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The Alloy of Law: A Mistborn Novel Hardcover – Bargain Price, November 8, 2011
| Brandon Sanderson (Author) Find all the books, read about the author, and more. See search results for this author |
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Fresh from the success of The Way of Kings, Brandon Sanderson, best known for completing Robert Jordan’s Wheel of Time®, takes a break to return to the world of the bestselling Mistborn series.
Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.
Kelsier, Vin, Elend, Sazed, Spook, and the rest are now part of history—or religion. Yet even as science and technology are reaching new heights, the old magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands known as the Roughs, they are crucial tools for the brave men and women attempting to establish order and justice.
One such is Waxillium Ladrian, a rare Twinborn, who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax has been forced by family tragedy to return to the metropolis of Elendel. Now he must reluctantly put away his guns and assume the duties and dignity incumbent upon the head of a noble house. Or so he thinks, until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.
- Print length336 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateNovember 8, 2011
- Dimensions6.37 x 1.21 x 9.59 inches
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Editorial Reviews
Review
Praise for the Mistborn series and Brandon Sanderson:
“ [The Hero of Ages] brings the Mistborn epic fantasy trilogy to a dramatic and surprising climax…. Sanderson’s saga of consequences offers complex characters and a compelling plot, asking hard questions about loyalty, faith, and responsibility.”
--Publishers Weekly
“ Sanderson is an evil genius. There is simply no other way to describe what he’s managed to pull off in this transcendent final volume of his Mistborn trilogy.”
--RT Book Reviews (Gold Medal, Top Pick!) on The Hero of Ages
“ It’s rare for a fiction writer to have much understanding of how leadership works and how love really takes root in the human heart. Sanderson is astonishingly wise.”
--Orson Scott Card
About the Author
Brandon Sanderson grew up in Lincoln, Nebraska. He lives in Utah with his wife and children and teaches creative writing at Brigham Young University. He will shortly complete Robert Jordan’s bestselling Wheel of Time® series with the long-awaited A Memory of Light.
Excerpt. © Reprinted by permission. All rights reserved.
Five months later, Wax walked through the decorated rooms of a large, lively party, passing men in dark suits with tailcoats and women in colorful dresses with narrow waists and lots of folds through long pleated skirts. They called him “Lord Waxillium” or “Lord Ladrian” when they spoke to him.
He nodded to each, but avoided being drawn into conversation. He deliberately made his way to one of the back rooms of the party, where dazzling electric lights—the talk of the city—produced a steady, too-even light to ward off the evening’s gloom. Outside the windows, he could see mist tickling the glass.
Defying decorum, Wax pushed his way through the room’s enormous glass double doors and stepped out onto the mansion’s grand balcony. There, finally, he felt like he could breathe again.
He closed his eyes, taking the air in and out, feeling the faint wetness of the mists on the skin of his face. Buildings are so … suffocating here in the city, he thought. Have I simply forgotten about that, or did I not notice it when I was younger?
He opened his eyes, and rested his hands on the balcony railing to look out over Elendel. It was the grandest city in all the world, a metropolis designed by Harmony himself. The place of Wax’s youth. A place that hadn’t been his home for twenty years.
Though it had been five months since Lessie’s death, he could still hear the gunshot, see the blood sprayed on the bricks. He had left the Roughs, moved back to the city, answering the desperate summons to do his duty to his house at his uncle’s passing.
Five months and a world away, and he could still hear that gunshot. Crisp, clean, like the sky cracking.
Behind him, he could hear musical laughter coming from the warmth of the room. Cett Mansion was a grand place, full of expensive woods, soft carpets, and sparkling chandeliers. No one joined him on the balcony.
From this vantage, he had a perfect view of the lights down Demoux Promenade. A double row of bright electric lamps with a steady, blazing whiteness. They glowed like bubbles along the wide boulevard, which was flanked by the even wider canal, the still and quiet waters reflecting the light. An evening railway engine called a greeting as it chugged through the distant center of the city, hemming the mists with darker smoke.
Down Demoux Promenade, Wax had a good view of both the Ironspine Building and Tekiel Tower, one on either side of the canal. Both were unfinished, but their steelwork lattices already rose high into the sky. Mind-numbingly high.
The architects continued to release updated reports of how high they intended to go, each one trying to outdo the other. Rumors he’d heard at this very party, credible ones, claimed that both would eventually top out at over fifty stories. Nobody knew which would end up proving the taller, though friendly wagers were common.
Wax breathed in the mists. Out in the Roughs, Cett Mansion—which was three stories high—would have been as tall as a building got. Here, it felt dwarfed. The world had gone and changed on him during his years out of the city. It had grown up, inventing lights that needed no fire to glow and buildings that threatened to rise higher than the mists themselves. Looking down that wide street at the edge of the Fifth Octant, Wax suddenly felt very, very old.
“Lord Waxillium?” a voice asked from behind.
He turned to find an older woman, Lady Aving Cett, peeking out the door at him. Her gray hair was up in a bun and she wore rubies at her neck. “By Harmony, my good man. You’ll take a chill out here! Come, there are some people you will wish to meet.”
“I’ll be along presently, my lady,” Wax said. “I’m just getting a little air.”
Lady Cett frowned, but retreated. She didn’t know what to make of him; none of them did. Some saw him as a mysterious scion of the Ladrian family, associated with strange stories of the realms beyond the mountains. The rest assumed him to be an uncultured, rural buffoon. He figured he was probably both.
He’d been on show all night. He was supposed to be looking for a wife, and pretty much everyone knew it. House Ladrian was insolvent following his uncle’s imprudent management, and the easiest path to solvency was marriage. Unfortunately, his uncle had also managed to offend three-quarters of the city’s upper crust.
Wax leaned forward on the balcony, the Sterrion revolvers under his arms jabbing his sides. With their long barrels, they weren’t meant to be carried in underarm holsters. They had been awkward all night.
He should be getting back to the party to chat and try to repair House Ladrian’s reputation. But the thought of that crowded room, so hot, so close, sweltering, making it difficult to breathe.…
Giving himself no time to reconsider, he swung off over the side of the balcony and began falling three stories toward the ground. He burned steel, then dropped a spent bullet casing slightly behind himself and Pushed against it; his weight sent it speeding down to the earth faster than he fell. As always, thanks to his Feruchemy, he was lighter than he should have been. He hardly knew anymore what it felt like to go around at his full weight.
When the casing hit the ground, he Pushed against it and sent himself horizontally in a leap over the garden wall. With one hand on its stone top, he vaulted out of the garden, then reduced his weight to a fraction of normal as he fell down the other side. He landed softly.
Ah, good, he thought, crouching down and peering through the mists. The coachmen’s yard. The vehicles everyone had used to get there were arranged here in neat rows, the coachmen themselves chatting in a few cozy rooms that spilled orange light into the mists. No electric lights here; just good, warmth-giving hearths.
He walked among the carriages until he found his own, then opened the trunk strapped to the back.
Off came his gentleman’s fine dinner coat. Instead he threw on his mistcoat, a long, enveloping garment like a duster with a thick collar and cuffed sleeves. He slipped a shotgun into its pocket on the inside, then buckled on his gun belt and moved the Sterrions into the holsters at his hips.
Ah, he thought. Much better. He really needed to stop carrying the Sterrions and get some more practical weapons for concealment. Unfortunately, he’d never found anything as good as Ranette’s work. Hadn’t she moved to the city, though? Perhaps he could look her up and talk her into making him something. Assuming she didn’t shoot him on sight.
A few moments later, he was running through the city, the mistcoat light upon his back. He left it open at the front, revealing his black shirt and gentleman’s trousers. The ankle-length mistcoat had been divided into strips from just above the waist, the tassels streaming behind him with a faint rustle.
He dropped a bullet casing and launched himself high into the air, landing atop the building across the street from the mansion. He glanced back at it, the windows ablaze in the evening dark. What kind of rumors was he going to start, vanishing from the balcony like that?
Well, they already knew he was Twinborn—that was a matter of public record. His disappearance wasn’t going to do much to help patch his family’s reputation. For the moment, he didn’t care. He’d spent almost every evening since his return to the city at one social function or another, and they hadn’t had a misty night in weeks.
He needed the mists. This was who he was.
Wax dashed across the rooftop and leaped off, moving toward Demoux Promenade. Just before hitting the ground, he flipped a spent casing down and Pushed on it, slowing his descent. He landed in a patch of decorative shrubs that caught his coat tassels and made a rustling noise.
Damn. Nobody planted decorative shrubs out in the Roughs. He pulled himself free, wincing at the noise. A few weeks in the city, and he was already getting rusty?
He shook his head and Pushed himself into the air again, moving out over the wide boulevard and parallel canal. He angled his flight so he crested that and landed on one of the new electric lamps. There was one nice thing about a modern city like this; it had a lot of metal.
He smiled, then flared his steel and Pushed off the top of the streetlamp, sending himself in a wide arc through the air. Mist streamed past him, swirling as the wind rushed against his face. It was thrilling. A man never truly felt free until he’d thrown off gravity’s chains and sought the sky.
As he crested his arc, he Pushed against another streetlight, throwing himself farther forward. The long row of metal poles was like his own personal railway line. He bounded onward, his antics drawing attention from those in passing carriages, both horse-drawn and horseless.
He smiled. Coinshots like himself were relatively rare, but Elendel was a major city with an enormous population. He wouldn’t be the first man these people had seen bounding by metal through the city. Coinshots often acted as high-speed couriers in Elendel.
The city’s size still astonished him. Millions lived here, maybe as many as five million. Nobody had a sure count across all of its wards—they were called octants, and as one might expect, there were eight of them.
Millions; he couldn’t picture that, though he’d grown up here. Before he’d left Weathering, he’d been starting to think it was getting too big, but there couldn’t have been ten thousand people in the town.
He landed atop a lamp directly in front of the massive Ironspine Building. He craned his neck, looking up through the mists at the towering structure. The unfinished top was lost in the darkness. Could he climb something so high? He couldn’t Pull on metals, onl...
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Product details
- ASIN : B009D751U0
- Publisher : Tor Books; First Edition (November 8, 2011)
- Language : English
- Hardcover : 336 pages
- Item Weight : 1.15 pounds
- Dimensions : 6.37 x 1.21 x 9.59 inches
- Best Sellers Rank: #3,216,772 in Books (See Top 100 in Books)
- #10,601 in Deals in Books
- #42,428 in Epic Fantasy (Books)
- #227,739 in American Literature (Books)
- Customer Reviews:
About the author

I'm Brandon Sanderson, and I write stories of the fantastic: fantasy, science fiction, and thrillers.
In November 2020 we saw the release of Rhythm of War—the fourth massive book in the New York Times #1 bestselling Stormlight Archive series that began with The Way of Kings—and Dawnshard (book 3.5), a novella set in the same world that bridges the gaps between the main releases. This series is my love letter to the epic fantasy genre, and it's the type of story I always dreamed epic fantasy could be.
November 2018 marked the release of Skyward, the first book in a new YA quartet about a girl who dreams of becoming a pilot in a dangerous world under alien attack. The follow-up, Starsight, was released December 2019. Also out that year was the final volume of the Stephen Leeds saga, Legion: Lies of the Beholder, which was also published in an omnibus edition, Legion: The Many Lives of Stephen Leeds, that includes all three volumes.
Most readers have noticed that my adult fantasy novels are in a connected universe, called the Cosmere. This includes The Stormlight Archive, both Mistborn series, Elantris, Warbreaker, and various novellas available on Amazon, including The Emperor's Soul, which won a Hugo Award in 2013. In November 2016 all of the existing Cosmere short fiction including those novellas was released in one volume called Arcanum Unbounded: The Cosmere Collection. If you've read all of my adult fantasy novels and want to see some behind-the-scenes information, that collection is a must-read.
I also have three YA series: The Rithmatist (currently at one book), The Reckoners (a trilogy beginning with Steelheart), and Skyward. For young readers I also have my humorous series Alcatraz vs. the Evil Librarians. Many of my adult readers enjoy all of those books as well, and many of my YA readers enjoy my adult books, usually starting with Mistborn.
Additionally, I have a few other novellas that are more on the thriller/sci-fi side. These include the Legion series, as well as Perfect State and Snapshot. There's a lot of material to go around!
Good starting places are Mistborn (a.k.a. The Final Empire), Skyward, Steelheart, The Emperor's Soul, and Alcatraz vs. the Evil Librarians. If you're already a fan of big fat fantasies, you can jump right into The Way of Kings.
I was also honored to be able to complete the final three volumes of The Wheel of Time, beginning with The Gathering Storm, using Robert Jordan's notes.
Sample chapters from all of my books are available at https://www.brandonsanderson.com/books-and-art/—and check out the rest of my site for chapter-by-chapter annotations, deleted scenes, and more.
Customer reviews
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The Alloy of Law is the first entry in a new trilogy set 300 years after the events of the original trilogy. And this world is not static - it progresses. While the original trilogy leaned into somewhat-familiar classic fantasy trappings (nobility, castles, swords, kingdoms, etc), the new trilogy has more of a western/steampunk vibe (trains, electricity, "horseless" carriages, and pistols). And enough time has passed that the events of the original trilogy have taken on a mythic/religious quality.
The new setting and environments are a breath of fresh air. Sanderson masterfully "updates" the world he created without skipping a beat - the dialogue is still witty, the new characters charming, and the action scenes still crisp, easy-to-follow, and thrilling (especially with the addition of firearms). And the metal-based "magic system" is so ingrained into lore and culture that it doesn't even feel like magic anymore - just an extension of the characters.
One of my biggest gripes with the original Mistborn trilogy was that at times the books felt needlessly padded and overwrought. The Alloy of Law is much shorter than those books, and while it loses a bit of that "epic" quality, I found the more focused storyline much more riveting and engaging. Filled with Sherlock Holmes-esque detective work, masterfully written shootouts, and some instantly loveable characters, The Alloy of Law is proof that Sanderson is a master storyteller in whatever genre he chooses to pursue. I look forward to continuing this series.
If it weren't Sanderson I might have had lower expectations but everything else I've read of his was phenomenal and this was a really by-the-numbers story that I didn't find that exciting. I kind of had to force myself through parts of it due to being bored, which is the opposite of how I read most of his books. The two main characters are kind of cool seeming at first, but were more style than substance in my opinion (and the majority of the substance was in the first chapter), and all the rest were paper-thin (including the villain). The plot was too straightforward given how fantastic his plots are in other books. Anyways its mildly enjoyable but disappointing as a followup to the first Mistborn trilogy.
The contrast is pretty significant, in fact. For example, he goes through a very long process of foreshadowing with the characters in Stormlight Archive, holding back or merely hinting at the traumas and regrettable decisions in their past. And while he doesn’t do that to the same degree in the prior Mistborn Trilogy, the process of characterization there is still more drawn out, and, therefore, more believable. This simply doesn’t happen in Alloy of Law. The book begins with a straight up and down depiction of the tragic event that defines Wax, the main character. The sidekick, Wayne, doesn’t even get that level of attention from Sanderson: Wayne reveals his dark secret in a paragraph-long expository block delivered to a character whom, in canon, he has literally met once or twice before. You could chalk that up to Wayne being a cheeky over-sharer, but you could also chalk it up to Sanderson wanting to cram a novel’s worth of character development into a page or two.
Overall, the book feels much more like an extended short story than a true novel; perhaps this is because the pace of the story is very rapid. Or perhaps it’s because the book was intended to be a tacked-on novella (as Sanderson has produced for other series’ of his) rather than a fully-fledged intro to a new series. (I may Google that after I finish writing this, actually. It would explain a lot.)
The book is still good, of course. The action scenes are largely clean and well-written, though there were one or two times when I had to reread a description of some gunplay a few times before I “got” it.
And, of course, the worldbuilding is there, as the author builds skillfully on the basic principles he set up already in the prior books set in this world. The really interesting thing is the combined Allomancy/Feruchemy powers of people Sanderson labels “Twinborn”. However, he only displays three characters with those kinds of powers in this book, and there’s only really a single memorable execution of a “combo ability”, so to speak, by any of the characters. It’s not the magic that drives this book, really. It’s simply integrated very well into the plot of the book. At no point does it feel like Sanderson is using his magic systems as a deus ex machina; characters with godlike powers counter one another very cleverly and in very logical ways. Like all his books, the systems of magic that make Alloy of Law a fantasy novel (rather than a run of the mill western) are so smoothly written and logically described that they enhance the believability of the narrative, rather than detracting from it.
It’s a testament to his skill in designing a setting that when Sanderson’s characters use magical powers to escape perilous situations, it requires almost no suspension of disbelief from the reader. The powers of the characters are sensical and clearly delimited; instead of just “flying”, characters have to leap through the air with careful bursts of magnetic force. Instead of just being “invulnerable”, characters have to spend two weeks being sick so they can spend a minute healing a gunshot wound when they need it. It’s details like that that make the book (like all his books) a compelling read. I only wish there were more of it in there.
Over all, The Alloy of Law suffered from a cramped plot and a lack of natural character development. But those flaws didn’t stop me from enjoying the book, and what Sanderson has done to bring the story from a medieval fantasy setting to a western fantasy setting is interesting enough to make me buy the next book in the series. Here’s hoping it’ll be longer than this one was.
As a follow-up edit, I have now finished the second mistborn trilogy and it's amazing. Sanderson continues to slap you in the face with foreshadowing you just don't see on a first read. Books 4+5 remind you there's always more secrets. Can't wait for the lost metal
Top reviews from other countries
The Alloy of Law is set about 300 years after The Hero of Ages focusing on a completely new cast of characters, Waxillium and Wayne. Waxillium or Wax for short is a lord of the city of Elendal who has lived most of his life in the roughs as a lawman hunting down dangerous criminals with Wayne because the job needed doing. With an accident killing most of his family Wax has had to return to modern society and take on the role of the head of the family as his duty. Wax soon learns though that the Roughs aren't the only place full of dangerous criminals and Wayne has come to the city after them forcing Wax to try and juggle his family duty with a moral one.
I liked this book, a lot. The thing I liked most is Sanderson's view that a fantasy world wouldn't stay static, a trope many authors use "A thousand years ago..." etc yet technology stands still for whatever reason. Instead he has taken the same world with the same abilities yet moved it away from a fantasy setting and into an almost Wildwest one with guns, rifles, trains and the recent introduction of electricity. Mixed in with this are the Allomantic and Feruchemical powers still where certain bloodlines can either burn metals in their stomachs for an effect or store abilities in them to use later. Both Wax and Wayne are the rare breed know as Twinborn which have both one Allomantic and Feruchemical ability each. Their abilies are a great use in the books just because unlike Vin in the original trilogy their powers are both slightly more limited in what they can do and yet are quite different at the same time, it really keeps things fresh.
The actual story is excellent with a good cast of characters, I especially like Wayne who has a stand out personality that often made me laugh though there is more to him then first seems and I'm very much looking forward to hearing more about him in the next novel. The story moves along at a quick pace with plenty of gunfights and powers thrown around keeping things intense. I will say I don't think it's quite as well written as the previous series but it kept me hooked and I would certainly recommend it, can't wait to start on the next in the series, Shadows of Self: .
Recommended.
+ Love the world making progress in technology yet keeping the powers.
+ Nice mixture of Allomancy and Feruchemical abilities keeps things fresh.
+ Magic system is still great.
+ Fast paced interesting plot with great characters.
And what an extension it proved to be. This is what the back cover reveals:
*******
Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.
Kelsier, Vin, Elend, Sazed, Spook, and the rest are now part of history―or religion. Yet even as science and technology are reaching new heights, the old magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands known as the Roughs, they are crucial tools for the brave men and women attempting to establish order and justice.
One such is Waxillium Ladrian, a rare Twinborn, who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax has been forced by family tragedy to return to the metropolis of Elendel. Now he must reluctantly put away his guns and assume the duties and dignity incumbent upon the head of a noble house. Or so he thinks, until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.
*******
Now, I don’t know about you, but I found the premise to be rather refreshing. Scadrial has been brought forward in time, and we’re given a glimpse of what has become of the world and its people after our heroes and heroines put things right at the end of the last trilogy.
For the most part, society has drawn together in what is now the Elendel Basin, a prepared and cultivated region surrounding its namesake capital and other provincial towns for many miles in all directions. Life is good. People are civilized. And culture, law and order is an accepted way of life. Beyond the encircling mountains, however, is The Roughs; a wilderness plains area, much like the wild west of cowboys & Indians fame. Life is much harsher there, and people look to gun slinging lawmen and women to keep the peace.
The three metallic arts still exist, though Allomancy and Feruchemy are by far the most widely practiced. (Hemalurgy, it seems, is unknown in the modern world, its secrets being kept by the kandra who survived Scadrial’s rebirth)
Of the populace, there are those who are capable of burning just one of the 16 arcane metals, be it as an Allomancer or as a Feruchemist in a single form, or there are the twinborn. Those blessed with both an allomantic and feruchemical capability combined.
So what happens?
Vin, Elend, Sazed and Spook may have guaranteed the world’s survival and the coming of a new age, but people are still people. And as we see, while society as a whole has advanced – to a degree – there are those still intent on getting what they want by any means necessary. Fair or foul. Lords continue to be aloof. The downtrodden, rebellious. And villains? Oh, they’re always out for what they can get. And when you combine all three?
Great rollicking fun! That’s what.
I’ve often thought it odd when successful writers allow their universes to remain static for so long. Brandon Sanderson hasn’t made that mistake. And by allowing Scadrial to progress over the intervening three hundred years, it injects a breath of fresh air into a well-established world, and a superb slant on his ever-evolving story arc.
The Alloy of Law is markedly shorter. At 325 pages, its half the length of his other Mistborn novels. But that doesn’t reduce the enjoyment. Our protagonists and antagonists are well thought out and skillfully introduced. And the relationship between Wax and Wayne is particularly engaging. (Reminding me, to some degree, of Alias Smith & Jones) – You’ll see. The dialogue is sharp; the slow burn a treat; the action – when it comes – relentless; and that story arc I mentioned? It’s a treasure to behold, as it allows the continuing mystery to establish deeper roots, to develop, and evolve into an appealing murder-mystery-whodunnit-action-adventure.
Or to put it succinctly: Sherlock Holmes meets Butch Cassidy & The Sundance Kid.
(And yes, I’m already into the second in this series)
My skepticism was ill-founded however. This is my favourite book in the mistborn series so far. Its much shorter but I think that helps keep the narrative flowing and has a better pacing than the first 3.
The protagonist is fantastic. I loved the character straight away. Nobody can replace Vin in this universe but he came damned close. Wax is a thoroughly imagined character full of nuance and a great character to build the story on.
Highly recommended to fans of the series. If you haven't read the first 3 books, I would suggest you CAN start here but some of the references may be a little lost on you. I don't think this will overly affect your enjoyment of the story though.
Having said that, I did find the book an enjoyable read. As with the previous books, I found the magic system extremely well thought out and innovative. At times this did feel a bit like a bodice ripper romance (the plot/banter/action part of it, not sex scenes, of which there are none) but I was pleasantly surprised that the teased romance did not, in fact, materialize as I thought it would.














