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Alif the Unseen Paperback – Illustrated, April 2, 2013
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Driven by a hot ionic charge between higher math and Arabian myth, G. Willow Wilson conjures up a tale of literary enchantment, political change, and religious mystery. Open the first page and you will be forced to do its bidding: To read on.”Gregory Maguire, author of Wicked and Out of Oz
In an unnamed Middle Eastern security state, a young Arab-Indian hacker shield his clients, dissidents, outlaws, Islamists, and other watched groups from surveillance and tries to stay out of trouble. He goes by Alifthe first letter of the Arabic alphabet, and a convenient handle to hide behind. The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the State's electronic security force, putting his clients and his own neck on the line. Then it turns out his lover's new fianc is the head of State security, and his henchmen come after Alif, driving him underground. When Alif discovers The Thousand and One Days , the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen. With shades of Neal Stephenson, Neil Gaiman, Philip Pullman, and The Thousand and One Nights , Alif the Unseen is a tour de force debuta sophisticated melting pot of ideas, philosophy, religion, technology and spirituality smuggled inside an irresistible page-turner.
[A] Harry Potter-ish action-adventure romance [that] unfolds against the backdrop of the Arab Spring. . . . Improbably charming . . . A bookload of wizardry and glee.”Janet Maslin, The New York Times
- Print length448 pages
- LanguageEnglish
- PublisherGrove Press
- Publication dateApril 2, 2013
- Dimensions5.5 x 1.13 x 8.25 inches
- ISBN-100802121225
- ISBN-13978-0802121226
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Editorial Reviews
Review
Praise for Alif the Unseen
G. Willow Wilson has a deft hand with myth and with magic, and the kind of smart, honest writing mind that knits together and bridges cultures and people. You should read what she writes.”Neil Gaiman, author of Stardust and American Gods
[A] Harry Potterish action-adventure romance [that] unfolds against the backdrop of the Arab Spring. . . . A bookload of wizardry and glee.”Janet Maslin, The New York Times
Outrageously enjoyable . . . The energetic plotting of Philip Pullman, the nimble imagery of Neil Gaiman and the intellectual ambition of Neal Stephenson are three comparisons that come to mind.”Salon.com
An intoxicating, politicized amalgam of science fiction and fantasy . . . that integrates the all-too-familiar terrors of contemporary political repression with supernatural figures from The Thousand and One Nights.”Elizabeth Hand, The Washington Post
Open the first page and you will be forced to do its bidding: To read on.”Gregory Maguire, author of Wicked and Out of Oz
A magical book. The supernatural and sociopolitical thriller Alif the Unseen is timely literary alchemy, a smart, spirited swirl of current events and history; religion and mysticism; reality and myth; computer science and metaphysics. . . . Alif the Unseen richly rewards believers in the power of the written word.”The Seattle Times
[An] excellent modern fairytale . . . [Wilson] surpasses the early work of Stephenson and Gaiman, with whom comparisons have already been made. . . . Alif the Unseen will find many fans in both West and East. They will appreciate it for being just the fine story it is and as a seed for potent ideas yet to come.”io9.com
A book of startling beauty and power.”Holly Black, author of The Spiderwick Chronicles
Alif the Unseen . . . defies easy categorization. Is it literary fiction? A fantasy novel? A dystopian techno-thriller? An exemplar of Islamic mysticism, with ties to the work of the Sufi poets? Wilson seems to delight in establishing, then confounding, any expectations readers may have.”Pauls Toutonghi, New York Times Book Review
A fast-paced, thrilling journey between two worlds, the seen world of human beings and the unseen world of the supernatural.”The Philadelphia Inquirer
A Golden Compass for the Arab Spring.”Steven Hall, author of The Raw Shark Texts
A delirious urban fantasy which puts the unlikely case for religion in an age of empowering and intrusive technology.”The Guardian (UK)
Alif the Unseen is a terrific metaphysical thriller, impossible to put down. The fantastical world Alif inhabitsat once recognizable and surreal, visible and invisibleis all the more fantastic for the meticulously detailed Koranic theology and Islamic mythology Wilson expertly reveals. A multicultural Harry Potter for the digital age.”Hooman Majd, author of The Ayatollahs’ Democracy and The Ayatollah Begs to Differ
Alif the Unseen is a true chimera. . . . There are few authors who can pull off dealing with religion, dogma, and mysticism as well as sci-fi, and Wilson is one of them. Alif the Unseen contains elements that will appeal to fans of the ecstatic digital visions The Neuromancer, devotees of the mythological richness of The Thousand and One Nights, international-news junkies and fellow hacktivists.”Tor.com
Written just before the Arab Spring, this wild adventure mixes the digital derring-do of Neal Stephenson with the magic of The Thousand and One Nights. . . . Alif the Unseen is a rich blend of storytelling magic.”San Francisco Chronicle
An ambitious, well-told, and wonderful story. Alif the Unseen is one of those novels that has you rushing to find what else the author has written, and eagerly anticipating what she’ll do next.”Matt Ruff, author of Fool on the Hill and The Mirage
Passion, power, and technology converge in this imaginative novel.”Oprah.com
Imaginative . . . Brilliant . . . Alif the Unseen . . . draws on Islamic theology, the hacking underworld, Philip Pullman’s His Dark Materials, spy thrillers, and the events of the Arab Spring to weave an urban fantasy’ in which the everyday and the supernatural collide. . . . A first novel that is witty, imaginative, and unorthodox in all senses.”The Observer (UK)
Willow Wilson is an awesome talent. She made her own genre and rules over it. Magical, cinematic, pure storytelling. It’s nothing like anything. A brilliant fiction debut.”Michael Muhammad Knight, author of The Taqwacores
Wilson manages to keep the various fantastical, technological, political and religious plates spinning without ever losing track of the story, or getting bogged down in polemic. . . .Though Alif the Unseen was recently compared to Harry Potter . . . it has more in common with Philip Pullman’s His Dark Materials trilogy.”The National (UAE)
One of the most compelling narratives you’ll read this year, Alif offers masterful insight into contemporary Middle Eastern societies whose ongoing transformations are as unexpected and profound as those in our own. It is also a powerful reminder of how far fantasy has come since Tolkien.”Jack Womack, author of Random Acts of Senseless Violence
An intriguing mix of fantasy, romance and spirituality wrapped up in cyberthriller packaging. . . . Wilson’s desert fantasy moves at the breakneck speed of a thriller through cityscapes, wilderness and ethereal realms as she skillfully laces mythology and modernity, spirituality and her own unique take on technological evolution. . . . Don’t miss this one-of-a-kind story, both contemporary and as ancient as the Arabian sands.”Shelf Awareness (online)
Wilson writes beautifully, tells a great story, and even makes computer hackery seem like magic.”Sunday Times (UK)
The real magic of Alif the Unseen is catching a talented writer early in her career.”Rita Mae Brown
Outstanding . . . Wilson’s novel delights in bending genres and confounding expectations: It’s both a literary techno-thriller and a fantasy that takes religion very seriously. . . . Alif the Unseen . . . is one of the most inventive, invigorating novels of the year.”The Christian Science Monitor
A fantasy thriller that takes modern Islamic computer hackers fighting against State-based repression and entangles that with the fantastical Djinn-riddled world of One Thousand and One Nights. . . . Like a novelization of one of Joss Whedon’s best Buffy episodes crossed with a Pathé newsreel of the Arab Spring uprisings. It’s a page-turner.”The Austin Chronicle
About the Author
Product details
- Publisher : Grove Press; Illustrated edition (April 2, 2013)
- Language : English
- Paperback : 448 pages
- ISBN-10 : 0802121225
- ISBN-13 : 978-0802121226
- Item Weight : 15.2 ounces
- Dimensions : 5.5 x 1.13 x 8.25 inches
- Best Sellers Rank: #107,428 in Books (See Top 100 in Books)
- #3,559 in Romantic Fantasy (Books)
- #5,739 in Paranormal & Urban Fantasy (Books)
- #7,684 in Literary Fiction (Books)
- Customer Reviews:
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About the author

G. Willow Wilson is the author of the acclaimed novel THE BIRD KING (2019), co-creator of the Hugo and American Book Award-winning series MS MARVEL (2013-2018), and has written for some of the world’s best-known superhero comic book series, including THE X-MEN, SUPERMAN and WONDER WOMAN. Her first novel, ALIF THE UNSEEN, won the 2013 World Fantasy Award for Best Novel, was a finalist for the Center For Fiction’s First Novel Prize, and was long-listed for the 2013 Women’s Prize for Fiction. In 2015, she won the Graphic Literature Innovator Prize at the PEN America Literary Awards. Her work has been translated into over a dozen languages. She lives in Seattle.
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Remarkably, for such a complicated book, there is a very clear and discernible plot. At no point do you worry that the characters will just continue to live lives of hopelessness or ennui. Instead, all these people are going places -- some of them not very good places, but they have motives and goals.
Alif is a hacker who gets his heart broken and so creates a program that identifies his beloved and erases him from her sight. He refers to it as pulling a hijab between them. But it turns out that in doing so, he has created something that he can use, but not understand why it works. And then she sends him the book of A Thousand And One Days, which is the Jinn version of A Thousand and One Nights. And state surveillance! The dark anti-hacker. Arab spring! Cyberpunk and sand dunes and quantum computing.
Have you ever tried describing what's going on in Foucault's Pendulum? And been reduced to uttering disjointed fragments like, "Pinball. Homunculus. Rosicrucians!"? That's how I feel trying to describe this book. Only, and this is an interesting contrast to, say, God's War, in that faith in this book is not an instrument of oppression (self and others), but a vast source of strength for believers.
I really appreciated the ... diversity in this book. There's a prince, there's an upper-class woman, there are lower class women. Our hacker is half-Arab, half-Indian. Wherever the City is, it felt real, the way the best worldbuilding makes you feel, like there are palaces AND slum, and migrant workers and class, oh holy mackerel, the class isssues. But none of that slows down the story or makes you feel Educated.
It will be interesting to see how the story ages. There is a lot that is relevant to recent, events, that may not age well.
<blockquote>Like all things, like civilization itself, the arrests began in Egypt. In the weeks leading up to the Revolution, the digital stratosphere became a war zone.</blockquote>
Anyone who has been reading my reviews for a while understands that I am a huge fan of in-character story-relevant philosophy. This book is full of amazing, brain-twisting observations.
<blockquote>“The convert will understand. How do they translate ºyw in your English interpretation?”
“Atom,” said the convert.
“You don’t find that strange, considering atoms were unknown in the sixth century?”
The convert chewed her lip. “I never thought of that,” she said. “You’re right. There’s no way atom is the original meaning of that word.”
“Ah.” Vikram held up two fingers in a sign of benediction. He looked, Alif thought, like some demonic caricature of a saint. “But it is. In the twentieth century, atom became the original meaning of ºyw, because an atom was the tiniest object known to man. Then man split the atom. Today, the original meaning might be hadron. But why stop there? Tomorrow, it might be quark. In a hundred years, some vanishingly small object so foreign to the human mind that only Adam remembers its name. Each of those will be the original meaning of ºyw.”
Alif snorted. “That’s impossible. ºyw must refer to some fundamental thing. It’s attached to an object.”
“Yes it is. The smallest indivisible particle. That is the meaning packaged in the word. No part of it lifts out—it does not mean smallest, nor indivisible, nor particle, but all those things at once. Thus, in man’s infancy, ºyw was a grain of sand. Then a mote of dust. Then a cell. Then a molecule. Then an atom. And so on. Man’s knowledge of the universe may grow, but ºyw does not change.”
“That’s . . .” The convert trailed off, looking lost.
“Miraculous. Indeed.”</blockquote>
Read if: You love The Virtuous Hacker, or technology/magic mashups, or reading about the possibilities of the meanings of words. And if you'd like to see veiled women being strong without losing their self-identification.
Skip if: You are looking for a book with certainty, or clear answers.
Also read:
Foucault's Pendulum, for thematic similarities
Trouble and Her Friends, for hacking and the price of it.
Alif the Unseen is set in a nameless “City” in an authoritarian Arab country ruled by an Emir whose security apparatus has long kept the population in check. Included in that apparatus is “one of the most sophisticated digital policing systems in the world,” though one that up to now our main hacker protagonist Alif has managed to elude as he lends his considerable computer skills to “anyone who could pay for his protection . . . Islamists, anarchists, secularists—whoever asks.” Alif’s ideology is freedom of information, beyond that he seems to believe in little, save that he is in love with an upper-class woman (one well beyond his economic class and his mixed ethnicity). Everything is quickly turned upside down almost immediately in the novel though, as his love tells him she must marry another man, and as Alif begins being tracked by a mysterious State agent with legendary capabilities in tracking down and disappearing hacktivists, a person known only as the Hand of God.
Soon, Alif is on the run, joined by his very pious neighbor Dina, a jinn known as Vikram the Vampire, an American referred to only as “The Convert,” an elderly Imam, and a low-on-the-rungs-of-power prince who has turned against the State. Alif is tortured, visits a city of the jinn out in the desert, gets mixed up with an ages-old text of jinn tales known as the Alf Yeom, and sparks a revolution in the streets. He also learns belief.
There’s a lot to like here. First, just the welcome difference of having an Eastern setting and jinns and effrit and the like rather than the same old same old medieval Europe setting with your typical dwarves and elves. What I also enjoyed about this was that Wilson doesn’t simply transfer the usual actions/motivations of said dwarves and elves over to just differently shaped otherworldly creatures. The jinn et. al. are portrayed as truly mysterious, beyond the full ken of mere humans; we might interact with them for good or ill, but we don’t fully understand or even fully see them.
The thoughtful and substantive use of religion was also an aspect I responded to (says the apathist—my preferred description for a view that falls somewhere between atheism and agnosticism). The Imam of course is one of the main conduits for such discussion, as when he comes to a revelation about the trappings of ritual and prayer:
I have had much experience with the unclean and uncivilized in the recent past. Shall I tell you what I discovered? I am not the state of my feet. I am not the dirt on my hands or the hygiene of my private parts. If I were these things, I would not have been at liberty to pray. . . . But I did pray, because I am not these things. . . . I am not even myself. I am a string of bones speaking the word God.
All of the characters get in on the discussion, however, including the jinn, as when one tells Alif:
Belief . . . It doesn’t mean the same thing it used to . . . Superstition is thriving. Pedantry is thriving. Sectarianism is thriving. Belief is dying out . . . Wonder and awe have gone out of your religions. You are prepared to accept the irrational but not the transcendent.
It is rare that one gets such consistent, intelligent, and thoughtful exploration of religion and Wilson does an excellent job in making it not only substantive but also moving at times. The political aspects are also welcome, and again, obviously timely, though I don’t think they are handled with quite the same deft touch or subtlety.
The characters are mostly well done. The standouts are the Imam and Vikram, both wonderfully drawn characters that show a wide range. The prince, though he gets much less time, was also a good full character who also added a bit of needed humor. The Convert felt a bit too blunt of a character (though I’m guessing the author is well aware of that). Dina was maybe a little too close to being the “saint” Alif calls her, but I wouldn’t have minded seeing more of her in a more fully active role; she felt she didn’t quite meet her potential. Unfortunately, in many ways Alif is the least impressive character, not particularly likable at the start (though he does mature and grow on the reader), not particularly compelling at any point really. His blandness is a flaw, but luckily one that is outweighed by the depth of those who surround him, human and non-human alike. As a bit of a side note, it was also a nice touch that many of these characters are betwixt and between worlds: Alif of mixed ethnicity, the Convert an American turned Muslim and transplanted to the City, Vikram a once-human possessed by a vampire demon (if the stories are true), and so forth).
A few other flaws include a somewhat muddled ending, both in terms of plot and simple physical logistics. I really liked the idea of the mystical world mixed with the modern, though I didn’t feel it always was executed cleanly or clearly enough. Though one of my favorite exchanges was this one, which takes place in an inn of sorts inside the city of the jinn:
Effrit, said the shadow. I’m an effrit. And I’ve got a two-year-old Dell desktop in the back that’s had some kind of virus for ages. The screen goes black five minutes after I turn the damn thing on. I have to do a hard reboot every time . . .
You’ve got Internet in the Empty Quarter?” [Alif] asked in an awed voice.
Cousin, said the shadow, we’ve got WiFi.
Wilson takes a few turns toward melodrama here and there. There’s an unfortunate chase scene where the girl falls, turns her ankle, and needs to be helped up and out by the guy. And a few other issues crop up now and then. But Alif the Unseen is definitely worth reading, and I would look forward to the next novel by Wilson, working under the assumption that many of these rougher edges will be smoothed out.
(this review originally appeared on fantasyliterature.com)









