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All the Houses: A Novel Kindle Edition
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A bittersweet, biting, sharply observed family drama from the author of Waterloo
After her father has a heart attack and subsequent surgery, Helen Atherton returns to her hometown of Washington, D.C., to help take care of him and, perhaps more honestly, herself. She's been living in Los Angeles, trying to work in Hollywood, slowly spiraling into a depression fueled by hours spent watching C-SPAN-her obsession with politics a holdover from a childhood interrupted by her father's involvement in the Iran-Contra scandal. "I don't know whether to think of him as a coconspirator or a complicit bystander or just someone who was in the wrong place at the wrong time." Though the rest of the world has forgotten that scandal, the Atherton family never quite recovered. While living with her father in her childhood home, Helen tries to piece together the political moves that pulled her family apart.
All the Houses is, at its heart, a father-daughter story. With razor-sharp prose, an alluring objectivity, and a dry sense of humor, Karen Olsson writes about the shape-shifting of our family relationships when outside forces work their way in-how Washington turns people into unnatural versions of themselves, how problematic and overbearing sisters can be, and how familial nostalgia that sets in during early adulthood can prove counterproductive to actually becoming an adult.
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateNovember 3, 2015
- File size663 KB
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Editorial Reviews
Review
For readers anywhere, All the Houses offers a rich exploration of the stubborn strangeness of parents and siblings, but for Washingtonians, the book also provides the uncanny pleasure of seeing our town’s mores examined with precision and sensitivity . . . With its wry humor and gentle insights into the way we draw away from one another at exactly the wrong time, All the Houses is more than just an illuminating story about the nameless victims of political scandal. It’s a story about how our insecurities encourage us to smother our affections ― and a reminder that we’re running out of time to make amends. ―Ron Charles, The Washington Post
"In [All the Houses] Olsson never overplays her hand ― while there's plenty of emotional tension, she never succumbs to melodrama; every character is remarkably real . . . All the Houses isn't really about Iran-Contra; it's about a family trying to piece itself together after being broken in a public way. Olsson handles her subjects gently; she's not afraid to show her characters' flaws, but she treats them all with a real sense of sympathy. And she writes with a clear eye that's free from sentimental nostalgia, even though nostalgia is, in a way, a central subject of the book." ―Michael Schaub, NPR
“Karen Olsson's All the Houses is as grand as it is intimate-an exquisite, precisely layered, and somehow almost magically suspenseful portrait of a family, a city, and a political culture that's impossible to tear away from.” ―Dinaw Mengestu, author of All Our Names
“A patriarch's health falters. A lost daughter returns, stepping back into the long shadow of political scandal that has eroded her family. This is the stage Karen Olsson sets in her magnificent second novel, and she explores questions of loyalty and culpability, of secrecy and identity, with delicious complexity and knife-sharp humor. All the Houses is a stunning portrait of a family forced to reckon with their public legacy and, most of all, their private selves.” ―Laura van den Berg, author of Find Me
“Written with wry humor, penetrating insight, and big-hearted sincerity, Karen Olsson's All the Houses is a wise, contemplative book about the stories that shape a childhood, the traumas that shape a family, and the politics that shape a nation. But it is also something much more: the extremely rare kind of novel whose characters are so true-so richly drawn, subtly nuanced, and intimately observed-that you start to feel that it isn't a book you are holding in your hands. It's a living thing.” ―Stefan Merrill Block, author of The Story of Forgetting and The Storm at the Door
"Politics and family may make strange bedfellows, but in the knowing and amusing novel All the Houses, Olsson makes them inseparable. Add another name alongside those writers who have so effectively made Washington a literary landscape." ―Bruce Jacobs, Shelf Awareness
"In today's world of 15 minutes of fame, Olsson (Waterloo) illustrates how the public may forget history, but, nearly 20 years later, the fallout of a political disgrace continues to affect families. The strength of Olsson's novel is her subtle unveiling of a small circle of Washington fathers whose long hours working behind closed doors impact their wives, children, and themselves." ―Library Journal
--This text refers to an out of print or unavailable edition of this title.About the Author
Product details
- ASIN : B00YM40LBI
- Publisher : Farrar, Straus and Giroux (November 3, 2015)
- Publication date : November 3, 2015
- Language : English
- File size : 663 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 416 pages
- Best Sellers Rank: #730,016 in Kindle Store (See Top 100 in Kindle Store)
- #3,729 in Family Life Fiction (Kindle Store)
- #6,033 in Contemporary Literary Fiction
- #18,102 in Family Life Fiction (Books)
- Customer Reviews:
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"no need to know" it. I didn't find the characters very interesting;-the family was quite ordinary for their time, and the pace is slow. It sat on the nightstand with three other books I finished first. It's an interesting slant, and some good information about Washington DC, which "turns people into different versions of themselves." Though the protagonist-author grew up there and returns to the family house--her own former bedroom--after her father's heart attack, she does bring an outsider's perspective to the city after living in LA. attempting to write a screen-play about the scandal. She reads memoirs and hearing testimony, but can't get a handle on the story because of the secrecy, the colossal egos of the memoirists ("they have selective memories") and her own lack of objectivity, "of course this had everything to do with....how I thought about my dad, in contrast to how I conceived of Dick Mitchell and Oliver North Different as (these men) were, they both knew what they wanted to do and how to do it. I was exaggerating that quality in them, exaggerating their talents and minimizing my father's so that even as I was writing a book that would somehow exonerate dad, I was subtly undermining him at every turn." Her father didn't want to discuss the subject with her. While interviewing her father's old associates, she became involved with her sister's high school boyfriend, whose stepfather had been part of the scandal. She flashes back to vignettes of childhood memories, the adults talking at her parents' pool parties, and then returns us to present day Washington, her sisters' lives and how little the three women seem to have in common as adults. It's more about the protagonist finding herself in the present than uncovering a story from the past. The reader keeps going hoping she'll succeed at both.
