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Most unexpected however were obvious allusions to Elliot Goldenthall’s ‘Alien 3’ score, borrowing particularly from ‘Lento’ and ‘The First Attack’ in that score, on ‘Lonely Perfection’. Very pleasant to hear that referenced.
The score ends with a some original pieces based around modern adventure/horror elements with heavy percussion and electronic textures.
This score delivers a lot of recycled goods which, in this case, isn’t a bad thing. But it could have gone from satisfying to transcedant were it allowed more of its own identity.
