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American Technological Sublime (MIT Press) Paperback – February 28, 1996

4.7 out of 5 stars 3 customer reviews

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Product Details

  • Series: MIT Press
  • Paperback: 384 pages
  • Publisher: The MIT Press; Reprint edition (February 28, 1996)
  • Language: English
  • ISBN-10: 0262640341
  • ISBN-13: 978-0262640343
  • Product Dimensions: 6 x 0.9 x 9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,006,790 in Books (See Top 100 in Books)

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By FrKurt Messick HALL OF FAMEVINE VOICE on December 8, 2006
Format: Paperback
I use David Nye's text as one my assigned readings in the History of Technology course I am teaching at the local community college. It is good at giving more than a simple description of technology or of technological development and change over time, but rather provides an insight that involves the sociological, psychological, philosophical and even spiritual at times. The idea of the sublime is an interesting one, one that relates not only to things technological nor to things American, but when these concepts are put together, it produces a unique creation.

David Nye is not only a follower of Leo Marx, but was in fact one of his students, so it makes sense that there is a strong influence in method and content. Nye credits Leo Marx with the term `technological sublime', and worked later to apply it in different ways to the development in the course of American history.

`If any man-made object can be called sublime, surely the Golden Gate Bridge can. ... Icon of San Francisco and constantly featured on travel posters, postcards and brochures, it has become an instantly recognizable landmark. Yet, like every sublime object, this magnificent piece of civil engineering cannot be comprehended through words and images alone. When visited, it outstrips expectations.'

Nye develops certain key elements and icons such as the Golden Gate Bridge, the Statue of Liberty, the electric city-scape at night, and even developments such as nuclear weapons and space travel as examples of the sublime. These things creep into our consciousness and influence the way other things become part of the sublime, as Nye's final chapter on the consumer's sublime indicates.
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Format: Paperback
I use David Nye's text as one my assigned readings in the History of Technology course I am teaching at the local community college. It is good at giving more than a simple description of technology or of technological development and change over time, but rather provides an insight that involves the sociological, psychological, philosophical and even spiritual at times. The idea of the sublime is an interesting one, one that relates not only to things technological nor to things American, but when these concepts are put together, it produces a unique creation.

David Nye is not only a follower of Leo Marx, but was in fact one of his students, so it makes sense that there is a strong influence in method and content. Nye credits Leo Marx with the term `technological sublime', and worked later to apply it in different ways to the development in the course of American history.

`If any man-made object can be called sublime, surely the Golden Gate Bridge can. ... Icon of San Francisco and constantly featured on travel posters, postcards and brochures, it has become an instantly recognizable landmark. Yet, like every sublime object, this magnificent piece of civil engineering cannot be comprehended through words and images alone. When visited, it outstrips expectations.'

Nye develops certain key elements and icons such as the Golden Gate Bridge, the Statue of Liberty, the electric city-scape at night, and even developments such as nuclear weapons and space travel as examples of the sublime. These things creep into our consciousness and influence the way other things become part of the sublime, as Nye's final chapter on the consumer's sublime indicates.
Read more ›
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Format: Paperback
This is a useful book, full of scope and sway, but marred in my reading by being written (too uncritically) from within the techno-euphoria and liberal pieties of American Studies confirming what is so exceptional and blessed about being American. As such, it is a book more about American pastoral (a la Leo Marx) than about the traumas and will to imperial and global domination of the sublime but David Nye is too much of a devoted Marxian and Americanist to realize this is so. Anyway, read it and be amazed a la Whitman or Kerouac, dear reader, at the Broadway lights and the Hoover Dam!
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