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Aloud: Voices from the Nuyorican Poets Cafe Paperback – August 15, 1994
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Compiled by poets who have been at the center of the Nuyorican Poets Cafe in New York City, Aloud! showcases the work of the most innovative and accomplished word artists from around America.
- Print length514 pages
- LanguageEnglish
- Publication dateAugust 15, 1994
- Dimensions6 x 1.2 x 9 inches
- ISBN-100805032576
- ISBN-13978-0805032574
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Editorial Reviews
From Library Journal
Harold Augenbraum, Mercantile Lib., New York
Copyright 1994 Reed Business Information, Inc.
Review
“[This] is a fun, wild, and fascinating volume of poems from what Holman calls 'a home for the tradition that has no home but your ear' . . . Aloud is significant in its openness, its verbal power, and the undeniable fact that its performers are changing things without giving a damn how many walls they tear down.” ―Ray Gonzalez, The Nation
“Manhattan's Nuyorican Poets Cafe, located in the low-rent district of Alphabet City, has become well-known over the past two decades for its poetry performances and 'slams.' Founded by Miguel Algarin and the late Miguel Pinero, it is the home for New York's Puerto Rican poets and other poets of various nationalities and ethnic groups. This remarkably full collection, winner of the 1994 American Book Award from the Before Columbus Foundation, includes 260 poems by 145 poets of highly varied voices, a breadth that gives the anthology an urban energy that has transferred well from stage to page. Most of the works are interesting to read, some are heartrending, and others just plain fun. Nicole Breedlove's poem about growing up on welfare ("And my brother / joined the army / to get away / from the government"), Dael Orlandersmith's "Poem for Anne Sexton" ("Her perfume is the bathwater / of faded party girls"), and Sapphire's troubled "In My Father's House" ("my mother slipped on her sweater & disappeared") are a few of the many standouts. Bob Holman's "Invocation" (a sort of foreword), Algarin's introduction, and the sometimes witty, sometimes precious authors' biographies are not to be missed. Highly recommended.” ―Library Journal
“New York City's Nuyorican Poets Cafe, a Lower East Side institution, is known for hosting poetry slams, or public recitals of poems competitively graded by the audience. This is participatory performance poetry with an urban groundswell behind it--oral, multicultural, political, uninhibited . . . The vitality of [Aloud] is conspicuous even when its anarchy causes some impatience. A maximalist poetry--compounded of emotional drive, visceral detail, real-life words and rhythms--offers something vigorous even when it reads as virtually unedited. The voices collected (more than 100) are challenging.” ―Publishers Weekly
About the Author
The renga was overseen by BOB HOLMAN and CAROL MUSKE-DUKES, co-curators of the poetry stream of America: Now and Here, which is bringing art and artists to large and small communities across America.
Product details
- Publisher : Holt Paperbacks; First Edition (August 15, 1994)
- Language : English
- Paperback : 514 pages
- ISBN-10 : 0805032576
- ISBN-13 : 978-0805032574
- Item Weight : 1.6 pounds
- Dimensions : 6 x 1.2 x 9 inches
- Best Sellers Rank: #1,371,998 in Books (See Top 100 in Books)
- #287 in Hispanic American Poetry
- #1,687 in Poetry Anthologies (Books)
- Customer Reviews:
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About the author

Anne Elliott is the author of The Artstars (Blue Light Books/Indiana University Press, 2019) and The Beginning of the End of the Beginning (Ploughshares Solos, 2014). Her short stories can be found in A Public Space, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review, Fifth Wednesday Journal, Fugue, The Normal School, and elsewhere. Honors include fellowships from the Table 4 Writers Foundation and Vermont Studio Center. In addition to writing fiction, Elliott has been a performance poet, ukulelist, Wall Street analyst, database programmer, and publisher of tiny books. She lives in Southern Maine with her husband and many pets.
Learn more at www.anneelliottstories.com.
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If you have experienced slam poetry, either live or via audio or video recording, "Aloud" helps you appreciate how performance-intensive slamming is. A group of juvenile delinquents can perform a scene of Shakespeare and still retain much of its poignance and beauty, for such was Shakespeare's skill with words. Not so with most of the poems in "Aloud"--in the wrong hands, they could be very disappointing slam poems indeed. Had others written and performed them, they likely would never have made it into this collection.
In short, all but a few poems in "Aloud" don't measure up to the canon of printed-word poems humans have amassed over the centuries. And yet, when read aloud, or considered as only half of a slam poem (the peformance being the other half), they can surprisingly come to life with power and grace.






