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American Gods Hardcover – Illustrated, June 19, 2001
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Since it was first published, American Gods became an instant classic. Now discover the mystery and majesty of American Gods in this beautiful reissue of the Author's Preferred Text edition. Featuring a new preface by Neil Gaiman in honor of the novel's 20th anniversary, this commemorative volume is a true celebration of a modern masterpiece.
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and a rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own.
- Print length480 pages
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateJune 19, 2001
- Dimensions6.12 x 1.45 x 9.25 inches
- ISBN-100380973650
- ISBN-13978-0380973651
- Lexile measure840L
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Editorial Reviews
Amazon.com Review
Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.
Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.
More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton
From Publishers Weekly
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Copyright 2001 Reed Business Information, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
“American Gods manages to reinvent, and reassert, the enduring importance of fantastic literature itself in this late age of the world. Dark fun, and nourishing to the soul.” — Michael Chabon
“Provocative yet fun . . . Gaiman has applied his vast breadth of knowledge about all things mythological to a truly high concept.” — Entertainment Weekly
“Gaiman returns to the fertile killing ground that nourished The Sandman: that peculiarly American crossroads where pop culture intersects with religion, violence and death.” — Village Voice Literary Supplement
“Immensely rewarding . . . . Suffused with . . . powerful imagery and deftly painted characters . . . . A finely crafted novel of weight and significance [with] poetic descriptions, sharp-eyed criticism, and first-rate storytelling. There is much to enjoy, to admire, and to ponder in this unforgettable tale.” — Cleveland Plain Dealer
“Pointed, occasionally comic, often scary, consistently moving and provocative . . . . American Gods is strewn with secrets and magical visions.” — USA Today
“Mystery, satire, sex, horror, poetic prose-American Gods uses all these to keep the reader turning the pages.” — Washington Post
“Original, engrossing, and endlessly inventive.” — George R. R. Martin
American Gods is sexy, thrilling, dark, funny and poetic." — Teller, of Penn & Teller
"American Gods is like a fast run downhill through a maze -- both exhilarating and twisted." — Jane Lindskold, author of Changer and
From the Publisher
From the Back Cover
The storm was coming....
Shadow spent three years in prison, keeping his head down, doing his time. All he wanted was to get back to the loving arms of his wife and to stay out of trouble for the rest of his life. But days before his scheduled release, he learns that his wife has been killed in an accident, and his world becomes a colder place.
On the plane ride home to the funeral, Shadow meets a grizzled man who calls himself Mr. Wednesday. A self-styled grifter and rogue, Wednesday offers Shadow a job. And Shadow, a man with nothing to lose, accepts.
But working for the enigmatic Wednesday is not without its price, and Shadow soon learns that his role in Wednesday's schemes will be far more dangerous than he ever could have imagined. Entangled in a world of secrets, he embarks on a wild road trip and encounters, among others, the murderous Czernobog, the impish Mr. Nancy, and the beautiful Easter -- all of whom seem to know more about Shadow than he himself does.
Shadow will learn that the past does not die, that everyone, including his late wife, had secrets, and that the stakes are higher than anyone could have imagined.
All around them a storm of epic proportions threatens to break. Soon Shadow and Wednesday will be swept up into a conflict as old as humanity itself. For beneath the placid surface of everyday life a war is being fought -- and the prize is the very soul of America.
As unsettling as it is exhilarating, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. Magnificently told, this work of literary magic will haunt the reader far beyond the final page.
About the Author
Neil Gaiman is a #1 New York Times bestselling author of books for children and adults whose award-winning titles include Norse Mythology, American Gods, The Graveyard Book, Good Omens (with Terry Pratchett), Coraline, and The Sandman graphic novels. Neil Gaiman is a Goodwill Ambassador for UNHCR and Professor in the Arts at Bard College.
Product details
- Publisher : William Morrow; First Edition (June 19, 2001)
- Language : English
- Hardcover : 480 pages
- ISBN-10 : 0380973650
- ISBN-13 : 978-0380973651
- Lexile measure : 840L
- Item Weight : 1.48 pounds
- Dimensions : 6.12 x 1.45 x 9.25 inches
- Best Sellers Rank: #361,599 in Books (See Top 100 in Books)
- #3,261 in Folklore (Books)
- #6,517 in Fantasy Action & Adventure
- #12,762 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
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About the author

Neil Gaiman is the #1 New York Times bestselling author of more than twenty books, including Norse Mythology, Neverwhere, and The Graveyard Book. Among his numerous literary awards are the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. He is a Professor in the Arts at Bard College.
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Secondly, I benefitted greatly from a website that compiled and explained the mythology behind various gods and characters. If you decide to read this book, may I highly recommend bookmarking and referencing "Only The Gods Are Real?" [...]
Trust me when I say you will appreciate the way Gaiman weaves metaphor and mythology so much MORE when you understand the stories he's drawing from. The way he describes the gods and the situations he places them in is nothing short of brilliant.
American Gods is a really large elephant of a book. It's been a few days since I've finished reading this novel, and I'm still trying to wrap my head around all of the various concepts and layers. When I focus on one aspect of the book, the others seem to fade out of reach in my mind.
They're still there, but slightly out of view. Then, as I shift my attention to another angle of the story, the original thought recedes and goes out of focus. I realize that they're all connected and inter-related, but being able to explain precisely how it all fits is a challenge that seems beyond my scope and ability. In the end, I've been left with a sense of enormity and magnificence, while still not managing to see the whole beast at once.
So, then, let's look at the components separately, instead.
+++American Gods is a story about a man named Shadow Moon.+++
Shadow Moon is a man who was sentenced to six years in jail and is due to be released early for good behavior after only serving three of them. A few days before he's to be freed, his life is shattered when he finds out that his wife has died in a car crash.
On his way home, to attend his wife's funeral, he meets a man named Mr. Wednesday. Mr. Wednesday wants to hire him on as his bodyguard and all around errand boy. Originally, Shadow declines the offer, but Mr. Wednesday is insistent and eventually Shadow acquiesces- with a few stipulations.
From the very beginning, Shadow can tell that things are not all as they seem. At first, he's reluctantly sucked into the events that unfold, but as things progress he becomes more willingly engaged. He comes to understand that there is a storm coming. There will be a great battle between old and new gods, and that Mr. Wednesday, who is really Odin in disguise, is at the heart of the events unfolding.
Much like the skin of an elephant, this is perhaps the easiest aspect of the story to identify. It is roughened by age and elements and yet still manages to be intriguing and comforting. Even if all you wanted to do was read this book on the surface level, it would be an entertaining and pleasant read.
+++American Gods is a story about the struggle between old and new.+++
Odin is the greatest Norse God, otherwise known as the All-Father. Immigrants brought the old gods from all over the world to America in their hearts and minds. Gods have come from China, Greece, India, Ireland, Egypt, and anywhere there were people who prayed and kept faith in a higher being.
Slaves, paupers, peasants all brought them oversea and across land on their backs and then tethered them within America's borders through sacrifice and worship. As the people who believed in them stopped believing, or teaching the new generations, or as they began to die off, the power of the old gods faded.
The old gods were left to fend for themselves and take what little bit they could from the mythology and stories that remained. They had to resort to lying, cheating, whoring and preying on the people as best they could for their existence.
Their diminished power made way for new gods. The gods of credit cards and freeways, television and computers, internet and media, modernization and progress.
What the new gods have not realized (or maybe they suspect and fear it's truth) is that everything is impermanent and their very existence is still inherently based off the belief that people instill in them.
As time moves forward, they will find themselves in a similar situation as the old gods. The lingo may be different, but the function is the same. The new gods fear that there isn't enough room in the people's hearts and minds for all of them, and so want to kill off the old gods.
+++American Gods is a story about religion and the role of gods in our society.+++
Gaiman delves into the roles that religion has played in all cultures around the world. At one point in the book, Mr. Wednesday says, "There's never been a true war that wasn't fought between two sets of people who were certain they were in the right."
How can anybody say this isn't relevant to today's geopolitical situation? With so much unrest in the Middle East and the blooming of the Arab Spring? With Iran rushing to gain nuclear capabilities and threatening to wipe Israel off the map; Israel threatening to train their weapons on Iran in retaliation. With the ethnic cleansing and genocide in Sudan and the Darfur?
Hasn't it always been the same throughout our history? These are relatively recent examples, but at any point in mankind's past, there is a religion being used as an excuse to wage war and commit murder on masses of people who are different and equally- fervently- calling themselves "right."
Throughout humanity, gods have been thought of as, "a dream, a hope, a woman, an ironist, a father, a city, a house of many rooms...a celestial being whose only interest is to make sure your football team, army, business, or marriage thrives, prospers, and triumphs over all opposition."
The vehicle used to express the idea of God (or gods) is through religion. Religions are, by definition, a metaphor. They are a means to relate the story and concept. At one point in the book religion is described as an operating system.
However, if you were to boil any religion down to its base, you'd be left with the concept that, in essence, gods are ideas. Ideas are more difficult to kill than people, it's true, but they can be killed and, therefore, it is possible to kill a god.
+++American Gods is a story about the American identity.+++
When Gaiman wrote this book, he'd been living in America for a few years and was trying to come to an understanding about our country's sense of identity. In his search, he takes the reader from Chicago to San Francisco to the smallest towns via back roads and kitschy tourist attractions. He addresses his findings and musing throughout the book and makes some very astute observations. Not exactly as a stranger, but not quite as an insider, either.
At one point Mr. Wednesday mentions, "This is the only country in the world that worries about what it is." Which, in my own limited experience, is exactly true. Throughout our history we've fretted over the influx of a particular demographic. Long ago, it was the Irish, then the Chinese. We've fought ourselves bloody over slavery and civil rights and interned our Japanese. A more modern example may be the laws recently passed in Arizona, primarily focusing on Hispanics.
Each era, we have questioned ourselves and what it means to be American. The ones who have been here longer wrap themselves in the flag and gorge themselves on apple pie, all the while tucking away their own immigrant ancestors. The fact is, nobody is American. Not originally. And, that is entirely the point.
One of the things I'm most proud of is my family heritage. My mom is caucasian. Blonde haired and blue eyed, her family has been in America since the 1700s and originated from England (I think there may be a bit of Irish and French in the mix, as well.) My maternal lineage could be considered one of the oldest families in America and has so many branches it's nearly impossible to keep track of them all.
In contrast, my dad is full blooded Thai and first generation American. It was my grandparents who immigrated back in the 1940s in order to attend university and eventually make lives for themselves. I love the fact that I am a combination of some of the oldest Americans and newest Americans. I feel like I am the true embodiment of what it means to be American because of these two aspects. It's helped me to have a greater appreciation for our immigrant nature and realized that everybody who comes to this country has had a hand in shaping it's heritage AND it's future.
I consider myself to be very patriotic. I still get a lump in my throat when I hear the national anthem hit that high note of hope and aspiration. I still marvel at the brilliance of the fireworks on the Fourth of July. And I insist on representing my country as best as I can when I go traveling abroad; choosing not to hide behind a Canadian flag simply because I'm afraid people will think less of me because of my country's reputation and propensity for war.
However, that's not to say that I haven't been critical of our government and foreign policies. That doesn't mean that I haven't marched and protested and written multiple letters to Congress. I think a major part of the American identity is the fact that we DO have a tendency towards self-reflection; of constantly looking in the mirror and asking, "Who are we?"
Despite our disparate pasts, cultures, languages and religions, how do we manage to make this country (that doesn't seem like it should work) function and persist? Even as we question our heritage, our language, our "American-ness" we have some undefined quality that makes us distinguishable from any other country.
+++American Gods is a story about an elephant.+++
Have you ever heard the story of the seven blind men in a room with an elephant? They are all asked to touch some part of the elephant and then to describe what it looks like.
The first blind man touches the elephant's leg and says, "An elephant is like a pillar."
The second blind man touches the elephant's tail and says, "No, an elephant is like a snake."
A third blind man touches the elephant's trunk and says, "No, it's like a tree branch."
The fourth blind man touches the elephant's ear and says, "An elephant is like a hand fan."
And so on, down the line, each blind man grabs hold of a part of the elephant and declares what it is.
In the end, they were all right, and yet...they were all wrong, as well. The fact was, the elephant was too large of a concept for any one man to grasp wholly. Some things are just larger than us and not meant to be fully understood.
To fight over things we can't possibly know, such as what the exact parameters are in order to be defined as "American," or over the will of God and the rules of higher beings, is an exercise in futility, ignorance and arrogance. Such is the impression I'm left with after reading American Gods by Neil Gaiman.
+++Epilogue+++
At the risk of mixing metaphors, or adding to this already bloated review, I'll leave you with one final quote from the book that I hope will help illuminate what I think is the essence of this book.
"One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless. The tale is the map that is the territory. You must remember this." - The Notebooks of Mr. Ibis.
This is my version of a map. I've tried to make it as accurate as possible, but in the end it is incomplete and inaccurate- as all maps must be- in describing this book. The best that anyone can do would be to just read the novel and find themselves as enchanted as I was with the landscape of Gaiman's novel.
The story is full of twists and revelations and keeps you on your toes for the most part. It’s uniqueness of story and characters you might heard of make it a compelling read.
Our main man protagonist struggles to find his place, struggles to find a reason to be alive. It’s a journey of self discovery, while caught in events he can hardly grasp.
We feel for him and he is likable however his lack of concrete goals and direction limits our levels of engagement. It’s understandable because it’s tied to the story itself, he is not meant to understand what is going on and he is meant to struggle to find a meaning in life, but still everything is short stories one after the other with fairly limited actual continuation.
In the end however it alls fits nicely.
The characters are interesting and in general likeable but there are plenty of them and it can be confusing if you are not into religions and their gods.
There are a few more characters that follow our protagonist and can be considered leads, but I would say that based on the premise of the story all the gods suffer from the same fate and we are set to sympathize. It’s funny because it’s pictured not to be far fetched. You can loosen your grip to reality and actually believe it true.
I think that’s the uniqueness and the largest achievement of the writer, how close the “what if” is to “maybe”.
The pacing is generally good, with thrilling or just intriguing short stories interweaved, though I believe the book could have been considerably shorter. I can’t vow that it wouldn’t lose its glory, but I’m pretty sure it lost me and my interest multiple times. It’s a thin line, world building and too much world building. Mysterious scenes and incomprehensible scenes.
This is where the 1/5 stars went.
The story ends nicely, wrapping up lose ends. There is not too much closure but there is just as much as we need. Good writing there. The revelations also play nicely. I got to admit however that in most of his journey our protagonist is almost a passenger and there is little choice you can actually attribute to himself. The “everything is predetermined” steals a little bit if the glory.
In conclusion, this is a book you ought to read. You need to be able to say “oh, I have read this one” and you won’t regret it. I’m also tempted to watch the series after I forget a bit about this, though it’s hard to really forget about it.
If you are looking for a protagonist who is gonna learn magic and evolve and battle with it, well you won’t find that. That doesn’t mean you won’t like what you’ll read. It’s one of those books that represent what you don’t know you want to read!
Top reviews from other countries
一応、最後にオチはつくので読後体験は悪くないです。ただ、著者の作品を初めて手に取るなら、墓場の少年かグッドオーメンズの方をおすすめします。
「Wednesday」の正体はこの語源を知っていればすぐにわかるのですが、そういった説明は作中では明確にはされません。全体的に、北欧神話やエジプト神話・スラブ神話くらいは、読者が知っていることを前提に書かれているような感じです。知らなくても楽しめるのでしょうが、若干、意味不明の部分が残るかもしれません。
新旧の神々の戦いという題材のわりに、派手さはそれほどありません。ですが、現実と幻想が交錯する不思議な感じがとても魅力的な小説です。人間社会で地道に生計をたてる、しょぼくれた感じの古き神々がイイ味だしてます。また、小道具の使い方や、ちょっとしたエピソードの描写が非常に上手いと感じました。
















