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Ambient 1:Music For Airports Original recording remastered, Original recording reissued
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Audio CD, Original recording remastered, Original recording reissued, October 5, 2004
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From the opening piano strokes of Wyatt, I was hooked. I couldn't listen to the lp enough. I listened to it at high volume,and at low volumes. At night; during the day; during rain; windy conditions; perfect calm. It didn't matter. The music transcended all conditions. I was amazed. I was (and still am) a huge Erik Satie fan, and Eno was the modern day Satie. The concepts were beautifully simple and effective, yet wreaked of sophisication. My friends at school were listening to Ratt and other 80s hair bands, and I was into Eno. They didn't get it. It was fine. Eno was mine.
Today, almost 16 years later, "Music for Airports" is one of the cornerstones of my musical identity. I have listened to it 1000's of times (as with all instrumental Eno lps), and still am amazed by the absolute simplicity of it. While Eno played with ambient soundscapes before ("Discreet Music," Fripp and Eno's 2 recordings), none better encapsulated at the time what he was driving towards better than this lp (in my view, "Ambient 4: On Land" best encapsulates ambient music).
This lp is a gem of the highest calibre, and is a must in any reputable music collection. A must have.
Eno captured the essence of the instruments he recorded, looping them and interweaving them to accomplish an exquisite minimalist sound in all four songs. From the first track (over 17 minutes in duration), which features pianos and synthesizer, the album captures you. In the second track, the haunting sampled voices that walk the aisles of a multitude of sound layers bring a dimension to the music that was unheard of until then. Track 1/2 combines the instruments from the first two tracks (voices and piano) in a new fashion, due to the phasing of the tape loops, which makes them "explore" new musical spaces as they evolve through the track's 12+ minutes of duration. The last track only reconfirms the exquisite character of the album, bringing it all back home.
The fact that this album was recorded in 1978 is very impressive, since it became a landmark of the ambient movement to follow in future decades. But the fact that it was recorded at all and it reaches such levels of (almost) painful beauty would suffice to place Eno in the level of the best artists and producers alive. Other musicians influenced by Eno that are highly recommendable would be Mark Isham (OST for "Crash") and Cliff Martinez (OST for "Traffic").
The opening movement, and probably the best on the release, is a good example of Eno's idiom-- two or three extended loops of simple piano and electric piano intertwine. The results are absolutely stunning as the music has a delicate and gentle quality to it. While the rest of the record isn't nearly as good as this piece (one piece is a vocal-only loop piece, one is vocal-and-piano, and the closer is pure synthesizer), it is all quite good.
"Music For Airports" is an engaging and interesting record, well worth investigation for anyone interested in ambient music. I prefer Eno's "Discreet Music" for early ambient material, but this is a superb record. Recommended.
Most Recent Customer Reviews
Fantastic album. If you like early ambient music that is minimalistic and pure you will like Music for AirportsPublished 3 months ago by M. Bokil
Nearly impossible to find these tracks!
Eno writes and performs music like no one else! Love it!!! Read more