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The Amazing Adventures of Kavalier & Clay Paperback – Unabridged, August 25, 2001
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Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age.
But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the Führer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways.
More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park --This text refers to the Hardcover edition.
Virtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures of two Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover, the marvelous artist and free spirit Rosa, who, unbeknownst to him, is carrying his child. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom. Donna Seaman
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Top customer reviews
Let's get the technical stuff out of the way first. I was delighted when Michael Chabon's catalog finally came out in e-book format, and "Kavalier and Clay" was the first thing I grabbed. This is a fine digital copy. It seems that publishers, especially the big ones, are getting better at packaging their content digitally (remember the earlier days, with dozens of typos and weird formatting errata?) No such issues here.
Now, to the novel itself. This is one of those books that seems to exist somehow JUST under the radar of mainstream. I'm not sure why that is the case: it certainly seems to have a huge and dedicated fan base. But just try mentioning it to your friends. I bet most of them have never heard of it.
Which is a shame, because what a novel it is. Is there a more hauntingly tragic figure than withered little dreamer Sammy Klayman? A more shattered, yet hopefully redemptive one than Joe Kavalier? Is there a novel that does more to cocoon you in the sepia movie-reel nostalgia of its setting (and is there any more larger-than-life time period to set it than America in the 1930s, '40s, and '50s?) before sinking you into the nauseatingly human quagmire just below the surface?
Yes, this is a love letter to comic books, but in one sense I despise that piece of the plot because it turns off so many would-be readers ("it's about COMIC BOOKS? No thanks..."). Dismissing this masterpiece because of that element is like saying you won't support a baseball team because you don't like the color of their mascot: you're rather missing the bigger picture. Every year I give at least two or three copies of this book as gifts to various people. I've never once had one come back at me saying "it was ok, but the comic books ruined it for me."
It is not flawless. The "Radioman" section, for instance, has beautiful elements but stops the book dead in its tracks (and serves a slightly clumsy, almost roll-your-eyes-it's-so-ham-handed metaphysical purpose for one main character). Does that matter, though, when you have so much else in here that is such a marvel?
It was so beautiful and adventurous and human and sad and happy and wondrous that, over the course of a month, it lifted me out of the darkness. I rationed it to one chapter a day, which I read on the subway on my way to the office. I looked so forward to it. It's one of those books I found myself thinking about when I wasn't reading it, counting the hours until my special half hour on the subway.
I feel like the subject matter mentioned out of context might turn some people off (mostly women): it centralizes around the two jewish boys who created the comic book "The Escapist" (a metaphor for the "Superman" comic) in bustling New York City during and after World War II, a time when America needed a hero. I promise you, though, the characters, the tone, the locations and the deeply human undertones transcend the book's logline. It's really about love, religion, overcoming deep adversity (including nazis, heartbreak and profound loss), loyalty, friendship, death-defying escape acts and edge-of-your-seat excitement and adventure. The word "wondrous" really does capture the feeling the book left me with - a sense of childlike wonder and heart rending emotion simultaneously. It captures the excitement of the time so well that it made me feel I was part of something larger, just by reading it.
I hope you'll treat yourself to this (pulitzer winning) epic of human proportions. Regardless of your sex, religion, race or creed, this book has something amazing to give you. It has stuck with me for over ten years and I can't wait to read it again.