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An American Childhood Paperback – January 1, 1989
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"An American Childhood more than takes the reader's breath away. It consumes you as you consume it, so that, when you have put down this book, you're a different person, one who has virtually experienced another childhood." — Chicago Tribune
A book that instantly captured the hearts of readers across the country, An American Childhood is Pulitzer Prize-winning author Annie Dillard's poignant, vivid memoir of growing up in Pittsburgh in the 1950s and 60s.
Dedicated to her parents—from whom she learned a love of language and the importance of following your deepest passions—Dillard's brilliant memoir will resonate with anyone who has ever recalled with longing playing baseball on an endless summer afternoon, caring for a pristine rock collection, or knowing in your heart that a book was written just for you.
- Print length272 pages
- LanguageEnglish
- Publication dateJanuary 1, 1989
- Dimensions7.9 x 5.2 x 0.7 inches
- ISBN-100060915188
- ISBN-13978-0060915186
- Lexile measure1040L
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"[An American Childhood] combines the child's sense of wonder with the adult's intelligence and is written in some of the finest prose that exists in contemporary America. It is a special sort of memoir that is entirely successful...This new book is [Annie Dillard's] best, a joyous ode to her own happy childhood." — Chicago Tribune
"A vivid and thoughtful evocation of particular personal experiences that have an exuberantly timeless appeal." — Chicago Sun-Times
"An American Childhood does all this so consummately with Annie Dillard's 50s childhood in Pittsburgh that it more than takes the reader's breath away. It consumes you as you consume it, so that, when you have put down this book, you're a different person, one who has virtually experiences another childhood." — Chicago Tribune
"An American Childhood shimmers with the same rich detail, the same keen and often wry observations as her first book [Pilgrim at Tinker Creek]." — Charlotte Observer
"By turns wry, provocative and sometimes breathtaking...This is a work marked by exquisite insight." — Boston Globe
"Every paragraph Dillard writes is full of information, presenting the mundane with inventive freshness and offering exotic surprises as dessert...[Annie Dillard] is one of nature's prize wonders herself--an example of sentient homo sapiens pushing the limits of the creative imagination. She deserves our close attentions." — Chicago Tribune
"Loving and lyrical, nostalgic without being wistful, this is a book about the capacity for joy." — Los Angeles Times
"The reader who can't find something to whoop about is not alive. An American Childhood is perhaps the best American autobiography since Russell Baker's Growing Up." — Philadelphia Inquirer
"A remarkable work...an exceptionally interesting account." — New York Times
From the Back Cover
A book that instantly captured the hearts of readers across the country, An American Childhood is Pulitzer Prize-winning author Annie Dillard's poignant, vivid memoir of growing up in Pittsburgh in the 1950s.
About the Author
Annie Dillard is the Pulitzer Prize-winning author of Pilgrim at Tinker Creek, An American Childhood, The Writing Life, The Living and The Maytrees. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts.
From The Washington Post
Annie Dillard blazed onto the scene exactly 30 years ago with the publication of Pilgrim at Tinker Creek, a meditation on the natural world that The Washington Post called "Walden with Pizzazz." Published when Dillard was just 29, and only a few months after her slim volume of poetry Tickets for a Prayer Wheel had landed with little notice, Pilgrim was stamped with the imprimatur of the Pulitzer Prize for general nonfiction the following year. After the publication of four more books, she turned her attention to her own world in An American Childhood, a lyrical look at her idyllic and privileged childhood in Pittsburgh in the 1950s.
Dillard captures the genius loci of at least a part of the city then and lovingly describes her unorthodox, caring parents. Her father, who not only helped make the classic cult movie "Night of the Living Dead" but read On the Road at least as many times as she did ("approximately a million"), "walked lightly, long-legged, like a soft-shoe hoofer barely in touch with the floor." Her mother, an "unstoppable force," always reminded her that she didn't know everything yet and gave her "the freedom of the streets as soon as I could say our telephone number." Along with the idea that Annie and her two sisters were "expected to take a stand," her mother also clearly passed on her love of language. One of Dillard's hilarious retellings is of her mother overhearing the play-by-play of a Sunday afternoon baseball game and asking of the phrase "Terwilliger bunts one," "Is that English?" In summing up the compelling characters surrounding her, Dillard writes, "Everyone in the family was a dancing fool," making us all want that family.
In many ways this is less a coming-of-age story than it is a "coming-awake" one. This curious (double entendre intended) woman chronicles her own self-awareness. An intense, creative, acutely observant child with an outsized sense of wonder, Dillard dramatically, even breathlessly, writes of being 10 years old and increasingly aware of the world:
"The great outer world hove into view and began to fill with things that had apparently been there all along. . . . I woke at intervals until . . . I was more often awake than not. I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again." Although she is writing at three decades' remove, we readers feel the immediacy of this child's time of "heart-stopping transition, of this breakthrough shift between seeing and knowing you see, between being and knowing you be."
For me, the book resonates especially in Dillard's descriptions of her reading -- its importance, its content, its value as escape. Reading, for her, took on a life of its own. It became what W.D. Wetherell, in his review of this book for The Post, called her "most requited" love. She responded to the "dreamlike interior murmur of books" and "opened books like jars."
With good reason, An American Childhood was a finalist for the National Book Critics Circle Award, as well as a bestseller. It's easy reading -- happy reading, even -- and, at least for me, it's lively and whimsical, but serious enough so that it doesn't creep over into the saccharine. I read this book as soon as it appeared, and this re-reading proved only a little less satisfying the second time around, perhaps because I've put more distance between me and my own childhood. Please join me with your questions and comments for an online discussion of An American Childhood on Thursday, Aug. 26, at 3 p.m. on washingtonpost.com/liveonline.
Copyright 2004, The Washington Post Co. All Rights Reserved.
Product details
- Publisher : Harper & Row Publishers; 1st Edition (January 1, 1989)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 0060915188
- ISBN-13 : 978-0060915186
- Lexile measure : 1040L
- Item Weight : 7.2 ounces
- Dimensions : 7.9 x 5.2 x 0.7 inches
- Best Sellers Rank: #123,941 in Books (See Top 100 in Books)
- #497 in Author Biographies
- #1,462 in Women's Biographies
- #5,189 in Memoirs (Books)
- Customer Reviews:
About the author

Annie Dillard is the author of ten books, including the Pulitzer Prize-winner Pilgrim at Tinker Creek, as well as An American Childhood, The Living, and Mornings Like This. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her family.
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One of the treats of Dillard's memoir is how she portrays the "interior life" or life of imagination of a small child, and how that very solipsistic world is gradually fragmented by and then integrated with the exterior world of other people, and of history and the passage of time. A mission of Dillard's as a girl was to experience as much as she could, as fully as she could, and then remember as much of it as she could. "How much noticing could I permit myself without driving myself round the bend? * * * Too little noticing, though--I would risk much to avoid this--and I would miss the whole show. I would wake on my deathbed and say, What was that?" So Dillard pushed herself to observe - and remember - all kinds of details. Such things as the skin on her mother's hands, people's faces, games of "capture the flag", throwing snowballs at cars, air raid drills with heads pressed against the walls and arms folded over heads, ballroom dancing with the awkward other-worldly boys, and the exploits of Roberto Clemente in right field. But, as Dillard remarks near the end of the book, the particulars are not important. "What is important is anyone's coming awake and discovering a place, finding in full orbit a spinning globe one can lean over, catch, and jump on."
AN AMERICAN CHILDHOOD is the antithesis of - and an antidote for - those all-too-common contemporary memoirs of victimhood.
For me, this was not a book to be read like a novel by curling up and diving in. There is SO much to read, feel and digest, that I read it in small segments. I would read a little, think about it and talk to my husband about it. It is a book to be savored and, perhaps, read as a meditation. A meditation on the awakening of one's senses, on one's experiencing of life as it unfolds and as one becomes aware of the larger world. It is a beautiful book but if you are looking for an action packed thriller or a hot romance, this is not the book for you.









