- Series: All Over But The Shouting
- Paperback: 329 pages
- Publisher: Vintage; Reprint edition (September 8, 1998)
- Language: English
- ISBN-10: 9780679774020
- ISBN-13: 978-0679774020
- ASIN: 0679774025
- Product Dimensions: 5.2 x 0.7 x 8 inches
- Shipping Weight: 11.8 ounces (View shipping rates and policies)
- Average Customer Review: 750 customer reviews
- Amazon Best Sellers Rank: #24,319 in Books (See Top 100 in Books)
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All over but the Shoutin' Paperback – September 8, 1998
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"A grand memoir.... Bragg tells about the South with such power and bone-naked love...he will make you cry." —Atlanta Journal-Constitution
"Part memoir, part confession, [this book] has everything to do with the South and nothing at all.... Like all good writing, it transcends the particulars of time and place." —Raleigh News & Observer
"A record of a life that has been harrowing, cruel and yet triumphant, written so beautifully he makes the book a marvel." —Los Angeles Times
"A deeply affecting book.... Bragg captures the rhythms of small-town life with grace and pathos." —Chicago Tribune
From the Author
This is a book about getting even with life.
It is the story of a young woman who absorbed the cruelties of her husband, an alcoholic, haunted Korean War veteran, until she could stand it no more, then gave up her whole life for her children. By picking cotton, cleaning toilets for the gentry, doing worse, she made sure that her three surviving sons would not have to walk around ashamed, in ragged clothes.
In a smaller way it is my story, the boy who climbed up her backbone and made it out of that ring of poverty and ignorance, free and clean. It is about what I did with the life she gave me, and how I tried to repay her, and how I tried--and failed so miserably--to rewrite the past.
The book is set in rural northeastern Alabama, and chronicles a poor, white trash family through three generations. The first third of the book is mostly about her and him, and us, me and my brothers, as babies. It shows the agony of the death of a baby brother who did not have to die, who didn't even get a name.
It also takes us with my father to Korea. He tugged me there, the last time I saw him alive, when I was just 16. The tales of terror he told me there still sit like a broken bottle in my mind.
The second third is about the wonderful life she gave me, the exotic, dark places I went, taking her spirit with me, like a talisman. It takes us to Haiti, to the transvestite hookers in the Village, to death row in Angola, Louisiana.
The last part is the getting even part, where a woman who had never been on a plane, never been higher than a second-story bathroom floor, travels to New York to see her son receive a Pulitzer Prize, and more. It ends with me keeping my promise to buy her a house, a real house, with my bitter victory over my dead father, and my sad defeat to the realization that no amount of brick and mortar will wall up the past, will let us, as a family, start new.
I feature, briefly, an alcoholic brother who seems to have absorbed the demons that killed my father in 1976. And I admit, finally, to having absorbed them myself.
On its lighter side, it is a story of vindication. People speak to my mother now, on the street. On its darker side, it is all about revenge. Failed revenge.
MORE FROM RICK BRAGG, ABOUT RICK BRAGG:
My Grandfather on my daddy's side and my grandma on my momma's side used to try and cuss their miseries away. They could out-cuss any damn body I have ever seen. I am only an amateur cusser at best, but I inherited other things from these people who grew up on the ridges and deep in the hollows of northeastern Alabama, the foothills of the Appalachians. They taught me, on a thousand front porch nights, as a million jugs passed from hand to hand, how to tell a story.
I make my living at it now, as a national correspondent for The New York Times, based in my native South (Atlanta). It was my dream to do this someday, but some things even I was afraid to dream.
In 1996, I was awarded the Pulitzer Prize for feature writing, for what the judges called "elegantly written stories on contemporary America." They included stories on the country sheriff who caught Susan Smith, an Alabama prison where old inmates go to die, a Mississippi washerwoman who became a national hero, and the nightmare bombing of the federal building in Oklahoma City. I also won the prestigious American Society of Newspaper Editor's Distinguished Writing Award, for the second time. I have won more than 40 journalism awards, including several awards that might have actually helped people.
But the best thing that happened to me in 1996 was the contract for this book, which allowed me to keep a promise I had made to my mother--a woman who picked cotton, scrubbed floors and took in washing and ironing--who went 18 years without a new dress so I could have school clothes. With the advance from this book, I bought her a house, the first house she ever owned.
I teach writing at the Poynter Institute for media studies, at National Writers Workshops around the country. I taught some workshops at Harvard, and several newspapers have asked me to do in-house writing workshops, including The Times.
My stories are included in several "best of" collections of newspaper writing. I have written for the New York Times Sunday
Magazine, and others.
For good or bad, I am kind of unusual for a Times man. I have been at The Times for just three years, for the first six months on Metro in New York, writing about the homeless, violence, welfare hotels, other miseries, then covered Haiti for more than two months during the worst of the killing there in the late summer and the fall of 1994. I came home to find that I had been promoted to the national desk. They sent me home, almost, to Atlanta.
Before The Times, I worked briefly at The Los Angeles Times, a failed experiment, and before that as a roving national correspondent for the St. Petersburg Times. In 1992-93, I was a Nieman Fellow at Harvard University, the only real college I ever had. I think I was filling their white trash quota. I went just six months to Jacksonville State University, in Alabama, in the 1970s.
Before the Nieman, I was the St. Petersburg Times Miami Bureau Chief, covering south Florida, Haiti, the outbreak of the Gulf War, and other balmy places. Before Florida, I was a reporter in my native Alabama, at The Birmingham News, Anniston Star, Talladega Daily Home and Jacksonville News. I wrote about cockfights, speed trap towns, serial killers, George Wallace, Bear Bryant, and Richard Petty.
I was born in a small town hospital in northeastern Alabama on July 26, 1959. My momma went into labor about three-quarters of the way through the "Ten Commandments," which was showing at the Midway Drive-In. I am not making this up. I think it's in Chapter Four.
Since then, I have lived in Jacksonville, Anniston and Birmingham, all in Alabama, in Clearwater, Bradenton, Miami and St. Petersburg, in Florida, and Cambridge, Massachusetts, Los Angeles, the corner of 110th and Broadway, New York City, and now Atlanta. I spend at least a quarter of the year in New Orleans, for The Times.
I am seldom at home. I am not married. If I had a dog, it would starve.
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I suspect he is a true redneck, as we traditionally understand it. But the cornpone dissolves into singing prose when he settles in to inscribe his magic words. “All Over but the Shoutin’” is his runaway best selling memoir, published in 1997, and winner of innumerable awards and high praise from both readers and literary critics. It will both exhilarate you and leave you in a sobbing heap, sometimes at the same time.
It’s the story of his childhood in Alabama and his meandering journey to becoming a legendary journalist. It’s filled with stories about things and people that influenced his life. Mostly it’s a love song about his mother who raised Bragg and his two brothers without a father. The book started him on the road to fame and is his best seller. His mother, still living, is the lifeline he unapologetically clings to. Best not chide him for it unless you want your butt kicked.
Bragg has been a lot of places and seen a lot of things in his career. Most of his recollections wear heavily on him. He recounts them with clarity and neither turns away from the horrific nor fails to express the misery that hurts his heart. He is a man with a compassionate soul who’s unafraid to share his feelings.
But it is the poetic beauty of his love and determination to honor his mother that propels this book. Her entire life has been filled with heartache, grinding poverty, three boys who constantly bedevil her, crippling insecurity, and constant sorrow. Bragg recognizes his contribution to her misery, but has always wanted to set it straight, and expresses his frustration with his inability to make her life warmer as she ages.
His words rings like a bell. There were times when I laughed and others when a stray tear wet my cheek. Many times I simply caught myself staring at the wall absorbing some moving passage, my finger stuck in the book so I wouldn’t lose my place.
Don’t miss this book. It’s a classic memoir with all the elements that are sure to soften even the most callous mind-set. It’s not a tearjerker. It’s a bright light that illuminates glorious writing, a light so bright it makes your eyes water.
Schuyler T Wallace
Author of TIN LIZARD TALES