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American Gods MP3 CD – September 20, 2005

4.1 out of 5 stars 3,220 customer reviews

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Editorial Reviews

Amazon.com Review

American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.
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Product Details

  • MP3 CD: 2 pages
  • Publisher: HarperCollins; MP3 Una edition (September 20, 2005)
  • Language: English
  • ISBN-10: 0060836253
  • ISBN-13: 978-0060836252
  • Product Dimensions: 7.6 x 5.3 x 0.6 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (3,220 customer reviews)
  • Amazon Best Sellers Rank: #1,775,616 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Mr. Jared C. Serra on July 6, 2011
Format: Hardcover
There are so many reviews of the old book I won't spend much time doing that here. It is a modern day masterpiece. One that will be remembered for a long time.

What I would like to address is which edition you should purchase. If you already own American Gods then there is almost nothing new to be found here. There is just a small amount of new content. You should at least read his introduction to this edition. So if you have never purchased this book before then this is the best looking and most complete version available.

Bottom line is don't double dip but if this is your first copy you owe it to yourself to get this edition.
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Format: Hardcover
Released from prison shortly after the accidental death of his wife, ex-con Shadow finds himself free, but bereft of all the things that gave his previous life meaning. As he bids his farewell to the fragments of that life, an eerie stranger named Mr. Wednesday offers him employment. Wednesday needs someone to act as aid, driver, errand boy, and, in case of Wednesday's death, someone to hold a vigil for him. Shadow consents and finds himself drawn unsuspectingly into a cryptic reality where myth and legend coexist with today's realities.
Mr. Wednesday, trickster and wise man, is on a quest. The old gods who came over to this country with each human incursion have weakened as their followers have dwindled and are now threatened with extinction by the modern gods of technology and marketing. Wednesday travels from deity to deity, rounding up help for what will be last battle. He engages ancient Russian gods, Norse legends, Egyptian deities, and countless others who have found their way to America in the past 10,000 or so years. Shadow never quite understands what his role is in all of this, but he experiences visions and dreams which promise that he is far more than Wednesday's factotum.
The plot is unendingly inventive as it treks its way across the country. From Chicago to Rhode Island, and Seattle to the magical town of Lakeside, Shadow's journey seems to follow the back roads of America. The people he meets are gritty, and the gods are even grittier. Gaiman creates believable characters with quick brush strokes and builds vivid landscapes that belie their mundane origins. Gaiman, recently moved to the U.S. has invited us along on his own quest to discover an America uniquely his own.
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Format: Mass Market Paperback
The three star rating that I have given to American Gods is reflective of the ambivalence I feel toward it. I enjoyed reading it, and found it a real page-turner. The concept was fascinating and the mythological elements were interesting and clever in their American guises. So what's the problem? It is akin to the old chestnut about eating Chinese food - after devouring 600 plus pages of Mr. Gaiman's novel I found that I was still hungry, still unsatisfied despite the tastiness of Gaiman's talent.
The problem is that I was expecting an epic. The book's subject matter, length, awards, and reviews all scream epic. I was expecting something deep, meaningful, and memorable. Gaiman's writing talent teased me nearly all the way through that this was indeed what I was reading, yet it never quite delivered. Instead of a memorable epic, what I finally discovered in American Gods was a well-written and enjoyable pulp novel that felt much closer to a particularly well done Stephen King story than it did to an important mythological epic.
I did enjoy reading American Gods. Neil Gaiman is a talented writer, and if you are a fan, you will probably want to read it as well. But be warned to limit your expectations. Despite its length and hype, this book is not an epic, mythic or otherwise. File this one on your bookshelf beside King's The Stand rather than putting it beside Tolkien, Joseph Campbell, or Jung.

Theo Logos
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Format: Audible Audio Edition
This is a bad land for Gods...The old gods are ignored. The new gods are as quickly taken up as they are abandoned, cast aside for the next big thing. Either you've been forgotten, or you're scared you're going to be rendered obsolete, or maybe you're just getting tired of existing on the whims of people.

Shadow, just out of prison and with nothing to go home to, is hired to be Mr. Wednesday's bodyguard as he travels around America to warn all the other incarnations of gods, legends, and myths, that "a storm is coming." There's going to be a battle between the old gods who were brought to melting pot America by their faithful followers generations ago, and the new gods of technology, convenience, and individuality.

That's the premise of Neil Gaiman's American Gods and it's just crackling with promise! But unfortunately, that's not really what this novel is about. It's what the novel keeps telling us it's about (and what many critics told us it was about), but it doesn't deliver.

Yes, there are plenty of gods, myths, and legends, and Gaiman does great things with some of them (e.g., Ibis the undertaker and Mr. Nancy) but most are never developed and a reader who has not read an encyclopedia of folklore probably won't catch all the clever allusions.

Yes, there's Neil Gaiman's characteristic style, which I always enjoy. His prose is clean, unvarnished, and exquisite. His characters are recognizable; His America is recognizable. In fact, this was the best part of the book (and what Gaiman does so well) -- Shadow's roadtrip across the United States gave Gaiman plenty of opportunities to showcase his humorous insights into the human condition and, in this case, small-town American life. This was lovely, and I enjoyed these parts of the book.
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