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All In Good Time
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About the Artist
Yes, All In Good Time is the name of the new album, the 11th from this Canadian institution, and their first as a new four-piece. Fourteen bold and adventurous new tracks, recorded in Toronto in the spring and summer of 2009, find Ed Robertson (guitar/vocals), Jim Creeggan (bass/vocals), Kevin Hearn (keyboard/guitar/vocals) and Tyler Stewart (drums/vocals) exploring a very creative and fertile phase of their careers.
"There was a little more room for people to breathe on this record" says Robertson. "It's more rocking in places and it stretches out and becomes more spacious in others. It was a really good feeling in the studio, with everyone very comfortable together and Michael at the helm."
Robertson is referring to ace producer and long-time BNL collaborator Michael Phillip Wojewoda, who produced the band's very first full length CD, 1992's Gordon. Wojewoda jumped at the chance to capture the group's rebirth as a quartet. "The newness of the situation inspired the band to stretch musically," says Wojewoda. "Even though there were challenges, they jumped in headfirst with enthusiasm and passion. The results are very exciting. It was great to be part of that."
The move from five to four could be a tough transition for a lesser group, but Barenaked Ladies are no ordinary rock band. Founded as a duo in 1988 by schoolmates Ed Robertson and Steven Page, the group soon grew to five members and took Canada by storm with their five-song indie cassette, The Yellow Tape. Over the next decade-plus, their albums Gordon, Rock Spectacle, Stunt and Maroon went multi-platinum in the U.S., and Barenaked Ladies became a top-selling, award-winning concert draw across North America and The U.K. with their frenetic blend of high-energy melodic-pop, crack musicianship and spontaneous repartee.
Ed Robertson, the primary songwriter since the birth of the band, took a moment to share how the writing process for All In Good Time was different from past Barenaked Ladies albums. "This was a chance for me to shed some of my writing dependencies, both good and bad, and explore new ground. I allowed myself to go places that I might not have in the past. I was more literal at times, and more abstract at others, pushing the self-imposed limits I'd adhered to for too long. The writing was cathartic for me in a way that writing hadn't been since the early nineties. It had been a huge and often dark year: an arrest, a plane crash and the death of my mother. All of these things took a heavy toll on my psyche, and spurred a lot of serious exploring."
Regarding the line-up change in Barenaked Ladies, Robertson is very candid: "Our relationship with Steve Page was great and very fruitful. It lasted almost 20 years, but it was time to move on. Now we're doing something that feels really fresh and exciting to me. His departure left four singers and three multi-instrumentalists in the band, so we're not lacking for musical ideas, and now there's more room for the other writers in the band to bring songs to the table."
The results of Robertson's personal explorations can be heard in the standout first track/lead single "You Run Away," a story of missed opportunities and remorse: "I tried to be your brother / You cried and ran for cover/ I made a mess, who doesn't? / I did my best but it wasn't enough."
In the brisk, angular rocker "How Long," Robertson kicks off the lines "Give it up for Anger, it makes us strong!" another echo of recent years for the famous father of three.
On the power-pop "Every Subway Car," the founding singer/guitarist takes on the angst of a love-struck guerilla artiste: "Soon the world will see / Our graffiti love/ Belton on my glove/ They'll wonder who you are on every subway car."
Finally, Robertson finds three rhymes for the apparently unrhymable word Orange in a Django Reinhardt meets Jay-Z beer-hall sing-along called "Four Seconds": "Oh Flip, The light is turning Orange / Coat ripped, when I caught it in the door hinge/ I slipped when the lady in the 4 inch / Bought it in a store in Germany." Even after a couple of years of ups and downs, Barenaked Ladies have hung on to their abstract senses of humour.
For bassist Jim Creeggan, who sings the jaunty "On The Look Out" and the soulful "I Saw It," the latter a meditation on teenaged bullying, the current version of Barenaked Ladies is breaking important new ground: "I think the band is moving forward with a clearer collective understanding of who we are, and what is at stake. Leaving Steve was one of the hardest things we've had to do and we each had to weigh in on why the band was important enough for us to continue. We came to the conclusion that the band was only worth saving if we supported one another and strove for a healthy dynamic between us. So far it's been amazing and the most creative time I can remember having with the group."
Multi-instrumentalist Kevin Hearn echoes Creeggan's notions of personal and creative growth within the band. Hearn brought three new songs to the table for All In Good Time: the symphonic "Another Heartbreak," the surreal ghost town travelogue "Jerome" and the luxuriously groovy "Watching The Northern Lights," all of which showcase his unique, fragile voice. "I brought my songs in with sketches of how I heard them," says the former St. Michael's choirboy. "They were further shaped by the guys and MPW's input. I didn't try to write `BNL' songs, per se, rather I just tried to write songs that felt honest to me, and I knew they would be in good hands within the band."
The result of new contributions from within is a recording that is stylistically adventurous, musically diverse and the most emotionally riveting and honest work by the band to date.
"We had a bizarre year in 08," says drummer and vocalist Tyler Stewart. "A lot of upheaval, a lot of changes, but 12 months later we're stronger than we've ever been. We had to dig deep and redefine ourselves. Right now it feels really, really good to be in Barenaked Ladies."
Top Customer Reviews
On the Lookout
Original co-founder with Page, Ed Robertson is still the most seasoned & has the most consistently good songs in the band, but it is nice to actually hear the other members, all of which make a vocal appearance, if not songwriting appearance at some point in the album. Kevin Hearn takes the softer more folk approach to his songs (something you'd never have heard on a BNL album before, probably for good reason), and Jim Creeggan takes a more adult contemporary approach, in the vain of a Rob Thomas. But even with the new changes, something is still very noticeably off. Take for example lyrics like this:
"Even a busted watch is right twice a day"
Now, I may just be forgetting and the band may have had poorly written and lazy lyrics like this in the Page days, but it becomes all the more noticeable now. Something is off, and the band just isn't the same anymore. What's worse is that they've gone forcibly headlong mostly in the the lite hits/adult contemporary genre. If you're a fan of that genre, which the band had always hung around, you'll be very pleased with this album.Read more ›
If I try to listen to All In Good Time and not think that I am listening to The Barenaked Ladies, it seems better. I keep wondering if I would be looking at this differently if they would have changed the band name after Steven Page left. If you have ever listened to the two albums The Doors recorded after Jim Morrison passed away you know how empty they sound. The same can be said for this. If The Doors would have changed their name to something else and put Other Voices and Full Circle out, they may have been received differently.
The gaping hole left in this band by Steve's departure cannot be ignored. Ed, Kevin, Jim, and Tyler all have great musical abilities and will always have my respect but Steve was the guy that made it all work. Ed has had some incredible songs and vocal performances in the past but to me All In Good Time sounds like a half-hearted effort on his part.
I wish nothing but the best for The Barenaked Ladies and I hope I am proved wrong and this CD becomes a great success for them. The writing seems to be on the wall though. I just hope that if they choose to continue on they will have stronger material to offer in the future.
If history has taught us anything, no band has ever survived well after the departure of one its key members. There is usually a downhill slide of one mediocre release after another and the next thing you know they are playing the Indian casino circuit. I hope so much this will not be the path for this band. They have been magnificent and deserve much better than that.
Most Recent Customer Reviews
There are some decent songs on the album but overall it felt empty and the missing vocals of Steven Page were more evident than I thought they would be.Published 1 month ago by thinIce
My favorite band continues to come out with great music. Keep it up, guys!Published 12 months ago by E. Price
This CD is a must have in the car. I listen to it all of the time.Published 22 months ago by Charles Thomas
I now have most of BNL's albums, and I enjoyed All In Good Time, but it is filled with forgettable, mellow songs. Read morePublished on June 17, 2014 by E. Numbers
Look, I get it.
Things will never quite be the same for anyone who's loved BNL over the years. Unless and until the unlikely, I suppose. Read more
I am so glad that the BNL have put out another CD. Each time, I can hardly wait to enjoy each new song. They always seem to find just the perfect sound. Read morePublished on July 8, 2013 by L. Hess
I really like this album. There are open wounds that need to be healed from the departure of Steven Paige and the emotion is
obvious. Read more
I had the pleasure of meeting these fine men a few times, including Steve when they performed at Seneca Casino before the final break. Read morePublished on March 21, 2012 by Brian