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Amberlough: Book 1 in the Amberlough Dossier (Amberlough Dossier, 1) Paperback – February 13, 2018
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A double-agent sacrifices all his ideals in order to save his smuggler lover before a government coup takes over their decadent city in Lara Elena Donnelly’s glam spy thriller debut, now a Nebula finalist for Best Novel!
“Exploring the roots of hatred, nationalism, and fascism, while at the same time celebrating the diversity, love, romance, fashion, and joy the world is capable of producing.” ―Bookriot
In Amberlough, amidst rising political tensions, three lives become intertwined with the fate of the city itself.
The Smuggler: By day, Aristide Makricosta is the emcee for Amberlough City’s top nightclub. By night, he moves drugs and refugees under the noses of crooked cops.
The Spy: Covert agent Cyril DePaul thinks he’s good at keeping secrets, but after a disastrous mission abroad, he makes a dangerous choice to protect himself…and hopefully Aristide too.
The Dancer: Streetwise Cordelia Lehane, burlesque performer at the Bumble Bee Cabaret and Aristide’s runner, could be the key to Cyril’s plans―if she can be trusted.
As the twinkling marquees lights yield to the rising flames of a fascist revolution, these three will struggle to survive using whatever means ― and people ― necessary. Including each other.
“James Bond by way of Oscar Wilde.” ―Holly Black
“Sparkling with slang, full of riotous characters, and dripping with intrigue, Amberlough is a dazzling romp through a tumultuous, ravishing world.” ―Robert Jackson Bennett, winner of the Shirley Jackson Award and the Edgar Award
“Astonishing first novel!” ―World Fantasy Award-winning author Ellen Kushner
- Print length416 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateFebruary 13, 2018
- Dimensions5.45 x 1.05 x 8.25 inches
- ISBN-100765383829
- ISBN-13978-0765383822
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Editorial Reviews
Review
“James Bond by way of Oscar Wilde.” ―Holly Black
“Donnelly blends romance and tragedy, evoking gilded-age glamour and the thrill of a spy adventure, in this impressive debut. As heartbreaking as it is satisfying.” –Publishers Weekly, starred review
“Donnelly’s striking debut brings a complex world of politics, espionage, and cabaret life to full vision. The emotional journeys of the characters as they struggle to survive in a society under siege by dark forces will strike a chord with readers as they race to the story’s conclusion.” ―Library Journal, starred review, Debut of the Month
“A tightly woven and diverse cast of spies, criminals, cabaret bohemians, and lovers struggles to save what matters to each of them against a tide of rising fascism and violence in Donnelly's debut novel, set in a vaguely 1920s milieu….A sense of inevitable loss and futility permeates this rich drama. The fascists may never be defeated but only escaped―if the characters are willing to abandon the people they love. That dilemma will haunt them, as it haunts the reader.” ―Kirkus Reviews
"Amberlough grabbed me from the first page. It is beautiful, all too real, and full of pain. Read it. It will change you." ―Hugo Award-winning author Mary Robinette Kowal
"An astonishing first novel!" ―World Fantasy Award-winning author Ellen Kushner
"Sparkling with slang, full of riotous characters, and dripping with intrigue, Amberlough is a dazzling romp through a tumultuous, ravishing world." ―Robert Jackson Bennett, winner of the Shirley Jackson Award and the Edgar Award
"It’s a terrific novel. Very Evelyn Waugh meets The Sandbaggers.” ―John Chu, Hugo-award winning author
"A peach softens and grows sweeter until it reaches a fragile state, lasting only about six hours, during which it's actually better than perfect--and then it goes off, it's gone, it's through. In Amberlough Donnelly takes us to a city and culture just tipping from this pluperfect moment. What a rich and melancholy book; so tragic, so gay!" ―Kai Ashante Wilson, author of Sorcerer of the Wildeeps and the Nebula & World Fantasy finalist for "The Devil in America"
“This is the book we need right now. Amberlough is a gorgeous, crucial reminder that even when the Fascists take over, people will fight back - no matter how flawed or frightened or damaged they might be, or how much they risk by doing so.” ―Sam J. Miller, finalist for the Nebula, World Fantasy, and Theodore Sturgeon Awards and winner of the Shirley Jackson Award
“Amberlough offers a sharp, lush, sensual espionage Cabaret, a Weimar world of lovers, criminals and spies all floating toward the fire.” ―Max Gladstone, LAMBDA Literary Award finalist
"Intrigue and passions intertwine in Amberlough – A city on the edge of political upheaval, glittering with decadence and riddled with spies! Be careful or you too will be lost in the whirl of the kind of glamour familiar in 1930s Shanghai or Weimar-era Berlin. Donnelley's debut is powerfully seductive and wrenching." ―Fran Wilde, author of Updraft
"A glittering cabaret of a novel, with show-stopping language on every page." ―Lev AC Rosen, author of Depth
“Holy cow―this book is sharp, queer, sexy, and positively eviscerating. It's Cabaret meets spy novel in a lushly imagined fictional city, and a terrifyingly topical tale of fascism's rise. It's a brilliantly realized gut-punch. Highly recommended!” ―James L. Sutter, co-creator of the Pathfinder RPG series
"Lust and betrayal, intrigue and treachery, feints within feints within feints―Amberlough will keep readers up late into the night. I look forward to more adventures from Lara Elena Donnelly." ―D.B. Jackson, author of the Thieftaker Chronicles
"Amberlough is the stiletto-sharp tale of an intelligence agent caught between corrupt handlers, a rising fascist regime, and his doomed passion for the notorious star of a sizzling underworld nightclub. Sexy and suspenseful, with characters who play for keeps, Donnelly's debut novel mixes secrets, spying, and outlawed love like a perfectly made cocktail... one that seduces before hitting you with an unforgettable kick." ―A.M. Dellamonica, LAMBDA Literary Award finalist for Child of a Hidden Sea
"Weirdly elegant, wholly engaging, Donnelly's Amberlough is a richly visualized and genuinely fascinating novel. I couldn't put it down." ―Josh Lanyon, author of the Adrien English Mysteries, and USA Book News Award for GLBT Fiction and the Eppie Award winner
"If you put David Bowie, China Mieville, and Shakespeare in Love into a blender, you might get something as rich and frothy as Amberlough. An intricate tale of society where nothing is as it seems, and where the political is all-too-personal." ―Cecilia Tan, author of The Struck by Lightning series
About the Author
Product details
- Publisher : Tor Books; Reprint edition (February 13, 2018)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 0765383829
- ISBN-13 : 978-0765383822
- Item Weight : 11.2 ounces
- Dimensions : 5.45 x 1.05 x 8.25 inches
- Best Sellers Rank: #1,155,921 in Books (See Top 100 in Books)
- #5,503 in Espionage Thrillers (Books)
- #6,252 in Historical Fantasy (Books)
- #7,903 in Historical Thrillers (Books)
- Customer Reviews:
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About the author

Lara Elena Donnelly is the author of the Nebula, Lambda, and Locus-nominated trilogy The Amberlough Dossier, as well as short fiction and poetry appearing in venues including Strange Horizons, Escape Pod, Nightmare, and Uncanny.
Lara has taught in the MFA program at Sarah Lawrence College, as well as the Catapult Workshop in New York. She is a graduate of the Clarion and Alpha writers’ workshops, and has served as on-site staff at the latter, mentoring amazing teens who will someday take over the world of SFF.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on November 14, 2018
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Probably because I love the era so much, I persisted, and it did begin to pay off after that rocky beginning. I still had moments when I wasn't sure what was being discussed, but I found that I had gained the context through which I could figure it out. If that sounds like a lot of work... well it might be for some, though in the end, I didn't feel as if it was because I was enjoying the story by then, and the characters who had grown on me as I tried to sort out who they were and what they were up to.
At the bottom it's a love story between two very different men who sometimes don't even seem to like each other very much, set in an increasingly repressive social order in which a Nazi-like government -- a group called "Ospies," short for One State Party -- is quickly seizing power through rigged elections and violence. It's also the story of a young woman who is making her way through the underside of this society, growing increasingly angry and willing to do whatever she needs to do to monkey-wrench the Ospies' plans. They're all just people, fallible, sometimes cruel or foolish, but even when you don't like them much, you care about what happens to them.
In spite of a bit of unevenness in the narrative, the aforementioned info dumps, and a point about two-thirds of the way through where it drags a bit, it's still a compelling read if you give it a chance. But as it's the first book of a trilogy, you will find things unresolved at the end. I plan to pick up the second volume as soon as it's available, so color me sold on the universe and the characters.
Amberlough is a vaguely 1920s European inspired city state surrounded by a collection of vaguely European inspired city states. One of the states has come over a bit fascist and the book revolves around this fascist party, the "Ospies," rising to power in Amberlough.
They're a rigidly conservative bunch, which does not bode well for our three protagonists. Cordelia and Aristide headline at the Bee, basically the Moulin Rouge of Amberlough, and Cyril is a government spy. Oh, Aristide is also a smuggler. Oh, and Cyril and Aristide are also having an affair. Cryil knows Ari is a smuggler and Ari knows Cyril is government but mostly they just ignore it.
So in other words three of them are everything the Ospies hate, which already is probably making you think the book will be about Ari, Cyril and Cordelia vs. the Ospies. But Amberlough is not that kind of book. Mostly it's about the awful, inevitable rise to power of the Ospies and how the city slowly loses its colour under their grip. It's not so much about Aristide and Cyril fighting them as it is the two of them scrambling to find organise papers and passage out of the increasingly hostile city. It's about Cordelia's transformation from fun party girl to something else entirely.
It's also a book without magic. Which is actually one of my favourite little fantasy niches; books set in completely secondary worlds but with no other fantastical elements. I like knowing for certain what the "rules" are but still have the fun of slowly piecing together a new world. And what a fun world it was to piece together! The city of Amberlough lives and breathes and it physiclly hurt me to watch her suffer under a fascist regime.
The book is also brought to live by the prose and use of language. Donnelly basically created an entire language of slang with she almost rarely explains but at the same time is never confusing. It all makes perfect sense in context and it actually took me a good chunk of the book to realise it wasn't slang I already knew.
The characters are fantastic, especially Aristede. The book really uses the three pov characters to explore the idea of survivial, and what lengths should a person go to to survive; basically is surviving at any cost selfish? And while where at it let's also look at how selfish love can be too.
My only real complaint with the book is that I went in expecting a standalone. And while is does technically work as one, it was clearly written with a sequel in mind (and the author just announced its going to be a trilogy now) which is ultimately a good thing because the ending would have a been a real gut punch if that was it, but it's annoying to have to wait for any kind of real resolution.
I will admit, I sometimes got lost in all the political machinations. But I love that Donnelly respects her readers and doesn't speak down to them. I had to piece everything together, just like the protagonists, and often they were more on top of it than I was. I look forward to a re-read someday to see what hindsight brings me.
My relationship with the characters shocked me. At first, I loved Cyril and found Aristide deplorable. But as time passed, I found Cyril to be an ass, Aristide to be shockingly noble, and Cordelia to be a lovable scamp. I'm rooting for her, even if I find her prickly and self-centered.
I cannot wait to keep reading.
Top reviews from other countries
Amberlough é tipo o filme Cabaré mas com fantasia junto. O cenário é o da ascensão de um Partido Único (The One State Party, e seus membros são chamados de Ospies), numa cidade industrial e decadente pautada por sua vida noturna extravagante. Mas o partido, que é conservador, quer tomar o poder no país todo, e para isso precisam destruir o sistema político mais libertário e progressista da cidade de Amberlough. Cyril DePaul talvez seja a pessoa certa para essa maquinação. Agente especial, frágil e complicado, ele é pego pelo partido quando o investigava, e deverá trair seus superiores ou morre.
Cyril acaba de destruir sua cidade, mas tenta preservar o homem que ama, Aristide Makricosta – uma figura tão fascinante e exótica quanto seu nome, que trabalha no Bumble Bee Cabaret. Ele contrata uma colega de trabalho, Cordelia Lehane, para ser mediadora da relação entre os dois e se fingir de namorada de Cyril, preservando a vida dele, já que os Ospies são homofóbicos e xenofóbicos, e, para eles, o lugar de uma mulher é em casa.
Com esses elementos, a escritora cria uma narrativa que pulsa em sua investigação de interesses e jogos políticos explorando as condições de possibilidades da ascensão de um regime fascista. Se muito lembra a Berlim dos anos de 1920, o romance também ecoa muito do nosso presente. Pessoas bem intencionadas perdem o controle de suas ações e têm de lidar com as consequências.
A clareza com que a autora tem das maquinações políticas dentro de seu romance permite investigar como essas dinâmicas se dão num nível público e como interferem no nível privado da vida das personagens. Questão de gênero é uma das que mais interessam à autora. Fora isso, ela é capaz de evocar uma era com precisão e criar um romance repleto de imagens belas e/ou fortes que grita para ser transformado numa série que permita o capturar com a riqueza de detalhes que traz. Esse é o primeiro livro de uma trilogia, e a escritora anunciou em seu site que o próximo deve ser lançado em meados do próximo ano.
It is, however, a wonderful look at a flawed beauty, just as it comes to an inevitable end.
Several reviews and blurbs mention John le Carré and Cabaret, both of which are apt comparators. Our three protagonists are a spy with trauma in his past; his lover, a smuggler and leading man / drag queen at the titular city's hottest club; and his leading lady, a awesome brassy broad.
The creeping fascism coming to destroy and reshape their city isn't subtle and all three are doing the best they can with the shitty hands available to them. It's heartbreaking at so many points and needs a CONTENT NOTE for on-page torture and murder. Donnelly did an excellent job at stripping me raw yet leaving me some hope, even as so much and so many are lost.
I'm definitely looking forward to reading both sequels. But maybe after reading something lighter first.
(And you should definitely read the reviews by Seth Dickinson and "Optimist ♰King's Wench♰")





