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American Dervish: A Novel Hardcover – January 9, 2012
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"Akhtar, the star and director of the 2005 terrorism drama The War Within, offers what promises to be one of the most complex treatments of Muslim immigration and fundamentalism to come from an American-born (albeit first-generation) writer."―Boris Kachka, New York Magazine
"Whether you believe religion is a precious gift from God or the greatest scourge of mankind, you will find yourself represented in these pages. With brilliant storytelling and exquisitely balanced points of view, Ayad Akhtar creates characters who experience the rapture of religion but also have their lives ripped apart by it."―Manil Suri, author of The Death of Vishnu and The Age of Shiva
"Akhtar's graceful and moving novel is a story most immigrants can relate to, regardless of background, but resonates particularly with first generation Muslim-Americans who, in this interconnected world, struggle daily with both a clash of cultures and (today) a deep suspicion of, if not prejudice against the faith of their forefathers. But apart from that, it is a wonderful story of coming to terms with who one is, and who society expects one to be--and absolutely everyone can relate to that."―Hooman Majd, author of The Ayatollah Begs to Differ and The Ayatollahs' Democracy
"A compelling debut with a family drama centered on questions of religious and ethnic identity.... Akhtar, himself a first-generation Pakistani-American from Milwaukee, perfectly balances a moving exploration of the understanding and serenity Islam imparts to an unhappy preteen with an unsparing portrait of fundamentalist bigotry and cruelty.... His well-written, strongly plotted narrative is essentially a conventional tale of family conflict and adolescent angst, strikingly individualized by its Muslim fabric. Hayat's father is in many ways the most complex and intriguing character, but Mina and Nathan achieve a tragic nobility that goes beyond their plot function as instruments of the boy's moral awakening.... [The story's] warm tone and traditional but heartfelt coming-of-age lesson will appeal to a broad readership. Engaging and accessible, thoughtful without being daunting: This may be the novel that brings Muslim-American fiction into the commercial mainstream."―Kirkus Reviews (Starred Review)
"The young teen's personal story about growing up in Muslim America is both particular and universal, with intense connections of faith, sorrow, tenderness, anger, betrayal, questioning, and love."―Hazel Rochman, Booklist
"AMERICAN DERVISH opens with an epigram from the Hadith Qudsi (sacred sayings of Muhammad): "And Allah said: I am with the ones whose hearts are torn." A fitting quote for this moving, insightful story about religion and family, immigration and assimilation, wherein hearts are numbed, warmed and broken. Faith and love are found, lost and re-formed as the narrator, Hayat Shah, travels a jagged road through the early years of adolescence with all its confusions and dramatic certainties.... Ayad Akhtar's explorations into the tension between the universal truths of religion and literal readings of its documents plays out effectively in AMERICAN DERVISH, his debut novel. Already a master of scene and dialogue, and evocative prose, he's created a compelling and visceral story. When Mina teaches Hayat to listen to the still small voice within that can only be heard by finding the silence at the end of a breath, Hayat tries, and discovers what will continue to inspire him to find the still, small voice hidden between and beneath each breath, and, with it, wisdom and insight."―Marilyn Dahl, Shelf Awareness
"Loss of innocence-sexual, of course, but also cultural and religious-is the subject of Ayad Akhtar's poignant AMERICAN DERVISH, set in a Muslim-American community in the early 1980s.... With characters full of contradictions and complexity, this debut novel is refreshing for its lack of the political and religious hand-wringing so common in the post-9/11 world. But it's also resonantly familiar in its depiction of youthful obsession and the desire to belong."―Sara Nelson, O, the Oprah Magazine
"AMERICAN DERVISH is an intelligent, courageously honest book about religion that never bogs down in dogma, proscriptions, or easy answers. The characters are memorable and alive, most of all the narrator's fierce, tough-minded mother and gorgeous, tragically principled "auntie," who in different ways help the young narrator on his difficult path of doubt, faith, and, hopefully, happiness. The story is as stirring and thought-provoking as it is compulsively page-turning."―Kate Christensen, author of The Astral and The Great Man
"[A] heartfelt first novel.... Akhtar himself is the son of Pakistani immigrants who settled in Wisconsin, and his knowing take on the complexities of that particular experience feels fresh.... The book's central tension between secularism and religiosity obviously has broader significance, and Akhtar explores these issues with admirable nuance.... Akhtar's characters drive a story that's compelling and believable even at its most alien. AMERICAN DERVISH offers a rich look at a nearby world that many Americans don't know nearly enough about."―Rob Brunner, Entertainment Weekly
"What a pleasure to encounter a first novel as self-assured and effortlessly told as Ayad Akhtar's AMERICAN DERVISH. Mr. Akhtar, a first-generation Pakistani-American, has written an immensely entertaining coming-of-age story set during the early 1980s among the Pakistanis in the author's hometown, Milwaukee.... Mr. Akhtar's astute observations of the clashes between old world and new, between secular and sacred, among immigrants might seem familiar to readers of both contemporary and classic literature.... But what distinguishes Mr. Akhtar's novel is its generosity and its willingness to embrace the contradictions of its memorably idiosyncratic characters and the society they inhabit.... Mr. Akhtar is particularly adept at depicting the tensions between Jews and Muslims in pre-Sept. 11 America.... Yet for all the rage and satire contained within its pages, Mr. Akhtar's novel is far from an antireligious screed in the tradition of Christopher Hitchens. It is instead admirably restrained, deeply appreciative of some aspects of Islam and ultimately far more interested in raising provocative questions than in definitively answering them.... [A] charming debut."―Adam Langer, New York Times
"Akhtar dazzles with his debut novel about a Muslim family in pre-9/11 America.... Ambitious but accessible, playwright Akhtar's engaging first novel tells a particularly fresh and touching coming-of-age story that illuminates the everyday lives of Muslims in America and brings new resonance to universal questions of belief and belonging." 3-1/2 stars―Helen Rogan, People
"[An] astutely observed novel.... Akhtar, a promising young playwright publishing his debut novel, embraces the contradictions - spiritual, sexual, cultural - of growing up Muslim in America in AMERICAN DERVISH. Hayat's story of betrayal comprises the meat of the novel, which will leave a hole in the heart of the biggest sinner. Whether you are Muslim, Jewish or Christian, this coming-of-age tale hits home.... Intelligently written, emotionally charged, AMERICAN DERVISH is a loss-of-innocence tale that will leave readers pondering the state of their own faith.... it's likely that Akhtar's novel will be on many 2012 best-books lists, including that of the Express-News."―Steve Bennett, San Antonio Express News
"Ayad Akhtar's wonderful first novel tells a quintessentially American coming-of-age story: The child of immigrants struggles to find a place in his life for the traditions and beliefs of his ancestral homeland in a new world of broader possibilities that are both enticing and threatening. Although the main narrative unfolds in the early 1980s, it speaks to issues that collectively preoccupy us even more today... AMERICAN DERVISH so richly depicts a wide variety of humanly inconsistent and fallible characters that it feels reductive to call it a Muslim American novel, yet it is impossible to call it anything else because it is steeped in the tenets of Islam and a fierce debate over their deepest meaning.... Akhtar's complicated, conflicted characters are not helpless victims; they make irrevocable mistakes and do dreadful things, but Akhtar encourages us to understand and forgive.... The vivid particulars of [Hayat's] spiritual quest and emotional confusion embody universal experiences: growing up, learning to accept the faults of those you love (and your own), achieving an identity nourished by your roots but shaped by your individual needs and aspirations. Akhtar's poignant and wise debut announces the arrival of a generous new voice in American fiction."―Wendy Smith, The Washington Post
"AMERICAN DERVISH is set to become The Help of 2012."
―Beth Kephart, The Chicago Tribune
In this remarkably self-assured, infectiously readable debut novel, Ayad Akhtar beams readers directly inside Hayat's young mind. His growing love for Mina - as his revered "auntie,'' focus of his budding sexual interest, and teacher of Islam through nightly Koran readings - feels sweet yet fraught. After listening to her read these lyrical holy verses, Hayat floats back to his room "my heart softened and sweet, my senses heightened.'' Of course it's headed toward disaster, but Akhtar lets the ensuring calamities unfold without melodrama. Along the way, Hayat learns that his beloved adults' worst flaws sometimes coincide with what is most lovable and laudable about them, and that faith, mystery, and love have less to do with any religious text than with the human heart.―Kate Tuttle, The Boston Globe
"Akhtar is a well-experienced, wonderful writer who approaches a difficult subject confidently and without any pretense.... AMERICAN DERVISH is one of those rare (and, at times, uncomfortable) books that deserves a literary award."―Melissa Smith, Book Reporter
"AMERICAN DERVISH is a strong candidate for the title of the Great Muslim American Novel."―Mark Athitaki, AARP.com
"[D]isturbing, complex and....fascinating... AMERICAN DERVISH is nuanced and full of surprises, conveying the dilemmas many people - not just Muslims - face when they immigrate to the United States."―Repps Hudson, St. Louis Post-Dispatch
"The Muslim American novel has arrived, and it is titled AMERICAN DERVISH. There have been other novels by and about Muslim Americans, but Ayad Akhtar's tale distinguishes itself from its predecessors....by probing controversial aspects of Islam alongside its sympathetic portrayal of one Muslim American boy's maturation. Akhtar has not only created a heartfelt and arresting story of a precocious but impressionable boy trying to navigate faith, folly, and family; he has provided an intellectually rigorous and unflinchingly conscientious examination of the fraught and much-manipulated subject of Muslim scripture."―Rayyan Al-Shawaf, The Brooklyn Rail
"[B]eautifully written..."―Lorraine Ali, Los Angeles Times
"A riveting and disturbing tale.... The power of this unsettling novel lies in Akhtar's refusal to simplify such contradictions."―William Green
"AMERICAN DERVISH describes the varied distractions of ecstasy, spiritual and physical."―Susan Salter Reynolds, Newsday
"DERVISH is a well-observed story about the fault lines that run through religions, families and communities."―Andy Lewis, The Hollywood Reporter
"Reading AMERICAN DERVISH is like wandering through an old city where each winding street leads to another you never guessed existed. Just when you think you've reached the end of town, you discover yet more twists and turns. Ayad Akhtar constructs an emotional maze layered with questions of faith, love, identity, individual choice and collective loyalty. All written in the simple words of a ten-year-old Pakistani-American boy."―Esther Perel, author of Mating in Captivity
"A triumph of a book. A courageous, deftly told story of finding and losing love, faith, and the false comforts of moral righteousness. Above all else, AMERICAN DERVISH is a laid-bare novel of the dark contradictions of the human heart."―Gregg Hurwitz, author of You're Next
"A pathos-filled coming-of-age narrative..."―Amelia Cook, The Daily Page (Isthmus)
"Timely and thought-provoking..."―Laura Hutson, Nashville Scene
"A screenwriter and playwright, Akhtar thinks visually, intuitively grasping the power of a well-arranged set piece.... The resulting conflicts make for some compelling scenes in which abstract ideas - alternative versions of Islam, the role of women and the meaning of tolerance - play out through the characters who embody them."―Mike Fischer, Milwaukee Journal Sentinel
"By turns, beautiful, seductive, [and] dangerous.... Akhtar's characters are certainly built to carry the weight of melodrama. Hayat, Mina, Naveed, Muneer and Nathan are nuanced beings, as surprising, irritating and endearing as people in the real world. There's no pure good or pure evil in Akhtar's novel, just a whole lot of in between. And no matter how theatrical the story becomes, readers will stay until the end of the show."―Maggie Galehouse, The Houston Chronicle
"Ayad Akhtar's engaging first novel is about weighty matters: religion and politics and the troubled nexus in between. It's also a consideration of what it means to be ethnically "other" in America, a coming of age tale, and a story of guilt and redemption. It's a compulsively readable novel, one I consumed in big gulps, eager to see where this gifted storyteller would take his appealing cast of characters...Akhtar, an award-winning playwright, brings into sharp relief the conflicts between East and West, and at the same time dramatizes universal elements of our flawed humanity. In the novel's epilogue, Hayat hints that his own "wonderful and troubled interfaith romance" will be the source of "a tale for another time." I'll be among the first to order a copy."―Kathryn Lang, Dallas Morning News
"Haunting.... The time is right to explore the multifaceted Akhtar's work."―Agnes Torres Al-Shibibi, Seattle Times
About the Author
Ayad Akhtar is an American-born, first generation Pakistani-American from Milwaukee, Wisconsin. He holds degrees in Theater from Brown University and in Directing from the Graduate Film Program at Columbia University, where he won multiple awards for his work. He is the author of numerous screenplays and was star and co-writer of The War Within, which premiered at the 2005 Toronto Film Festival and was nominated for an Independent Spirit Award for Best Screenplay and an International Press Academy Satellite Award for Best Picture - Drama. American Dervish is his first novel.
Top customer reviews
As for the book itself, I really enjoyed it. The writing is good, but occasionally a little unsubtle. It read fast. The author says it was cut to about half its original length, and I suspect that editing helped a lot. I really got the sense that I learned something of the Muslim experience in a thoughtful young man. The book was also a coming of age tale. It reminded me of my own youth in some ways, in a Christian tradition, and led me to reflect on the development of sexuality and religious fervor, and how the two may be connected. And it made me think of the development of fanaticism, something many adolescents may dabble with, though most do not adopt for long. Overall, I think it is an enjoyable read, which also touches on some very important topics.
American Dervish has many poignant parts in which we get to see a deeper human connection, in the end realizing the hardships of what it means to be a ten year old. I find a juxtaposition of outcomes in American Dervish that I think are applicable for America today as both Islamophobia, the irrational fear of Islam, and interfaith marriages are becoming more prevalent.
On the one hand, American Dervish does what it intends to do, which is to make you take a step back and think about the role of culture in how you view every day occurrences all the way to existential questions. What does it mean to be a Muslim? A Christian? A Jew? We see Hayat wrestle with these same questions throughout the work. Hayat, recalling as a ten year old, notices his mother, a Muslim, asking the Jewish butcher about Yom Kippur. After this discussion, she had decided that Yom Kippur was a “fine idea as there had ever been about a holiday, and everyone, Jewish or not, should also be celebrating it.” A Muslim celebrating Yom Kippur, the Jewish day of Atonement? Why not?
And what about the role of belief in all of this? Hayat seems repeatedly confused that religion might be something more than belief when he asks his mother about Nathan, the Jewish man with whom Mina had fallen in love. What role does belief have in all of this, intermarriage, Islamophobia, diversity anyway? Through Hayat, Akhtar makes us take a step back and realize our own belief systems at work in our everyday lives.
American Dervish provides us with fodder to talk about our similarities, differences, and the hardships of growing up with diversity. In doing so, however, it shirks the responsibility of the respect necessary for the traditions of Judaism and Islam. Akhtar unfortunately paints the picture that Islam as an oppressive religious tradition through Mina’s new husband. We ought to know that this is not the case. Islam is not a monolithic tradition, just like your fellow Westboro Baptist Church Christians do not agree with my more liberal ELCA Lutheran friends. In getting the discussion about diversity, Islamophobia, and intermarriage, Akhtar really ought to have given more of a say to another voice of Islam.
In the end, American Dervish will hopefully get the conversation started. In Akhtar’s writing, we are called to give a critical look into how our own beliefs, relationships, and interpretations lead to how we view the world. I would recommend American Dervish to anyone more curious about interfaith marriages and how they might play out.
This book focuses on the trials and challenges of a Muslim-American family in Milwaukee, WI, and is written from the perspective of Hayat—a [nine] year old boy. Encountering the relatable twists and turns of adolescence, Hayat begins to develop romantic feelings toward his “aunt” Mina, a family friend from Pakistan who has fled a dangerous home situation and has moved in with Hayat’s family in America along with her four year old son. As Hayat and Mina grow closer, they develop a trusting relationship based on time spent studying and learning the Qur’an together.
This all changes when Nathan, another family friend, enters the scene. As Nathan and Mina begin to fall in love, suddenly Hayat’s world seems to be turned upside down—the love of his life has seemingly betrayed him, and for someone who is Jewish. Unexpectedly hurled into the world of interfaith relations and dialogue, Hayat struggles to understand how this new relationship should be approached. In addition to the internal conflict that Hayat experiences as he tries to determine his thoughts about the coexistence of religious traditions, he simultaneously witnesses the slew of negative repercussions stemming from the relationship that affect his family and the community around him.
The young point of view that readers receive in this novel is refreshing, honest, and raw—children are often much more perceptive to interpersonal dynamics than adults give them credit for. By offering an innocent perspective, readers are exposed to the inconvenient and confusing aspects of interfaith relationships that often don’t get talked about.
However, there are also some issues within this book. While the plot is constantly moving forward, it does so at the risk of being considered melodramatic at times. While many of the issues that take place within the Muslim-American families in this book are not dilemmas strictly limited to Islam (rather, they are human dilemmas), it is still slightly concerning that so many stereotypical issues arise. Even if the link between these negative events and the religious tradition of Islam is not intended, I worry that in a post 9/11 world readers will be more willing to make those connections and jump to conclusions. This is not to say that inconvenient truths should be avoided, but it does seem that this book is excessively dramatic at points.
That being said, this book does a great job of shedding light on the complexity and nuances of an interfaith relationship—along with the impact that it can have on a large scope of people. The slowly maturing narrative voice of Hayat gives readers an opportunity to grow along with him, deepening their understanding of interfaith dynamics while reminiscing on the familiar trials of puberty. As he ponders labels and barriers, the audience is invited to take a step back and do the same. All in all, this book is both entertaining and thought provoking; I would recommend American Dervish to those who are looking for a book which challenges perspective on multiple levels. (3.5 stars)