed book for the most part. I just find it too WHITE! I understand why they went with a white cover, but they really should have found a way to make red work. I object on historical, artistic, & practical grounds. The inside has the same problem: too much white space to even look right. I wish they'd either kept the print & picture size the same but made the book smaller & less cumbersome, or else enlarged the printed portion to use more of each oversized page. Still, it's a pretty impressive presentation. After hours of research & comparison, this (ISBN-10: 1627794352 ISBN-13: 978-1627794350) it's the copy I chose for my daughter. That says a lot, considering how frustrated I am with some of the publisher's choices!
Adult fans & older children might share my enjoyment of John Vernon Lord's interpretations.
Since Alice can seem quite a daunting book to the target-aged independent reader, I love the idea of publishing 'Alice' in a boxed set of 22 miniature hardcover volumes. Imagine a fancy shoebox of sturdy, tiny Alice books on your child's shelf at home, or second-graders racing each other for the next volume at school! Unfortunately, Oxenbury's illustrations practically ruin the story. The modernization of Alice wasn't the big issue for me. The problem is far more serious: Oxenbury's artwork does not match the tone of Carroll's story AT ALL. I adore some of Oxenbury's books--and the pictures in this one are cute, too. I don't think Oxenbury was trying to make any statement. (If so, it doesn't work.) It seems she just didn't adapt her style to the author's. I wish someone else would give this concept a try. Little kids may be too intimidated to even start a long classic, because they fear 'failure'. Contrariwise, the success of finishing one short (yet respectable) book just makes them eager to read the next! But the illustrations have got to work.