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Altered Carbon (Takeshi Kovacs) Paperback – March 4, 2003
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In the twenty-fifth century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”) making death nothing more than a minor blip on a screen.
Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly painful. Dispatched one hundred eighty light-years from home, re-sleeved into a body in Bay City (formerly San Francisco, now with a rusted, dilapidated Golden Gate Bridge), Kovacs is thrown into the dark heart of a shady, far-reaching conspiracy that is vicious even by the standards of a society that treats “existence” as something that can be bought and sold.
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
“Ferociously readable.”—The New York Times Book Review
“A fascinating trip . . . Pure high-octane science fiction mixes with the classic noir private-eye tale.”—Orlando Sentinel
“Gritty and vivid . . . looks as if we have another interstellar hero on our hands.”—USA Today
“This seamless marriage of hardcore cyberpunk and hard-boiled detective tale is an astonishing first novel.”—London Times
“An astonishing piece of work . . . A wonderful SF idea . . . Altered Carbon hits the floor running and then starts to accelerate. Intriguing and inventive in equal proportions and refuses to let go until the last page.”—Peter Hamilton
“An exciting sf/crime hybrid, with an intricate (but always plausible) plot, a powerful noir atmosphere, and enough explosive action to satisfy the most die-hard thriller fan.”—SF Site
“An exhilarating and glossy adventure . . . What makes Altered Carbon a winner is the quality of Morgan’s prose. For every piece of John Woo action there is a stunning piece of reflective description, a compelling sense of place, and abundant 24-karat witticisms.”—SFX Magazine
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Coming back from the dead can be rough.
In the Envoy Corps they teach you to let go before storage. Stick it in neutral and float. It’s the first lesson and the trainers drill it into you from day one. Hard-eyed Virginia Vidaura, dancer’s body poised inside the shapeless corps coveralls as she paced in front of us in the induction room. Don’t worry about anything, she said, and you’ll be ready for it. A decade later, I met her again in a holding pen at the New Kanagawa Justice Facility. She was going down for eighty to a century; excessively armed robbery and organic damage. The last thing she said to me when they walked her out of the cell was don’t worry, kid, they’ll store it. Then she bent her head to light a cigarette, drew the smoke hard into lungs she no longer gave a damn about, and set off down the corridor as if to a tedious briefing. From the narrow angle of vision afforded me by the cell gate, I watched the pride in that walk and I whispered the words to myself like a mantra.
Don’t worry, they’ll store it. It was a superbly double-edged piece of street wisdom. Bleak faith in the efficiency of the penal system, and a clue to the elusive state of mind required to steer you past the rocks of psychosis. Whatever you feel, whatever you’re thinking, whatever you are when they store you, that’s what you’ll be when you come out. With states of high anxiety, that can be a problem. So you let go. Stick it in neutral. Disengage and float.
If you have time.
I came thrashing up out of the tank, one hand plastered across my chest searching for the wounds, the other clutching at a nonexistent weapon. The weight hit me like a hammer, and I collapsed back into the flotation gel. I flailed with my arms, caught one elbow painfully on the side of the tank, and gasped. Gobbets of gel poured into my mouth and down my throat. I snapped my mouth shut and got a hold on the hatch coaming, but the stuff was everywhere. In my eyes, burning my nose and throat, and slippery under my fingers. The weight was forcing my grip on the hatch loose, sitting on my chest like a high-g maneuver, pressing me down into the gel. My body heaved violently in the confines of the tank. Flotation gel? I was drowning.
Abruptly, there was a strong grip on my arm and I was hauled coughing into an upright position. At about the same time I was working out there were no wounds in my chest someone wiped a towel roughly across my face and I could see. I decided to save that pleasure for later and concentrated on getting the contents of the tank out of my nose and throat. For about half a minute I stayed sitting, head down, coughing up the gel and trying to work out why everything weighed so much.
“So much for training.” It was a hard, male voice, the sort that habitually hangs around justice facilities. “What did they teach you in the Envoys anyway, Kovacs?”
That was when I had it. On Harlan’s World, Kovacs is quite a common name. Everyone knows how to pronounce it. This guy didn’t. He was speaking a stretched form of the Amanglic they use on the World, but even allowing for that, he was mangling the name badly, and the ending came out with a hard k instead of the Slavic ch.
And everything was too heavy.
The realization came through my fogged perceptions like a brick through frosted plate glass.
Offworld.
Somewhere along the line, they’d taken Takeshi Kovacs (D.H.), and they’d freighted him. And since Harlan’s World was the only habitable biosphere in the Glimmer system, that meant a stellar-range needlecast to—
Where?
I looked up. Harsh neon tubes set in a concrete roof. I was sitting in the opened hatch of a dull metal cylinder, looking for all the world like an ancient aviator who’d forgotten to dress before climbing aboard his biplane. The cylinder was one of a row of about twenty backed up against the wall, opposite a heavy steel door, which was closed. The room was chilly and the walls unpainted. Give them their due, on Harlan’s World at least the air resleeving rooms are decked out in pastel colors and the attendants are pretty. After all, you’re supposed to have paid your debt to society. The least they can do is give you a sunny start to your new life.
Sunny wasn’t in the vocabulary of the figure before me. About two meters tall, he looked as if he’d made his living wrestling swamp panthers before the present career opportunity presented itself. Musculature bulged on his chest and arms like body armor, and the head above it had hair cropped close to the skull, revealing a long scar like a lightning strike down to the left ear. He was dressed in a loose black garment with epaulettes and a diskette logo on the breast. His eyes matched the garment and watched me with hardened calm. Having helped me sit up, he had stepped back out of arm’s reach, as per the manual. He’d been doing this a long time.
I pressed one nostril closed and snorted tank gel out of the other.
“Want to tell me where I am? Itemize my rights, something like that?”
“Kovacs, right now you don’t have any rights.”
I looked up and saw that a grim smile had stitched itself across his face. I shrugged and snorted the other nostril clean.
“Want to tell me where I am?”
He hesitated a moment, glanced up at the neon-barred roof as if to ascertain the information for himself before he passed it on, and then mirrored my shrug.
“Sure. Why not? You’re in Bay City, pal. Bay City, Earth.” The grimace of a smile came back. “Home of the Human Race. Please enjoy your stay on this most ancient of civilized worlds. Ta-dada-dah.”
“Don’t give up the day job,” I told him soberly.
•••
The doctor led me down a long white corridor whose floor bore the scuff marks of rubber-wheeled gurneys. She was moving at quite a pace, and I was hard-pressed to keep up, wrapped as I was in nothing but a plain gray towel and still dripping tank gel. Her manner was superficially bedside, but there was a harried undercurrent to it. She had a sheaf of curling hardcopy documentation under her arm and other places to be. I wondered how many sleevings she got through in a day.
“You should get as much rest as you can in the next day or so,” she recited. “There may be minor aches and pains, but this is normal. Sleep will solve the problem. If you have any recurring comp—”
“I know. I’ve done this before.”
I wasn’t feeling much like human interaction. I’d just remembered Sarah.
We stopped at a side door with the word shower stenciled on frosted glass. The doctor steered me inside and stood looking at me for a moment.
“I’ve used showers before, as well,” I assured her.
She nodded. “When you’re finished, there’s an elevator at the end of the corridor. Discharge is on the next floor. The, ah, the police are waiting to talk to you.”
The manual says you’re supposed to avoid strong adrenal shocks to the newly sleeved, but then she’d probably read my file and didn’t consider meeting the police much of an event in my lifestyle. I tried to feel the same.
“What do they want?”
“They didn’t choose to share that with me.” The words showed an edge of frustration that she shouldn’t have been letting me see. “Perhaps your reputation precedes you.”
“Perhaps it does.” On an impulse, I flexed my new face into a smile. “Doctor, I’ve never been here before. To Earth, I mean. I’ve never dealt with your police before. Should I be worried?”
She looked at me, and I saw it welling up in her eyes, the mingled fear and wonder and contempt of the failed human reformer.
“With a man like you,” she managed finally, “I would have thought they would be the worried ones.”
“Yeah, right,” I said quietly.
She hesitated, then gestured. “There is a mirror in the changing room,” she said, and left. I glanced toward the room she had indicated, not sure I was ready for the mirror yet.
In the shower I whistled my disquiet away tunelessly and ran soap and hands over the new body. My sleeve was in his early forties, Protectorate standard, with a swimmer’s build and what felt like some military custom-carved onto his nervous system. Neurachemical upgrade, most likely. I’d had it myself, once. There was a tightness in the lungs that suggested a nicotine habit and some gorgeous scarring on the forearm, but apart from that I couldn’t find anything worth complaining about. The little twinges and snags catch up with you later on, and if you’re wise, you just live with them. Every sleeve has a history. If that kind of thing bothers you, you line up over at Syntheta’s or Fabrikon. I’d worn my fair share of synthetic sleeves; they use them for parole hearings quite often. Cheap, but it’s too much like living alone in a drafty house, and they never seem to get the flavor circuits right. Everything you eat ends up tasting like curried sawdust.
In the changing cubicle I found a neatly folded summer suit on the bench and the mirror set in the wall. On top of the pile of clothes was a simple steel watch, and weighted beneath the watch was a plain white envelope with my name written neatly across it. I took a deep breath and went to face the mirror.
This is always the toughest part. Nearly two decades I’ve been doing this, and it still jars me to look into the glass and see a total stranger staring back. It’s like pulling an image out of the depths of an autostereogram. For the first couple of moments all you can see is someone else looking at you through a window frame. Then, like a shift in focus, you feel yourself float rapidly up behind the mask and adhere to its inside with a shock that’s almost tactile. It’s as if someone’s cut an umbilical cord, only instead of separating the two of you, it’s the otherness that has been severed and now you’re just looking at your reflection in a mirror.
I stood there and toweled myself dry, getting used to the face. It was basically Caucasian, which was a change for me, and the overwhelming impression I got was that if there was a line of least resistance in life, this face had never been along it. Even with the characteristic pallor of a long stay in the tank, the features in the mirror managed to look weather-beaten. There were lines everywhere. The thick, cropped hair was black shot through with gray. The eyes were a speculative shade of blue, and there was a faint, jagged scar under the left one. I raised my left forearm and looked at the story written there, wondering if the two were connected.
The envelope beneath the watch contained a single sheet of printed paper. Hardcopy. Handwritten signature. Very quaint.
Well, you’re on Earth now. Most ancient of civilized worlds. I shrugged and scanned the letter, then got dressed and folded it away in the jacket of my new suit. With a final glance in the mirror, I strapped on the new watch and went out to meet the police.
It was four-fifteen, local time.
•••
The doctor was waiting for me, seated behind a long curve of reception counter and filling out forms on a monitor. A thin, severe-looking man suited in black stood at her shoulder. There was no one else in the room.
I glanced around, then back at the suit.
“You the police?”
“Outside.” He gestured at the door. “This isn’t their jurisdiction. They need a special brief to get in here. We have our own security.”
“And you are?”
He looked at me with the same mixture of emotions the doctor had hit me with downstairs. “Warden Sullivan, chief executive for Bay City Central, the facility you are now leaving.”
“You don’t sound delighted to be losing me.”
Sullivan pinned me with a stare. “You’re a recidivist, Kovacs. I never saw the case for wasting good flesh and blood on people like you.”
I touched the letter in my breast pocket. “Lucky for me Mr. Bancroft disagrees with you. He’s supposed to be sending a limousine for me. Is that outside, as well?”
“I haven’t looked.”
Somewhere on the counter, a protocol chime sounded. The doctor had finished her inputting. She tore the curling edge of the hardcopy free, initialed it in a couple of places, and passed it to Sullivan. The warden bent over the paper, scanning it with narrowed eyes before he scribbled his own signature and handed the copy to me.
“Takeshi Lev Kovacs,” he said, mispronouncing with the same skill as his minion in the tank room. “By the powers vested in me by the U.N. Justice Accord, I discharge you on lease to Laurens J. Bancroft, for a period not to exceed six weeks, at the end of which time your parole status will be reconsidered. Please sign here.”
I took the pen and wrote my name in someone else’s handwriting next to the warden’s finger. Sullivan separated the top and bottom copies and handed me the pink one. The doctor held up a second sheet, and Sullivan took it.
“This is a doctor’s statement certifying that Takeshi Kovacs (D.H.) was received intact from the Harlan’s World Justice Administration and subsequently sleeved in this body. Witnessed by myself, and closed-circuit monitor. A disk copy of the transmission details and tank data are enclosed. Please sign the declaration.”
I glanced up and searched in vain for any sign of the cameras. Not worth fighting about. I scribbled my new signature a second time.
“This is a copy of the leasing agreement by which you are bound. Please read it carefully. Failure to comply with any of its articles may result in you being returned to storage immediately to complete the full term of your sentence, either here or at another facility of the administration’s choice. Do you understand these terms and agree to be bound by them?”
I took the paperwork and scanned rapidly through it. It was standard stuff. A modified version of the parole agreement I’d signed half a dozen times before on Harlan’s World. The language was a bit stiffer, but the content was the same. Crabshit by any other name. I signed it without a blink.
“Well then.” Sullivan seemed to have lost a bit of his iron. “You’re a lucky man, Kovacs. Don’t waste the opportunity.”
Don’t they ever get tired of saying it?
I folded up my bits of paper without speaking and stuffed them into my pocket next to the letter. I was turning to leave when the doctor stood up and held out a small white card to me.
“Mr. Kovacs.”
I paused.
- Print length375 pages
- LanguageEnglish
- PublisherDel Rey
- Publication dateMarch 4, 2003
- Dimensions6.07 x 0.83 x 9.18 inches
- ISBN-100345457684
- ISBN-13978-0345457684
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| Thin Air | The Steel Remains | Market Forces | Thirteen | |
| More from Richard K. Morgan | An atmospheric tale of corruption and abduction set on Mars. | Book 1 in the A Land Fit For Heroes trilogy and the first fantasy book by Richard K. Morgan. | A turbocharged thriller set in a world where killers are stars, media is mass entertainment, and freedom is a dangerous proposition . . . | Richard K. Morgan radically reshapes and recharges science fiction yet again, with an unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet. |
Product details
- Publisher : Del Rey; First Edition (March 4, 2003)
- Language : English
- Paperback : 375 pages
- ISBN-10 : 0345457684
- ISBN-13 : 978-0345457684
- Item Weight : 13.2 ounces
- Dimensions : 6.07 x 0.83 x 9.18 inches
- Best Sellers Rank: #64,041 in Books (See Top 100 in Books)
- #292 in Cyberpunk Science Fiction (Books)
- #503 in Hard Science Fiction (Books)
- #2,070 in Science Fiction Adventures
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About the author

Richard K. Morgan is the acclaimed author of The Dark Defiles, The Cold Commands, The Steel Remains, Black Man (published in the US as Thirteen), Woken Furies, Market Forces, Broken Angels, and Altered Carbon, a New York Times Notable Book that won the Philip K. Dick Award in 2003.
The movie rights to Altered Carbon were optioned by Joel Silver and Warner Bros on publication, and the book remained in feature film development until 2015. It is now being turned into a 10 episode Netflix series by Skydance Media. Market Forces, was also optioned to Warner Bros, before it was even published, and it won the John W. Campbell Award in 2005. Black Man won the Arthur C .Clarke Award in 2007 and is currently under movie option to Straight Up films. The Steel Remains won the Gaylactic Spectrum award in 2010, and its sequel, The Cold Commands, was listed in both Kirkus Reviews‘ and NPR’s best Science Fiction / Fantasy books of the Year. The concluding volume, The Dark Defiles, is out now!
Richard is a fluent Spanish speaker and has lived and worked in Madrid, Istanbul, Ankara, London and Glasgow, as well as travelling extensively in the Americas, Africa and Australia. He now lives back in Norfolk in the UK with his Spanish wife Virginia and son Daniel, about five miles away from where he grew up. A bit odd, that, but he’s dealing with it.
Photo by Roberta F. [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
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It has familiar elements we would expect from hardboiled fictions, like gangsters, violence, torture, cops, whorehouses, low life, heroes, victims and selfless gallantry etc. Nevertheless, Morgan’s dystopian world has ageless core elements of humanity and virtues we are familiar with. Earth in the futuristic world of AC has also, the UN council and the rule of law governing it. People fear death and craved longevity beyond the normal lifespan and eternal youth. AC's humans, male and female, have insatiable lust for sex. A Christian religion forbidding the extension of life after the subject suffers permanent organic damage (death). A corrupted and class-divided society where the rich and powerful elites have more options at their disposals than the non-rich. In addition and not in the least is the basic human need to love and or loved by someone was played out by the major characters. Such familiarities helped me, a reader in the 21st century, connect with AC. Author Richard Morgan used uncanny intelligence, wittiness, humorous stereotypes, one-liner quips and sharp retorts in dialogues or narration by Takeshi, our hero, to convey AC's rich and the fascinating core theme of our intrepid hero would solve the whodunit mystery and unveiling the motives behind it. Exhibits of human vanity and the sad lives of the elites who have lived 300 centuries and beyond further enriched AC make the reader ponder about prospect of living forever may bring more pain than joy. Ultimately, the audience was not short-changed of a triumphant climax of the small people outsmarting and violently turning the tables on the rich and powerful immortal elites.
Language wise, there were neither long convoluted sentences nor heavy chapters with too many pages and certainly no redundancy. With the brevity of words and compactness of plot, the author conveyed his tale powerfully with colourful descriptions of the myriad of characters, which irresistibly tickled and amused me all the way.
Like most novels, especially sci-fi genre, the reader must learn new jargon for technology and acronyms. Thankfully, Kindle has the x-ray function, which is very useful for cross-checking unfamiliar terms, names and locations. The landscape of San Francisco Bay have evolved into a dystopian world of flying vehicles and blinding neon lights, holographic virtual reality of oversized humans, not unlike the world of Rick Deckard in Blade Runner. However, SF Bridge in red have survived and the frequent rain were helpful in linking readers to the beautiful wet and windy SF we know today.
Interestingly in AC, humans have already colonized many habitable planets light years away from mother earth. Interstellar travel light years apart was unimaginably easy and quick since it was possible to digitize the entire human psychic and soul for rapid transmission through space electronically. Very Star Trek like indeed. Back to reality, colonizing other habitable planets (if there are indeed others besides earth) cannot be more pressing today with the alarming deterioration of mother earth by the day. Even in the unlikely chance that we discover another habitable planet sometime in the future, and we have the technology to build a mother ship to take us there, the privileged rich and powerful, like in AC, will always be in front of the queue for a place in the mother ship.
I read many books, mostly fiction. Of the fiction 99% science fiction. A friend told me he was taking a break from non-fiction and reading Altered Carbon. Based on his interests I immediately assumed the book was about guns, spies, hunting, fishing or some other topic men more manly than I read. He said no this is a science fiction book transforming into a TV show by Netflix. After my initial shock of him knowing something Sci-Fi related I didn’t, I decided to order the book for my Kindle.
Altered Carbon is in the future. It is unclear when exactly, my best guess is 23 something. There are references in the book about dates and ages of people. However, I could not find any reference to the exact date. It bothers me a bit to be honest. When you read chapter one “Arrival” if I were Kovacs I would ask where am I and what is the date?
Who is Kovacs? Takeshi Kovacs is the protagonist of the story if such a thing exists in this book. He is a human born and raised in a colony world. Very simple character backstory of being poor having bad parents and joining a military-like organization to get his life together. The organization that he joins is interesting and adds to the story throughout the whole book.
Most good science fiction books have some future technology which is fun to read about and enhances the story (think light-saber or transporter). Altered Carbons “killer tech” is a device called the sleeve. The sleeve stores a person’s consciousness in a digital format. With the right equipment, consciousness can move from one sleeve to another. The sleeve offers everything from immortality to easy transportation in a digital format to other worlds. The only requirement is there is storage or another sleeve to be downloaded into on the other side.
This concept of a digital consciousness is not new. There are many books and movies which tackle the topic. I don’t recall any other book that used the concept of a sleeve. At least for me, the concept was unique and very cool.
Altered Carbon is probably best described as a futurist detective novel. Kovacs is brought to earth to solve a crime the police do not think happened. Without giving any spoilers pay close attention to the details. Almost every scene in the book is related to another scene, and the details are important. The book is not Hobbit or Game of Thrones complex however it does wear on you after awhile.
My one criticism is the book was a little complex and slow at times. I would bet Netflix will rewrite and reimage a few spots to avoid filler episodes. To underscore my point when I finished the book and reached back out to my friend he was about 50% complete and struggling to continue. My advice to him and you is to power through it. It will get better and worse and then finish strong.
Since Altered Carbon is becoming a show, I decided to look up the actors. What I found was a little shocking. There are a few characters not in the book mainly Poe, Captain Tanaka, and Okulov. These unknown characters seem to have starring roles with 6 or 7 episodes equal or exceeding Takeshi Kovacs. Very strange. Kristin Ortega is only granted four episodes. In my opinion, Ortega is the balance which makes the book good. I’ll reserve judgment on the actors chosen most of whom I have never heard of. I always struggle with books made into movies or shows because the actors never fit my visualization of the characters.
Do I recommend reading the book? Yes.
Altered carbon is not the best book I’ve read but it is very good. Plus, it will be fun when Netflix changes it all and we can all complain about it.
Oh, and according to the Netflix trailer, the year is 2384...
Greg @ Kafflab
Top reviews from other countries
I haven't watched the show. And I'm not a massive sci-fi buff. I belong to the 7th circle of hell that holds all the people who've never watched Blade Runner. But ever since the hype of Cyberpunk 2077, I've had an urge for neon lights and urban dissolution.
If (in your mind) you want to create a world of night city corruption and holographic lust - read Altered Carbon.
If you want to live through the eyes of a man whose will has been conditioned through centuries of war, yet whose heart is relentlessly romantic- read Altered Carbon.
If you want to live as:
Max Payne
The Darkness
Johnny Silverhand
live as complete old testament vengeance,
read Altered Carbon.
I can tell you the same things you’d probably read on the back of the book.
Based in a future where new bodies (or sleeves) can be worn as easily as clothing, a former UN military envoy (Takeshi Kovacs) is nonconsensually sleeved on 25th century Earth, hired to investigate the murder of the vampirically old Laurens Bancroft.
But beyond that,
it's a story about the little guy proving we deserve better than the contemptuous disdain of the upper class.
It's a story about a world where good people have to do bad things for good endings.
It's a story with incredible dialogue, characters, themes, and narration.
This is a story that will turn you into a page-eater. You'll keep going and you'll have to mentally remind yourself to slow down, flip back, and just taste every line, every word, again.
There's no good way to close such an emotive review. So I'm going to let the book do it for me. The following quotes are just a taste of the raw power, that was within those unassuming 400+ pages:
1)
‘The personal, as everyone’s so f*****G fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here - it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, f**k them. Make it personal.’ - Quellcrist Falconer
2)
‘When they ask how I died, tell them: still angry.’
- Takeshi Kovacs
3)
Irene: Why? Why are you doing this?
Takeshi: ‘Because I want there to be something clean at the end of all this. Something I can feel good about.’
For a moment she went on staring at me. Then she closed the small gap between us and flung her arms around me with a cry that sent the nearest gulls wheeling up off the sand in alarm. I felt a trickle of tears smeared onto the side of my face, but she was laughing at the same time. I folded my arms round her in return and held her. And for the moments that the embrace lasted, and a little while after, I felt as clean as the breeze coming in off the sea.
4)
Kristin: Go on thinking like that, nothing’ll ever change for you.
Takeshi: Kristin, nothing ever does change.
I jerked a thumb back at the crowd outside.
You’ll always have morons like that, swallowing belief patterns whole so they don’t have to think for themselves. You’ll always have people like Kawahara and the Bancrofts to push their buttons and cash in on the program. People like you to make sure the game runs smoothly and the rules don’t get broken too often. And when the Meths want to break the rules themselves, they’ll send people like Trepp and me to do it. That’s the truth, Kristin. It’s been the truth since I was born a hundred and fifty years ago and from what I read in the history books, it’s never been any different. Better get used to it.
Other notable aspects of the fiction that should be taken into account before reading:
- Like I said, this is hardcore science fiction. While the narrative is very well written and extremely descriptive, it can be hard to visualise this gritty dystopian future if you haven't seen the Netflix show first.
- The novel--like the show--is very heavy with violence and sex. This is not a book for young teens; this is a novel for adults. If you're squeamish or do not like things to be especially graphic, then this aspect of the book might be a clincher for you.
- Kovacs may be considered less appealing in the book than in the show because, without giving the plot away, there is a major difference in the show and the book that changes Kovac's past.
All in all, this is a great read for fans of science fiction. If you're unsure, I recommend watching the first episode of the Netflix adaptation before giving this book a shot.
The characters here and to some extent the world itself are more interesting and well rounded Kovach s investigation fells more like that of a detective and you don’t have the feeling he was being led by the nose










