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The American Enemy: The History of French Anti-Americanism Paperback – November 1, 2006
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Buffon, as Philippe Roger demonstrates here, was just one of the first in a long line of Frenchmen who have built a history of anti-Americanism in that country, a progressive history that is alternately ludicrous and trenchant. The American Enemy is Roger's bestselling and widely acclaimed history of French anti-Americanism, presented here in English translation for the first time.
With elegance and good humor, Roger goes back 200 years to unearth the deep roots of this anti-Americanism and trace its changing nature, from the belittling, as Buffon did, of the "savage American" to France's resigned dependency on America for goods and commerce and finally to the fear of America's global domination in light of France's thwarted imperial ambitions. Roger sees French anti-Americanism as barely acquainted with actual fact; rather, anti-Americanism is a cultural pillar for the French, America an idea that the country and its culture have long defined themselves against.
Sharon Bowman's fine translation of this magisterial work brings French anti-Americanism into the broad light of day, offering fascinating reading for Americans who care about our image abroad and how it came about.
“Mr. Roger almost single-handedly creates a new field of study, tracing the nuances and imagery of anti-Americanism in France over 250 years. He shows that far from being a specific reaction to recent American policies, it has been knit into the very substance of French intellectual and cultural life. . . . His book stuns with its accumulated detail and analysis.”—Edward Rothstein, New York Times
“A brilliant and exhaustive guide to the history of French Ameriphobia.”—Simon Schama, New Yorker
About the Author
Philippe Roger is professor at l’École des hautes études en sciences sociales in Paris, editor-in-chief of Critique, the author of numerous books on French history and culture, and a member of the Centre national de la recherche scientifique. Sharon Bowman was awarded the Prix Amic de Soutien à la Création Littéraire by the Académie Française in 2002.
- Print length536 pages
- LanguageEnglish
- PublisherUniversity of Chicago Press
- Publication dateNovember 1, 2006
- Dimensions6 x 1.1 x 9 inches
- ISBN-100226723690
- ISBN-13978-0226723693
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Product details
- Publisher : University of Chicago Press (November 1, 2006)
- Language : English
- Paperback : 536 pages
- ISBN-10 : 0226723690
- ISBN-13 : 978-0226723693
- Item Weight : 1.62 pounds
- Dimensions : 6 x 1.1 x 9 inches
- Best Sellers Rank: #3,811,832 in Books (See Top 100 in Books)
- #7,945 in European Politics Books
- #17,947 in Literary Criticism & Theory
- #24,584 in Literary Movements & Periods
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The genealogical great-grandfather of French anti-Americanism was born in the Enlightenment. Here, scientists sought to catalog and categorize America, rejecting earlier reports of a land of abundance and forming a new idea of the new world as an unfortunate, God-forsaken land of homogeneity and degeneracy. This position served to repress European emigration which mercantile states feared as a tangible sign of decline. Essential to the formation of this prejudice against America was the idea that geography and climate were responsible for shaping the physical health of living beings. European scientists thought American skies were gray and cold, the air salty, the vegetation poisonous. The result was degeneracy in all things living. Animals were small, much smaller than their Eurasian equivalents according to the taxonomic system of the era, and men became weaker, shorter, dumber, and more cannibalistic with each succeeding generation. Even the eminent Benjamin Franklin could not readily convince French scientists that they had missed the mark. At a dinner in France, Franklin had all the guests, Americans and Frenchmen, stand to show that the shortest American was taller than the tallest Frenchman.
But as these scientific hypotheses crumbled, an aesthetic and cultural anti-Americanism took their place. America, it seemed, was progressing materially (those Americans surely were good at their favorite occupation, chopping down trees) but America was also losing its culture and its intellect, indeed its mind. This was the Turner thesis in reverse. American culture did not develop at the frontier's edge, but gradually evaporated as barbarism and savagery took hold. For the French, this was the worst conceivable enemy, a foe who was both British and savage! In addition, Americans took on their own irritating behaviors. They were so simple in their dress that they almost invited criticism for being pharisaical. As well, Americans' demigod Democracy created mob rule and crushed individual expression. America's example of materialism threatened both the cultural and spiritual.
But America kept getting stronger and was on the verge of becoming an economic and political world power. Thus the French hoped the American Civil War would lead to a Divided States of America; French political theorists assured that such a large Republic could not last. France sat in waiting for a Confederate victory, unable to justify any interference. Meanwhile, the French began to see the struggle in America as a contest between Anglo-Saxons and Latins, made all the more visible by the Monroe Doctrine, America's claim to dominant the entire Western Hemisphere. Beginning with their support of the Confederates, France now sympathized with the "other America", the marginalized others (Indians, Blacks, Laborers, etc.) in the crumbling real America. The originally pro-America traveler Frederic Gaillardet, for example, saw American democracy as a failure, unlike the France which the Americans no longer respected. As far as Gaillardet was concerned America was run by an aristocracy of wealth, nothing but WASP's and a strain of Puritanism.
The Spanish-American War, 1898. It is at this point which French anti-Americanism solidified, or came of age. Now it was obvious to French eyes that the American enemy was on the offensive. This war provided a political justification for French stereotypes developed in the nineteenth century. The French had built up the idea of an America run by Anglo-Saxon Yankee shopkeepers turned industrialists and monopolizers bent on conquering the Latin American world first and the rest of the world thereafter. Manifest destiny had overrun its natural borders and became blatant imperialism. What if American culture spread? The French saw American men as overworked, undersexed, and ruled by their women. Southerners, they realized, were not Latin, but "white trash", while new waves of European immigration to America meant the nouveau-riche homogenous Anglo-dominated America was now mixing with the riffraff of cast-out Europe. This mixture made the country even more hideous to French cultural eyes: a moral and cultural cesspool. Marxists also opposed immigration because it was a system to abuse the worker and delay the proletarian revolution.
In the twentieth century, Anglo-Saxonism meant a possible alliance between the U.S., Great Britain, and Germany. The U.S. could not be controlled in international affairs. American religion and idealism were epitomized in Woodrow Wilson, whom the French considered a self-important neurotic. U.S. aid for France in WWI was insufficient, the U.S. response too late. When a declining France couldn't pay its debt to the U.S., the country rebuked American demands for repayment. Formerly a debtor, the U.S. was now a creditor. After WWII the Marshall Plan was an over-the-top gesture of sympathy. Before the war, America had done too little to stop the rise of Hitler. After the war, America was greedy and run by Jews and businessmen (the U.S. presidents had little real power); it subjugated the world through usury and indenture, and was the worst of totalitarian states. As America became associated more with Capitalism, French leftists (both Marxists and Liberals) had an added motivation for opposition. In the inter-war period, French intellectuals looked to pan-Europeanism as a cultural and economic alternative and a counterweight to American world hegemony.
But America kept growing. American skyscrapers symbolized the insidious nature of this unbalanced growth. American cities were hellish and dehumanizing, stretching forever into the former American wasteland. America had never had civilization. It knew only barbarism, like the slaughterhouses of Sinclair Lewis, and technocracy, the subjection of mankind to the machinery of Henry Ford and Frederick Winslow Taylor. Everything American seemed artificial, conforming, or restricted, while France was organic, personal, open and public. The philosopher Jean-Paul Sartre went so far as to cease correspondence with American all together. The country had lost its soul. It had sold out to Hollywood, mass culture, anti-intellectualism, and false religion.
Roger doesn't seem very sympathetic to the French, and I suppose he is right to mark a lot of the French anti-Americanism as absurdities formulated in fear of American power. It was the perception of power which lead the French to draw Americans as beasts who built up their jaw muscles with chewing gum, and who looked with hunger at gobbling up foreign countries. He shows how French intellectuals cited bogus statistics, contradicted each other and themselves, and helped steer an anti-Americanism that was as real as it was essential to being French.
